To give it its due, this is well made (as in well produced) and well acted movie.However it is marred by inclusion of way too many clichés. Tortured and troubled man and woman wondering through the night (or day) talking and having innocent fun and falling in love (or almost falling). Background of nicely photographed cityscapes. It even has man giving up his coat to shivering woman. nice but ...Old hat. Older than movies in fact. Read Dostoevsky's "White nights". Same thing 150+ years ago. (By the way, that work has been adapted several times too). In fact there are so many movies with same formula they should create a definite genre for the type.This one does have sort of a departure from formula at the end, but it is too specific and rare, and gets focus on only at the end. Movie could have made more of it if the full details of what is going on were revealed from the start. Instead movie introduce theme of suicide from the start, and then indulge in rather poor philosophizing on that theme intermittently. That is a poor way to handle such a subject.This is worth watching only if you like this formula, since it is a better example of the type. And only if you do not care too much about philosophy.

UK producers and directors Alexander Holt and Lance Roehrig's feature film debut which was written by screenwriter and musician Mark Underwood after a story by writers and producers Steve Spence and Rebecca Long, is a UK production which was shot on location in London, England and produced by Rebecca Long. It tells the story about Will Fletcher, a guitarist and singer in his 30s who lives in a flat in London. One night after performing at a bar, Will is interrupted by a screaming woman whilst trying to commit an irrevocable act and runs to her rescue. This sudden event introduces him to a bartender named Eve Fisher.Finely and acutely directed by English filmmakers Alexander Holt and Lance Roehrig, this quietly paced fictional tale which is narrated from multiple viewpoints, draws an incisive and involving portrayal of a meeting between a musician and a bartender who without any prior knowledge of each other finds a connection. While notable for it's naturalistic and atmospheric milieu depictions and fine cinematography by UK cinematographer Shane Daly, this character-driven and dialog-driven independent film depicts an in-depth study of character and contains a great score by American composer Michael J. McEvoy.This modestly romantic, charmingly humorous and somewhat existentialistic love-story about a man and a woman who decides to accompany one another during the course of one summer night in London, is impelled and reinforced by it's cogent narrative structure, substantial character development, subtle continuity, authentic characters and the heartfelt and understated acting performances by English actor Tobias Menzies and Irish actress Genevieve O'Reilly. A tangible, endearing and poignant conversational drama which gained the award for Best Film at the 7th London Independent Film Festival in 2010.

I loved this movie. Poster of the movie make it look like some kind of a generic indie romantic comedy but it couldn't be more wrong. It was such a pleasant surprise in terms of pretty much everything.I don't want to give stuff/spoiler away because there are some elements that's only reveled at the end that changes the entire perspective of the story so I'll just say it is more of a character driven story about the hardships of life than a typical "romantic" movie. It reminded me a of a movie called "Once" that I really liked as well. The actors-although unknown- did an amazing job! It had great music, and narrative and so much "heart "than I expected. It is definitely a great movie to check out.

I saw a preview screening of this at the weekend. It has a very involving story line and I soon found myself wrapped up in the couples journey threw London. It is not the usual genre I would opt for but, the engaging story, great choice of locations and top notch acting kept me entertained. I felt connected to the characters and as the credits started to roll I wanted to know where their journey together was heading. It has a few flaws but they never distracted from the message of the film. It passed the all important watch test, although as I say not my genre, I never found myself looking at my watch to see how long was left. I was captivated by what was happening to the central characters. I left the screening feeling upbeat, thinking about how at our darkest hour something small can happen to bring us into the light.I would recommend this for anyone looking for something a little different.