This is the third entry in a loose trilogy of Euro action movies directed by Antonio Margheriti and starring Lewis Collins. I have yet to see the first instalment but have seen the second, Commando Leopard (1985), which I thought was quite good. This final entry, however, I didn't think so much of. The plot involved a group or mercenaries, lots of gun shooting, explosions and a top secret floppy disc. It was an entirely tiresome story-line quite honestly and a film in which you have to have a considerable interest in exploding helicopters and gun battles if you are going to get much out of it. I am somewhat ambivalent about action movies myself but I do enjoy some, such as the previous instalment in this series. But this one I essentially found to be a tedious series of action and dialogue scenes. Basically I have found that all films that focus on top secret floppy discs are awful.The cast is actually not bad though. We have b-movie legends such as Lee Van Cleef and Donald Pleasence and cult favourites such as Bobby Rhodes (the best cinematic pimp of all time from Demons (1985) and Demons 2 (1986)) and John Steiner (from Dario Argento's seminal giallo Tenebrae (1982). But the impressive cast can't save this one. It was also decidedly overlong for what it was and by the end I was just glad it was over.

Average Euro-styled jungle action flick is the third of the trio that was borne of the Anthony Dawson- Lewis Collins mid-80's partnership, Der Kommander is essentially the same as its predecessors with a few plot tweaks.Good use of miniatures again, lots (emphasis) of things blowing up, people of SE Asian appearance dressed in military fatigues being catapulted in the air doing somersaults, that sort of a spectacle which you either tolerate or fall asleep watching. Collins is again wasted in a one dimensional role as the suave kick-ar$e mercenary with the eternal 5 o'clock shadow, whilst the supporting cast though lacking a principal female lead, does have some surprising depth with Lee Van Cleef, Donald Pleasance, Brett Halsey, Paul Muller, Romano Puppo, Bobby Rhodes, Mike Monty and John Steiner (as well as series regulars Manfred Lehmann & Thomas Danneberg). That's an impressive cast assembled for a very average jungle war pic, even by Euro-trash standards; had Klaus Kinski returned for this final instalment, the acting chops would've been in the cult movie stratosphere. Van Cleef sadly does not look well and so it's perhaps regrettably no surprise that he died shortly after this film's theatrical release.If you've seen Codename Wildgeese or Kommando Leopard, then you've essentially seen Der Kommander (sans Klaus Kinski of course). Lots of old and borrowed, but nothing new. Would be nice to have these three movies as a box set for an evening of cheesy goodness, especially now that most of the cast have left the mortal coil, all much too soon.

Around Christmas I had watched COMMANDO LEOPARD (1985), a passable low-brow German-Italian war flick; that film was the middle part of a trilogy and, back then, I had expressed a wish to check out the remaining two entries – CODENAME: WILDGEESE (1984) and THE COMMANDER (1988). I now happened upon the latter, but the result was even less rewarding! Lewis Collins is once again the hero and, as ever, producer Erwin C. Dietrich manages to assemble a fair line-up of actors in support: Lee Van Cleef, Donald Pleasence, Manfred Lehmann and John Steiner (both from COMMANDO LEOPARD), Paul Muller (as Van Cleef’s smart butler!) and Brett Halsey.The convoluted plot involves an Asian dictator, a consignment of drugs and an all-important incriminating “floppy disk” (but which looks more like a CD!). The band of gung-ho mercenaries this time around also includes a native girl but, with much of the action being relegated to the second half, it’s mostly by-the-numbers stuff – until the explosive climax (which only Collins and Lehmann survive…though one member had expired early on from the bite of a cobra!). However, there’s a nice twist at the end regarding the characters of Van Cleef (fitted with a silly pirate-like earring throughout!) and Pleasence (alternating between hysteria and sarcasm and, finally, campily turning up as a tourist-photographer) – as they prove exact opposites to what they’d been played up to be!

This film follows CODENAME WILDGEESE and COMMANDO LEOPARD. It is not as good as either of those films, due mainly to the fact that the action sequences lack the tight editing and loud sound effects of the two earlier films. The acting is good, and far better than your average B movie. Fans of these European films will get a kick out of the cast of B movie favourites Collins, Van Cleef, Pleasence, Halsey, Lehmann, Puppo, Monty and others. May director Margheriti continue to work, I for one will still watch his films.