I can't praise this beautiful masterpiece of a cartoon enough. The animation is absolutely stunning, and the storm effects were excellent, certainly give Snow White and Fantasia a run for their money. I didn't find the Old Mill dull in any way, it was beautiful and just perfect. Another special mention has to go to the music, its lyricality somehow reminded me of the countryside on a beautiful summer's day, and the animals the swallows especially were a delight. They never spoke, but were beautifully incorporated into the story, and there was a lot of genuine fright when the storm started. Who wouldn't be frightened, it was a truly wonderful moment. Overall, just beautiful, I can't find another word to describe how good it really was. I will admit I forgot I was watching a eight minute or so cartoon, and insisted I was watching a work of art. 10/10 Bethany Cox

I absolutely love this cartoon. I thought it's beautifully animated under the direction of Wilfred Jackson, who also directed the "Night on Bald Mountain/Ave Maria" segment from the film "Fantasia" and a few favorite "Silly Symphonys" like :1. The Cat's Out (1931), 2. The Bears and Bees (1932), 3. Lullaby Land (1933), 4. The Goddess of Spring (1934), 5. The Country Cousin (1936), and... 6. Mother Goose goes Hollywood (1938). I am quite terribly particular about that, a favorite short directed by who's who. But this short is my all-time favorite on my "Favorite Silly Symphonys" list. I love the scene at night, it is just gorgeous. I also love the little swallow family, they are so adorable.

Walt Disney's series of "Silly Symphonies," which ran between 1929 and 1939, was originally envisioned as a testing-ground for many of the elaborate animation techniques that would eventually be utilised so effectively in the studio's feature-length films. The cartoons, running less than ten minutes, began as brief vignettes of dancing animals and plants (and even human skeletons) set to classical music, such as 'The Skeleton Dance (1929)' and 'Flowers and Trees (1932),' but eventually expanded towards adapting classic fairy-tales, as seen in 'Three Little Pigs (1933)' and both versions of 'The Ugly Duckling (1931 and 1939).' Thus, throughout the ten years that Silly Symphonies were produced, the emphasis was always on visual innovation, and dialogue was always kept to a minimum. Wilfred Jackson's 'The Old Mill (1937)' is perhaps Disney's all-time greatest achievement, and certainly my favourite to date, and was originally conceived for artists to experiment with the animation of animals, rain, wind, lightning, ripples, splashes and reflection, and was the debut of Disney's revolutionary multiplane camera.Interestingly, that 'The Old Mill' was essentially a trial-run for 'Snow White and the Seven Dwarfs (1937)' probably contributed to its greatness. Unburdened by any notion of a solid narrative, the film allows the viewer to simply sit back and lose themselves in the atmosphere of the nature scene. The loose plot concerns the wildlife inhabitants of an old mill situated in an isolated swamp, and whose quiet night is suddenly violently interrupted by a terrifying and immensely-powerful storm that threatens to tear their home apart. The cartoon's attention-to-detail is simply staggering, every character lovingly drawn, their every movement and gesture almost poetic in its execution. Disney's radical and expensive multiplane camera, used here for the first time, allowed the artists to communicate animated depth like never before, and the richness of their creation feels so genuine that you could almost step into the cartoon and explore for yourself. The storm effects had come a very long way from those seen in 'Springtime (1929),' and the lightning streaks across the sky with frightening authenticity.Though Yuriy Norshteyn's 'Tale of Tales (1979)' holds the official title as my favourite work of animation, Jackson's 'The Old Mill' certainly comes a close second. The meticulousness of the animation work is such that I can almost feel the wind and rain beating across my face, and the miniature dramas of the rainstorm – the bird protecting its eggs from the spoke of the wheel, the owl shielding itself from the elements, the mill pitching over in the gale – always keep me gripping my seat in anticipation. The choice of music, too, plays a pivotal role in developing the required atmosphere. The musical tone early in the film is lighthearted and bouncy, with the chorus of croaking frogs forming a melody that sounds a bit like "The Sorceror's Apprentice." I'm unsure of the piece that plays during the storm's onset, but it is wonderful, bringing a frighteningly ethereal tone that suggests something epic and supernatural about this force of nature. A "silly" Symphony this is not; 'The Old Mill' remains one of the most majestic and heartwarming cartoons ever made.

The Old Mill is one of the most beautiful pieces of animation I have ever seen. This comment is even more remarkable considering that The Old Mill was made back in 1937. I especially liked the plethora of colors used in this short. The most striking animated sequence occurs when the thunderstorm hits and almost devastates the mill and its animal inhabitants. Even the animals are realistically drawn well, something sort of rare for a cartoon at that time.The Old Mill even evokes emotion, which is saying quite a bit because not a word is spoken. I thought the frogs' song was hilarious, and I actually felt concern for the mama bird when the giant gear inside the mill could have crushed her. This is just an extraordinary, subtle piece of art from Disney.My IMDb Rating: 10/10