Radioactive Dreams
Radioactive Dreams
R | 19 September 1986 (USA)
Radioactive Dreams Trailers

After an atomic war Phillip Hammer and Marlowe Chandler have spent 15 years on their own in an bunker, stuffed with junk from the 40s and old detective novels. Now, 19 years old, they leave their shelter to find a world full of mutants, freaks and cannibals. They become famous detectives in the struggle for the two keys that could fire the last nuclear weapon.

Reviews
filmman3000

This movie was great. It had good performance and good concept. The concept is 2 guys who have locked up in a bomb shelter for twenty years or something reading Noir detective books from the forties. They come out of the bomb shelter in post nuclear world with Humphrey Bogart attitudes and clothes. All you do is imagine Bogart in Mad Max.Sometime you have montage with 80 music that are laughable, I don't know if it was intentional, but it adds to movie. filled with great jokes.The director has a fan base so do the actors I don't know what is the old up of the DVD.

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Pepper Anne

Radioactive Dreams is comparable to both 'My Science Project' and 'City Limits,' two dirt-budget science fiction films with great ideas and a decent cast unfortunately trampled by a nickle-shooting budget. Ironically, they all starred or co-starred John Stockwell.Granted, Radioactive Dreams, was at least an interesting plot (which is the only reason I gave it a 2-star rating). Two idyllic young men not coincidentally named Phillip and Marlowe (Stockwell and Dudikoff) abandoned by their fathers grow up in a bomb shelter following the nuclear destruction of their planet, decide it's time to leave the shelter and live out their 1950s comic-book inspired fantasy of being two of the greatest private detectives (which of course, lends to a running gag). Only, when they get outside, their idealism is quickly floundered when their chivalrous assistance of a young girl chased by nuclear mutants inadvertently leads to dangerous and disastrous flirtations with the 'darkside.' The girl, as it turns out, leaves them custody of a pair of highly-sought keys that control a nuclear missile (ironically) and thus, like Sam and Frodo in Lord of the Rings, they've got to keep these keys from getting in the wrong hands. And that sure ain't easy.Unfortunately, for the most part, the execution is crap. It involves a lot of warehouse footage, bad acting (especially an abundance of girlish screams from Dudikoff), cheap effects, a sappy ending involving a little-expected parental reunion, and a longer-than-necessary finale. The mid-80s atmosphere could have provided all the necessary spunk and attitude that would have provided the perfect touch to a unique story as this (Phillip and Marlowe are not the only ones trapped in a cultural generation of their own...I particularly love the deadly disco kids a penchant for cursing), but once again, a scrap shooting budget posed lots of limitations not to mention.Worth it a shot at least for the story, but otherwise, it's about the same muddle film as City Limits (though certainly not as bad). Of the three films mentioned, however, I would recommend watching 'My Science Project,' instead.

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Kastore

Having only been previously exposed to Albert Pyun's 90s-era direct-to-video low-budget action garbage, I picked up "Radioactive Dream" expecting a futuristic crapfest like "Nemesis" or "Omega Doom". I was surprised to discover this movie is not only original, but extremely funny and entertaining.Michael Dudikoff (in an effectively humorous role the same year he kicked off his B-action career with "American Ninja") and John Stockwell ("Christine", "My Science Project", and now a director of motion pictures) play Marlowe Chandler and Phillip Hammer - a couple of real dicks! Having been raised on 50s pulp detective novels (hence their names) while confined to an underground bomb shelter, they emerge 15 years after a nuclear war has turned the world into a post-apocalyptic wasteland. All these guys want is dames and to become the world's biggest private dicks. The first person they meet is a revolutionary rebel by the name of Miles Archer (Lisa Blount, who I also remember from another of my favorite guilty-pleasure 80s flicks, "Nightflyers", as well as "Blind Fury" and "Prince of Darkness"). Purely by accident, our two heroes end up in possession of the two keys that can launch the last nuclear missile in existence, and when this fact is discovered after they reach the last outpost of civilization - Edge City - they find themselves on the run from every mutant gang in town.This movie's pluses include a colorful variety of characters, many based on specific stereotypes from different eras (pulp detectives, disco mutants, greasers) as well as cannibals and giant rats; general goofiness in both the action sequences and the heroes' trying to get acquainted to the changed world; a most excellent 80s soundtrack; and George Kennedy to boot. As expected, the movie is a comedic satire for most of the first hour, but then suddenly turns serious in the last 20 minutes. But this movie does end with the coolest two-man song and dance number ever.In short, don't let the Pyun credit fool you. "Radioactive Dreams" is a good rental for those who wish to see something completely different. (Especially suggest a double billing of this with "Six-String Samurai") 7/10

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Bin-2

This is that rarity amongst post-apocalyptic cinema - a film that dares to show people trying to enjoy life in the ruins of civilization. Although it's eighties heritage shows through in an overzealous use of neon, tacky dance-rock and the frankly dodgy nightclub scenes, any film that can combine a nuclear war with disco has to be applauded.Our heroes emerge after a childhood in a bomb shelter. Their only guide to the 'real' world has been the work of crime writers such as Raymond Chandler. Convinced, therefore, that everyone wears sharp suits, talks like a hipster and goes down after one swift punch to the jaw, they embark on their journey back to civilization.Although the film starts by gently mocking the conventions of post-apocalyptic cinema (disco dancing midgets in white suits for instance (no, I'm not making this up!)), the bravery of the script dwindles, and about half way through it degenerates into the very generic twaddle that it sets out to mock. Still, as generic twaddle goes, it is enjoyable and entertaining, and hey, love that disco dancing...

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