This is a very radical political film. As a black lesbian feminist, I could relate to the premise of this film. The plot unfolds in a semi-documentary style, making this film all the more interesting. Set against the gritty backdrop NYC, the film has a distinctly apocalyptic feel to it. This movie harks back to the militant, left-wing revolutionary fervor, of the 60s and early 70s. Despite the changes in society resulting from feminism, gay rights, and the civil rights movement in the last 40 years, this movie shows that there's still much work to be done, to achieve real equality for all. It's not surprising to me that the radical political movement in the film, is led by a working-class black lesbian. Women who happen to be lesbian, blue-collar, and of color, are still the most oppressed people in our society.Jean Satterfield is superb as Adelaide Norris, the dedicated member of the Women's Army. Jean conveys the militant stance of Adelaide, in a very visceral way. The supporting cast of this film, was also compelling. Especially Honey as Honey, the feminist revolutionary radio DJ. The film was slow-moving at times, but packed an emotional punch.Rights of the oppressed in society, have been rolled-back by right-wing conservatives for the past 28 years. So, we could use a radical political strategy that addresses the rights of the oppressed again, like we did in the 60s and 70s. History has been known to repeat itself. In this day and age, a radical uprising by women in pursuit of equality, is needed more than ever. This movie could very well be a sign of things to come, in that regard. I recommend this film, to all who take women's rights seriously, and want to become more aware of women's oppression in society.

Agitational left-wing diatribe or fantasy about a mostly lesbian women's army confronting the compromised "in-name-only" socialist government of the United States (there is a sort of bubbling-under anarchist sentiment in here).Yeah, you know what, it's a little out there, just run with it.My attention kept drifting because I felt this obsessive need to get into the filmmaker's head. I get, I suppose, radical socialism and I get radical feminism. As a straight white...dude...I guess I have trouble understanding radical lesbianism. I couldn't figure out why, given the fairly ludicrous premise for this movie, a women's army such as this would be "mostly lesbian." Is it because the people who conceived of this film were lesbians and this was kind of a political fantasy of theirs, or was it a comment on radical feminism, that only lesbians (for reasons I don't understand but kind of want to - if this is indeed the case) would be militant enough to get it together and get down to business? Or was it that the feminist struggle of the time resembled this in some way? I am, quite obviously, not the audience for this movie, but I'd be lying if I said I didn't find it interesting. The politics here are inescapable and unavoidable - if you can't tolerate the Left's extended cinematic trips (and this is one long one), you're not going to make it through - there's not much else to glom on to. It is impossible to suspend disbelief (or was for me), especially considering this film is really a polemic thinly disguised as a fictional drama. And I don't mean that as criticism. It is what it is. This film is about ideas, and it doesn't equivocate.The movie does have a (genuine) punky, indie, underground feeling to it that might appeal to some who otherwise wouldn't be interested in something this ideological. The soundtrack is interesting and kind of weird. Not *quite* punk but not quite anything else either (which maybe makes it more punk, I don't know.) Oh - I disagree with other comments that this movie is somehow confused or unfocused. It's not. If anything, it is as subtle as a sledgehammer. I mean, I, for one, know *exactly* where the filmmakers stand. The plot seems to be fairly logical, if strangely paced.This film is low budget (and wears it on its shirtsleeve), rough around the edges, and frankly I think this movie would be a complete failure if made with a big budget - if for no other reason than a large budget would sabotage (through overproduction and glossiness) the undeniably radical position the film takes. Possibly the film's most compelling attribute it is that it is wholly uncompromised (for comparison see The Spook Who Sat By The Door - which is not as low budget, but is similar in its revolutionary fervor).In any case, this movie is not for everyone. The summer blockbuster crowd isn't likely to enjoy this, and I doubt those on the right side of the political spectrum are likely to make it through (though I can imagine some of them, maybe, rubbernecking in a voyeuristic way - "so this is how the other half lives, eh?").Oh, and it ends with the World Trade Center being bombed (well, the transmitter on top), and Eric Bogosian shows up and has exactly one line, and I guess that's worth seeing if you're a Bogosian fan (I am).Anyway -- recommended, with strong reservations. If you like double meat and cheese on your ideological pizza, you'll probably dig this, or at least find it worth your time.

Not only have I had the luck to see this movie, I had the privilege of receiving it from "Honey" one of the lead actors. This movie is so important as it brings to life the struggle of not only women who were active in the 70's, but that the issues they brought forth still continue. If one thinks we have come a long way in overcoming gender discrimination, then take a fresh look at this film. I particularly appreciate the feminist analysis that seems to be missing today from women's activism and politics. Every activist ought to view and take heed of this movies message. This film parallels much of the social climate women endure today. It reminds one of the radical ideas that fired the women's movement and how they might be reignited in todays world.It is timeless, yet carries the rawness of movies made in the 70's. I highly recommend this film.

I remember seeing this about twenty years ago in the basement of a public library, if you can believe it. It was part of some local film festival. I guess it must have just come out. I also remember watching some flick from the same festival that consisted of a woman's self-made porn flick hacked up, dipped in acid, burned, etc. And then she strung together all of the surviving strips and that was her film. Don't recall the name of that one; it was pretty forgettable aside from the porn and filmstrip-hacking aspect. This movie is not forgettable, thought it is really, really strange. Set in the near future, it centers around a young, black, lesbian blue collar activist who goes off to Libya, meets with some socialist sisters, comes back with her political conscience raised even higher, gets arrested on some spurious minor charge and dies mysteriously in jail. Her death sparks a women's revolution that turns the city (don't recall if they named it) upside down. There's a squad of whistle-blowing women on bicycles who hunt down rapists and scare them off their victims. There's a funky black woman DJ who narrates the action like a sports announcer as things heat up. This film is really, really bizarre. And yet, it's a whole lot of fun. This is what science fiction really should be about--not laser pistols, and ridiculously expensive special effects, but stories that pick you up, turn you upside down and give you are good, hard shake.