Bigfoot
Bigfoot
| 21 October 1970 (USA)
Bigfoot Trailers

Bigfoot kidnaps some women and some bikers decide to go on a rescue mission to save them.

Reviews
TheUnknown837-1

There is no excuse for a movie this bad. Absolutely no excuse whatsoever. Not merely the fact that it has some good quality cast names in it (John Carradine, John Mitchum) but because it is completely treacherous not only to the industry and the art form, but to the filmmakers themselves. Making a movie like "Bigfoot" is like constructing the Empire State Building out of cardboard and expecting people to work in it every day without ever hearing a shred of complaint. It would also be astonishing that anybody even let you get that far. It's astonishing here, too.We all know the cult legend of the Americas' simian wonder. Well, as this movie would like us to believe, there is not just one Sasquatch, but dozens of them. And even though they are described (in the film) as being nine feet tall, in reality they're just stubby, man-sized fuzzballs who carry around clubs and sticks and tie people to trees with...I'm not sure what that was or how they got it. And I don't want to waste my precious brain cells pondering over it.Anyway, whatever. You've got a fashion model (played by real life fashion model Joi Lansing) who crashes her plane in the wilderness and is kidnapped by some lecherous Sasquatches. Then you have some rowdy bikers. One of their girls, while wandering about the woods in nothing but her bra and panties, is kidnapped by another. Her boyfriend sees the big ape and recruits a pair of goofball con men and they all embark on a mission to rescue their girls from the men in ape suits.The con men are played by John Carradine and John Mitchum, of all people. These two marvelous talents who were so wonderful in so many movies are the only ones involved in this treacherous production who act like professionals. Though they could have easily just hammed their way through (and nobdoy would have blamed them) they stick through to the end, even though they can't come within a lightyear of saving the movie."Bigfoot" looks and sounds as if it were made by a group of bottom feeders who had never seen a movie before in their lives. The photography is grainy and amateur and the audio on the soundtrack is so poorly assembled and recorded that you find yourself constantly adjusting the volume on your TV set. The screenplay is just the same set of words and phrases being repeated over and over again and the editing is absolutely horrendous. There is a horrible shot where Joi Lansing is on the run from a Sasquatch. She runs past us in the foreground and keeps on running until she's against the horizon. Then the Sasquatch appears to follow her. Between that point and the first one, we never cut away or adjust camera speed. Add to the fact that Joi Lansing was apparently trying to imitate Fay Wray in her screams and coming across as irksome. And the scene where she crashes her plane is missing not one, but several key shots so that we don't even get the whole picture of what has happened.I don't think I even need to touch on the special effects.This is one of the worst, most unremittingly agonizing and horrible movies ever made. As a person who has been and worked on a movie set and knows the pain and pressures that go into making a film, I find it absolutely appalling that anybody would even proceed and suffer their way through the production of something like this. The business isn't even that much of a money-maker for the cast and crew. It's the executives who really get the dough. So why bother unless you're at least going to put up an effort? There are other jobs out there. Other careers.

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zetes

If you list John Carradine's films in order of IMDb rating, Bigfoot ranks second to last. This is a guy who starred in films titled Hillbillys in a Haunted House, Billy the Kid vs. Dracula, Vampire Hookers, Satan's Cheerleaders and Sex Kittens Go to College, among many, many others. A gaggle of sasquatches are out looking for women to mate with in this extremely low budget flick that looks like it was filmed on spare sets from Hee Haw. John Carradine is the biggest star, but you also have big breasted Joi Lansing and two kids of famous Hollywood actors, Chris Mitchum and Lindsay Crosby. Robert Mitchum's brother, John, is also in it. Oh, and Jerry Marren, aka the green-shirted Munchkin from the Lollipop Guild (as well as, I believe, the only Munchkin who survives to this day) dons the costume of the child bigfoot. Anyway, a biker chick and a downed female pilot get captured by bigfeet, and Carradine and his bud John Mitchum join the gang, hoping to make money by capturing a live bigfoot. This is really cruddy, and pretty boring. It's rated at a dismal 1.4 on IMDb. I laughed at it enough, and it's short enough, where I'll rate it a tad higher. After all, the awesome poster of this film has decorated my wall for a few years ago (with the tagline "breeds with anything..."). This was the first time I ever watched an entire film on Youtube. That's certainly not preferable (a drive-in would be ideal), but it was the only way to see it.

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bob-mccord

I saw this movie when I was 6 and I've searched a long time for it I an what people would call a connoisseur of cheesy flicks and as a kid i enjoyed it and probably will again I spend a lot of time searching for these types of movies because I think because it drove my mom crazy. I look for the worst films I can find because they are so campy.Thats the fun of movies I find that the campier the better because they take my mind of things that bother me and relieve things on me even if its just for a short time but I loved the movie Bigfoot what I can remember about it and have recently found it on disc and ordered it as to have more fun watching it and having my memories of that age relived and hoping to find more of them like that to add to my collection

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IMOvies

BIGFOOT (1970) * (D: Robert F. Slatzer) Thank God for John Carradine, as he at least provides laughs as a southern hunter... but the rest of the movie is without value other than what he does/says next. Long, dead scenes pad out the 80+ minute running time.

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