This early Disney Technicolor short, part of the Silly Symphonies series, tackles the old story of the Pied Piper of Hamelin. The story is the one most of us know - town is overrun by rats so the town leaders hire the Piper to lure the rats out of town. He does this but they refuse to pay him, leading the Piper to exact his revenge in a manner that has creepier undertones these days than it did when this was made. Anyway, this is a good cartoon version of the story and teaches kids valuable lessons about paying your debts and the power of wind instruments. I guess it also teaches kids if a strange man shows up playing a flute you should follow him because he'll lead you to Toyland. The animation is very good, especially the backgrounds. The color is just gorgeous. The music is lively. All of the voice work is fine. Really not much bad to say about it except that, while it's good, it's not great.

The Pied Piper of Hamelin is a hard-edged story about honoring your commitments. This is because what exactly happened to the kids at the end was always kind of vague. For all we know, the Piper was a pedo or fed the kids to a dog food company! But since this is a cartoon for kids and comes from Disney, they weren't about to allow the story to go that way! The artwork was okay--not up to the standards of many of the better Silly Symphonies but still much better than the competition. The faces of the characters (especially the kids) are very simple--with little character. And, like some of the Silly Symphonies, this one has quite a bit of singing--a definite minus. But what bothered me is, as I said above, the stupid need to make this tough story happy--with the children all being taken to Toy Land AND the little kid who could barely walk being carried into this wonderful world by the nice Piper (in the original, he could not keep up and was left behind). All in all, not a bad cartoon--but it played too fast and loose with the original story to be of more interest.

This Silly Symphonies cartoon begins with a graphic example of how rats are overpowering Hamelin Town, all to the tune of a spirited song about the little creatures. The mayor of the city offers a bag of gold to anyone who will help the townspeople get rid of all the rats. The Pied Piper turns up, announcing he'll reduce the overrun rat population and accept the bag of gold for reward. Next thing you know, the little critters are all following him down a country road far away from town and he's ready to return for his gold. "I've done my work as I was told and now I'll take my bag of gold." The Mayor refuses to carry out the bargain and the townspeople say all he did was play a tune, so the Piper declares he'll remove all the children of the town from their influence. And so, he woos them off to a childhood paradise where they can sing and play rather than be used as little more than hard-worked servants by their parents.Charming animation helps make it a morality tale with a happy ending.

A Walt Disney SILLY SYMPHONY Cartoon Short.Hamelin Town is beset with an infestation of rats and the harried Mayor is only too glad to offer THE PIED PIPER a bag of gold to rid them of the plague. But once the rodents are removed, the Mayor reneges on his promise, leaving the Piper to take a most effective revenge...This cartoon offers a good interpretation of the story from the famous Robert Browning poem. Notice how some of the elements of the original have been altered by Disney: the rats no longer drown, they are simply made to vanish into thin air; and the Hamelin children are shown to be used almost as slave labor by their parents, making their removal by the Piper more like a rescue.The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.