It always nice to be told a good story, even if you were just expecting nothing but T&A (which you do get). Donna Wilkes is very charismatic as the the titular Angel. Cliff Gorman and Rory Calhoun play mentors to Angel, and had heart to the story. Some other supporting characters, particularly Dick Shawn's, help to add levity. The villain is under-developed, with a hint at depth at the end, but he serves his purpose. You'll be entertained from start to finish, so enjoy.

There aren't many good movies about necrophilia. For one thing, the subject is pretty disgusting. After even a few hours it's hard to make yourself believe that this was once a living human being. And to play a necrophiliac is, let's say, a challenge. Molly Parker pulled it off brilliantly in "Kissed" but here, John Diehl as the sinewy killer doesn't. He kills young whores on the Sunset Strip, takes the corpses home, and has his way with them. Actually, when you get right down to it, making love to a corpse sounds a little dull, but let's not talk about my marriage. Diehl sucks the innards out of a tiny hole in a raw egg while staring at his mother's photo. I don't think the laws of physics allow you to do that, but no matter. He finally scrunches the whole egg, shell and all, into his obscenely sucking mouth.The theme itself is a familiar one -- another serial killer. But there are a lot of colorful characters built into the plot around this monster. They all hang together on Sunset Boulevard and play hop scotch over the name plates in the sidewalk. They all seem to know one another.There's Susan Tyrrell as the punk landscape painter manqué. She has a voice whose croak is as distinctive as her Goth garb. She was my supporting player in the art house classic, "Windmills of the Gods." She and Cliff Gorman, the detective, are the two most skilled performers in the cast. Then there is Steven Porter as Yoyo Charlie, shy, dressed like Emmet Kelly, who "adores Donna Wilkes from afar." And, as impressive as any of the other goofy buskers, is Rory Calhoun, ex cowboy star, never much of an actor but still going strong and very likable. He gives the role everything he's got, which doesn't include nuance. Dick Shawn is the catty cross-dresser with a heart of gold.Donna Wilkes -- high school student and honorable daughter by day, hooker by night -- is neither here nor there as an actress. She doesn't drop the ball entirely, just juggles around uncertainly with it, but she's not up to the bizarre levels of her street buddies. And she's too old for her role, despite the pig tails, but then so is everyone else in her high school class. Peter Jason, as the first john we see her with, overacts to the point of embarrassment. It's not even funny.I can believe that the hustlers and whores know one another but it gives a false impression of what Los Angeles (and Southern California) is like in general. Think of the bustles, shouts, curses, and intrusions on the fetid streets of New York. Now take all that energy away. Los Angeles is not a village. It's an intricate system of freeways with some houses and malls sprinkled between.The direction is routine, appropriate to a television movie, filled with jumbo close ups for the small screen, as in a commercial for a brokerage firm. The photography and lighting are pretty good, though. They DO evoke the Strip in the 80s. Except, I suppose at the director's insistence, the men who stand in the police line up are illuminated by kick lights on the floor, turning them all into zombies. You wouldn't be able to identify your father. The story -- well, it winds up with Angel striding grimly along Hollywood Boulevard, stalking a fake Hare Krishna while holding a huge revolver in her hand.It's not a very good film. Serial killers have been subject to pattern exhaustion by now but I have nothing against them. "Henry: Portrait of a Serial Killer" nettles the brain and "Se7evn," despite the stupid transposition of a letter and number, and in spite of all that dark rain, is truly spooky.

If anyone is at all unclear, this is an exploitation flick. As such, it goes where Hollywood tends not to dare, and there is bloody and gruesome(if somewhat vague) violence, as well as nudity(though relatively little). There is also plenty of strong language. It speaks to the lowest common denominator, it provokes, and, worth noting, it actually treats a taboo subject without really oversimplifying or downplaying it. I honestly haven't watched enough of the sub-genre to determine if that last bit is common practice, but I can imagine that it isn't. In fact, I have to wonder if this doesn't stand out from the rest of them, since I was frankly surprised that this had as much of a conscience as it did. We follow Molly, an honor student in high school, who is a prostitute at night. The contrast between these aspects of her situation is well-done, and while the concept does require a moderate amount of suspension of disbelief, both "worlds" are treated to a credible portrayal. This has a decent enough plot, and the progression is fine. The pacing is good, this doesn't lose your interest for the 90 minute running time. Humor is somewhat hit and miss. With that said, this never tries too hard to get a laugh. The character gallery is colorful and memorable, including a former double for the cowboy lead for Westerns and shares tales of the stars he met and worked with during his career and a charming and sweet man who makes a living from tips, for performing yo-yo tricks on the street. Acting varies, Wilkes does pretty well, and has you believing in the role. The music isn't bad. I would call this a thriller before an action movie, since there is so not that much of the latter. Don't get me wrong, however, what there is is entertaining enough. I recommend this to anyone who thinks they might enjoy it. 6/10

*SPOILER ALERT* *SPOILER ALERT*I bought this video for three bucks. You don't know how long I've been staring at the video box cover of "Angel" and wondering when I was going to get around to watching it. The front cover of "Angel" is pure exploitation. It has Angel on the left side of the cover wearing pigtails and holding some schoolbooks. The right side of the front cover has Angel in high heels and a short red skirt. The tag line is "High School Honor Student by day. Hollywood Hooker by night." Classic! This is a film that no sleazy film lover could possibly resist.One thing you can say about the tag line for "Angel": It didn't lie. So Angel is a high school honor student by day and a Hollywood hooker by night. She hangs out with other ladies of the night and tries to earn some money. A mad killer is stalking Hollywood Blvd. and wants to slice and dice some hookers. Angel won't stand for it. She's got a gun that's bigger than she is and she can't wait to use it.Well, I wanted to love this movie but it just wasn't sleazy enough for me. I should have known the video box cover was too good to be true. The main problem with "Angel" is that Angel does not get naked. Does NOT get naked. I found this to be troublesome since she was supposed to be a Hollywood hooker. Not only that, she doesn't have any sex scenes in the entire movie. No sex scenes for a Hollywood hooker movie? She even says at one point, "I've had sex with hundreds of men…" When was that Angel? Was that in a different movie? Why is Angel being so shy?That's the basic problem with "Angel". It's trying to be a real movie when it should have been sticking to being extra sleazy. "Angel" gets pretty emotional for a Hollywood hooker flick. Angel tends to cry a lot about her family life or lack thereof. Not to seem heartless but I don't really want to see Angel weeping uncontrollably. There are a few scenes of gratuitous female nudity at the high school locker room and some decent fight scenes but overall "Angel" was kind of a letdown.Great video box cover. So-so B-flick.