A farcical fantasy musical, despite the fact that a number of songs were deleted in the final cut. Although Lubitsch alone was given official credit as the director, in fact, he died part way through filming, being replaced by the quite different Otto Preminger. Preminger has taken a lot of heat for the deficiencies of the film, which many believe would have largely been avoided if Lubitsch could have finished it. Nonetheless, it still offers sumptuous gowns and surroundings, especially when Betty Grable is in the spotlight. Betty stated this was her least favorite film she did. But, I say she shouldn't be ashamed of her part, nor of the film as a whole......Some of you may be turned off by the fantasy of wall portraits of ancestors coming alive around midnight, and cavorting through the castle. This aspect somewhat reminds me of a rather similar plot device used in "I Married a Witch" and the later musical "Brigadoon". Both these other films featured people or ghosts who had lived some centuries before suddenly reappearing. The one was well received by contemporary audiences, while the other, like the present film, was not. My impression is that, today, the present film enjoys a greater regard by many viewers. It's currently available on DVD and free at YouTube. I saw it on FXM...... Betty plays both her current self, as Countess Angelica, of mythical Bergami, in SE Europe, as well as Francesca: her look-alike distant ancestor of 300 years ago, and whose portrait hangs in the main hallway of the castle. Around midnight, Francesca and the other portrait ancestors may become animated and descend to the floor, where they may frolic with each other. Since Angelina and Francesca look the same, except perhaps their clothes, one has to keep on their toes to make sure which they are currently looking at, or whether it's Angelica in a dream by Hungarian Colonel Teglash(Douglas Fairbanks Jr.) I'm still not certain about some cases......Of the several songs "Ooh! What I'll do to that Wild Hungarian" is good, and is sung by Francesca(or is it Angelina) near the beginning , and again at the finale, accompanied by dancing by the portrait ancestors. At one point , Francesca(I assume) sings "The Melody Has to be Right" to a sleeping Angelina(I assume). At the climax when Angelina and Col. Teglash are cementing their love for each other, they sing and dance to the Academy Award nominee; "This is the Moment", which is quite charming.......Cesar Romero has the role of Angelina's temporary husband(to be annulled). As usual, in the end, he winds up the loser in the romance department despite being quite handsome, probably dictated by his Latino heritage. Walter Abel is second in command, under Teglash or the Duke(the latter 300 years ago)., who bosses him around.

Lubitsch's last film - completed by an inept Preminger - is a remake of BRIDE OF THE REGIMENT _ a 1930 all two -strip Technicolor film, starring Walter Pidgeon, Vivienne Segal and Myrna Loy - which is now lost - although the Vitaphone disc soundtrack survives at UCLA.This was in turn derived from a stage musical entitled THE LADY IN ERMINE by Lonsdale and Wood, adapted from an operetta, DIE FRAU IM HERMELIN by Schanzer and Welisch.It drags badly and Grable is as inept as Fairbanks is fabulous, doing all the work here, full of life and vitality, taking the Lubitsch direction perfectly. It is tired Lubitsch and rather dull and boring during most of its length, although it perks up occasionally. Interesting more as an artifact than a film.

This movie is a fun low-pressure comedy. It uses dry wit... people who can't process that type of humor might not enjoy the movie as much. The costumes are lavish, the colors are vivid, and Betty Grable looks hot as always.To see an interesting breech of continuity, watch Betty Grable's high-heels change into completely different shoes midway through her dance (roughly 1:01 into the movie). It was likely intended to protect her from injury during the acrobatic moves, but it is surprising that so little effort went into matching the alternate shoes with the originals.

Lubitsch's last production but not his least interesting film. Somehow largely ignored by critics as he couldn't finish it himself and as the movie wasn't co-signed by Preminger who he did most of the staging... A very strange mix of musical (a remembrance of The Merry Widow ?)and classic Lubitsch touch sentimentalism (an impossible love-story like Cluny Brown)yet a very clever and intelligent one yet not to be understood as some nostalgia of some lost world but rather a testament on eternal feelings prevailing on the foolishness of mankind and especially men in times of war with a "moral" lesson still true today as it was in 1948. Billy wilder as an answer to Preminger who grieved at Lubitsch's funerals about having lost a great man replied that we still had his films and that sums it all up about that Lady in Ermine...