I saw it only once several years ago, probably 1999 or 2000... (Today - 2007 - I finally succeeded to find and order a DVD copy and expect to get my hands on it in a couple of days.) I remember that my TV was on, set to one of the movie channels I had in my satellite package. I didn't expect much but soon found myself unable to take my eyes off. I fully agree with other, more eloquent reviewers here - the soundtrack and its blending is definitely a masterpiece. To this day, I have never experienced anything close to it when watching a movie. Amazing.I think that movies are like wine - it all depends on one's state of body and mind. Sometimes it gets you, sometimes not. But as far as I can judge from other reviews here this movie does has something that got so many people who were lucky to stumble on it one way or another.

Late night BBC 1. Where would we be without it. Just caught this on what is now a Thursday morning.It's TV actors, TV writer and a TV director and as a result has a rather small scale TV feel. It's not Human Traffic. It is, however, not an episode of Casualty. Everything is done very well, nothing is too OTT. Most of the cast can act and have a script that doesn't kill them, which happens all too often with 'Gri'y Youf Drama'. Worth renting? Perhaps. Definitely worth staying to the end if you find yourself in front of it.And yes, the music is pretty good, especially the trumpet which is ABSOLUTE Genius!

Anyone who's had a friend, pondered on the brutal transience of life, smoked a joint, danced to music or had their dreams and their life weave between each other should see this movie immediately. It simply rocks. It's heartbreaking, it's funny, it's one of those movies that you end up renting at the video shop and then wonder why the hell the likes of Lock Stock got so much screen time. This has the integrity of a real story involving real characters with more than two dimensions. It's what British films should be and it's a tragedy that it wasn't in cinemas longer for people to appreciate it with their friends. Don't watch it alone. Watch it with the people you love and I guarantee that afterwards you'll just appreciate everything and everyone so much more. It's a film that makes you see the world in a different way just as soon as the credits roll. 10 out of 10.

I've seen two versions of the trailer. The first were on previews of rented videos in Tokyo. It made it look like one of those campaigns desperate to cash in on the teeny-boppers and younger 20s market. I avoided it for months thinking it was going to be high on frills, low on content. The second trailer was the one that stems from imdb. It gave a bit more of an image that it was a story, but scattered. After seeing g:mt, the trailer should've had narration to mold the pieces together therefore enticing movie-goers, or in most cases, video renters, that they would indeed be in for quite a ride, which afterwards, they'd want to go on again.zcourser and jabsy simply wanted to add variety to the list of rave reviews g:mt greatly deserves. Fantastic job to all involved, particularly the writer, Simon Mirren, and of course, John Strickland whose vision of Mirren's story got us interested into each character. This movie is fresh in the way that it's fast paced, has YES! multi-racial characters you can relate to as well as those from which you'd rather repel. It makes bold statements we as people need to hear but makes them without preaching. The original music of the characters including a female on bass (which is cool because you don't see girls in bands enough), a dedicated brotha on the ebony and ivory, trumpet sounds with emotion and improvising vocals added on by a hot singer combining to provide an energetic yet dreamy musical background.Although g:mt is directed to a young audience, this ain't no feel-good movie. The story is as real as it can get leading the viewer to consider the values of life and how anything can happen to change it, the values of our friends and how we treat them, and the responsibility we have of taking care of our children. The issues it attacks show us how these 22-year-olds cope with having to mature, quick.G:MT has everything. Out of ten, I give it 9 stars.