Godzilla, King of the Monsters!
Godzilla, King of the Monsters!
NR | 27 April 1956 (USA)
Godzilla, King of the Monsters! Trailers

During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.

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Reviews
Matthew Kresal

It's hard to believe it's now been more than six decades since Godzilla was first unleashed upon the world. This year marks sixty years since American audiences first met the towering monster but how they met him wasn't quite how Japanese audiences first met him two years earlier. Godzilla: King Of The Monsters! as the American version of the film came to be known was an interesting mixture of the 1954 film with newly filmed material to create an interesting hybrid and, thanks to a fairly recent Criterion Collection release, it's possible to watch and judge both films separately and together.The way that this hybrid version works is rather neat. Instead of releasing a subtitled version of the original film or dubbing it into English in its entirety, the original film is reimagined and reedited to an extent. The focus on the film ends up being a Western journalist named Steve Martin (played by Raymond Burr who is perhaps best known for his role as attorney Perry Mason) who ends up in Japan during a flight and stays to cover the unfolding events. Along the way he ends up present in many of the original film's sequences and interacts with its lead characters. It's an interesting way to do things to be sure.To accomplish this, the original film is restructured. It ends up largely being told in flashback, opening with Tokyo in ruins with Burr's Martin among the rubble. Taken to hospital, Martin takes the viewer back through the events of the previous few days. King Of Monsters takes a conventional linear narrative and does something rather more interesting with by reworking how it unfolds. Seeing the film for the first time right around a decade ago, it's a move that built tension into the plot by leaving the viewer wondering what had happened. Seeing this version now and practically back to back with the original, I still find it an admirable idea and quite a successful one.There's also the business of putting a character into scenes he was never in to begin with. For the most part that's done successfully by having Martin off on the sidelines where he can see events but only rarely interact with them. It's easy to watch the film and see where it would have been possible for Martin to have featured in the film quite plausibly. Indeed there's times when the film feels a bit like Trials and Tribble-ations, the 1997 Star Trek: Deep Space Nine episode which had characters from that series interacting with the Original Series Enterprise crew on the sidelines of one of its episodes. Burr himself does a good job in terms of his performance to make everything work and he's got some effective moments such as his reporting of the rampage of Godzilla through Tokyo. On the while, the filmmakers efforts are often successful.It isn't always successful though. Despite laudable efforts to get cinematography and other elements to match, they never quite do. There's an obvious difference in the old footage and the new footage just in the way it looks which I suspect is probably down to film stock. Also the decision to dub some of the Japanese dialogue but not other moments comes across feeling very weird as there's times when characters swap back and forth between Japanese and English without any good reason to (except for audience understanding when Martin isn't around). Plus, as well as the efforts to insert Burr into the film are, there's times when it becomes blatantly obvious that he wasn't there and he's talking to doubles in an effort to advance his involvement with the plot with prime examples being his conversation with Dr. Yamane to join the group heading to Oko Island or talking with Emiko and Ogata in the hospital.Something else gets lost in the process as well. There's a thoughtful edge to the original Japanese version which helps it to raise above many other monster films. By restructuring the film, reediting parts of it, and cutting a sizable chunk out of it it loses some of that thoughtful edge. A lot of talk about nuclear weapons and how they've had an effect on Godzilla gets lost and the dilemma faced by Dr. Serizawa loses a significant amount of its impact by being effectively reduced to melodrama. That thoughtfulness is still there in bits and pieces but it's full impact isn't present and it ends up being lost almost entirely in places.In turning Godzilla into Godzilla: King Of The Monsters!, perhaps more is lost than is gained. It loses some of its thoughtful edge while the quality of the overall product is hampered somewhat by some of the dubbing and efforts to shoehorn a Western character into a Japanese film. Yet the efforts to fit that character in works more often than not with Burr making an admirable effort in his new main role. Is it better than the original film? No it isn't. Is it worth seeing, either on its own or as a curiosity? Most definitely. If not else, it stands as one of the great examples of how to take one film and make it into something a bit different through the magic of filmmaking.

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Rainey Dawn

This is a remake of sorts of the original 1954 'Godzilla' movie which was all in the Japanese language. 'Godzilla, King of the Monsters' has footage from the original film and most of it was dubbed over in English. This American version stars Raymond Burr as a reporter covering the event - so we see a lot of Raymond in this movie - that is good for American audiences.Overall this is a very fun large creature film - it would be good to watch the original 1954 'Godzilla' then follow it up with 'King of the Monsters'.The idea of (atomic and nuclear) weapon testing spawned quite a few large creature movies - and Godzilla was one of them. It made an interesting time era in motion pictures.7/10

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jacobjohntaylor1

OK Godzilla king of the monsters is a very good movie. But in spite of what you might hear the 1998 remake is better. So this the sixteenth part of the series the return of Godzilla that one is better. And the twenty fourth part to the japan series Godzilla vs M.E.G.A.G.U.I.R.U.S. is also better.Still it is a very good movie. A monster is created by the H bomb. And it is trying to destroy the world. Great story. Great special effects. Raymond Burr was great in this movie. It is not as Good as part twenty five. Godzilla M.O.T.R.A and King G.H.I.D.O.R.A.H giant monsters all out attack. Still this is a great movie. First in the series. This is the the fifth best Godzilla movie.

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Ben Larson

The 1954 classic was apparently not good enough for American audiences. They remade the film with Raymond Burr narrating the action and starring as a reporter covering the incident.Rather than a subtitled film, we get one dubbed. At least they left some of the Japanese dialog.Stars of the original film, Takashi Shimura, Momoko Kôchi, and Akira Takarada, took second billing to Burr, who dominated throughout. Godzilla was a grave representation of the horrors of the H bomb; horrors that Japan knew all too well. Scenes of the destruction caused by Godzilla, and of the broken, burning bodies pulled from the rubble, look authentic enough to be documentary footage of Hiroshima or Nagasaki. The film, a huge hit in the original form, must have been therapeutic for the Japanese people.

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