I can't say I have ever seen Claudette Mink, the star of this movie. She was a hooker in a Spenser movie in her first go, but I don't remember her. In fact, I don't recognize any of the names other than Michael Ironside. This does not bode well.Here she is looking for her grandmother, who apparently lived in some rundown tenement.Crystal Lowe also appeared in the film, and gave us a couple of skintastic moments, but she got caught up with some magic corn seeds and had to disappear.Nothing scary here. A little suspense, but it really wasn't worth the time.

The seventh and final (thank you) entry in the seemingly never-ending "Children of the Corn" franchise finds those pesky little rascals stalking (stalking, get it?) a woman whose grandmother has disappeared under mysterious circumstances. It turns out that the decrepit building where-in granny lives was once the grounds of the original children of the corn and through the course of the film, the residents of said building find themselves at the mercy of the sadistic children and their thousand yard stare.Director Guy Magar (whose career was apparently killed with the making of this movie) gives the film a slick look and feel, but the end result can't help but feel like the lame direct-to-video fare it was always meant to be. On the upside, this installment is less insulting to the intelligence than previous entries in the franchise, and seeing as how the original "Children of the Corn" wasn't that fantastic from the get-go, it's fair to say that the bar was never that high to begin with.80's cult icon Michael Ironside has a bit as a priest in the film, but his moments are so sparse that his presence is barely felt, and incidentally, his character serves no real narrative purpose. Even still, it's nice to see the guy getting work. Claudette Mink gives us someone to root for as the main character, and actually turns in a pretty decent performance. The effects are painfully bad, however, and the deaths in particular are bloodless and -- save for the stripper in the bath-tub scene -- uninteresting. Those who have already wandered through the previous rows of corn (read: prior sequels) could do much, worse though. Even though there are no revelations in this corny sequel, it still manages to kill an hour and a half rather painlessly.

Dull I really liked first 30 minutes of this movie, it kinda reminded me an old-school horror adventure game – the chick comes to creepy place, where her grandmother is supposed to live, but she can't find her, so she goes around collecting clues and meeting strange local people, while witnessing strange events and meeting some strangely looking kids and the acting is actually not bad up to this point, but after the 30th minute movie kinda falls apart. Death scenes are lame and not scary to say the least and the scariest thing you see would probably be some little kids playing evil dead – a video game on a machine. Children laugh effect sounds extremely fake and not threatening. As for the story it stops really developing after 30th minute too. Nothing gets accomplished, except from local people being slaughter and it's just down the hill from there. It would probably be safe to say that this movie would better stand alone with some different plot elements because COTC aren't really that important here. I would've loved the movie if it could've sustained the atmosphere of the beginning, but it failed to do that. Failed big time. The ending is lame and very unsatisfying too. If you're going to watch this movie I recommend to shut it down after that magical 30th minute I keep mentioning. Unless you want to be bored to sleep that is. Good stuff lasts for about 40 % of the movie so I give it 4/10.

I've seen the whole series and this was the worst of the whole thing. The problem is it's so new age based and it ruins the creepy affect of the other films. I really didn't like it. I've seen a lot or horror movies and this just stunk. I really enjoyed all of the films before it but the way this was designed bugged me! It was an apartment building with corn fields right next to it. This movie was an insult to Stephen King's work.