Larry Cohen's "Q" makes no pretense about what kind of movie it is. The purpose is to be over-the-top. It looks like the sort of movie that they had a lot of fun making. What really caught me eye was the cast. While Michael Moriarty isn't known for anything in particular, we have Candy Clark (Debbie in "American Graffiti"), David Carradine (Bill in "Kill Bill"), Richard Roundtree (Shaft in "Shaft"), Mary Louise Weller (Mandy in "Animal House") and Malachy McCourt* (the brother of "Angela's Ashes" author Frank McCourt). On top of that, the scene in the bar shows an Arlo Guthrie** poster in the background. What a collection for a movie about a winged Aztec serpent god terrorizing New York!*A few hours after watching this, I watched "The Brink's Job", which it turned out also featured Malachy McCourt in a supporting role. I never expected to see him in two movies the same day.**As it turns out, Arlo grew up in a property owned by Fred Trump. Woody Guthrie wrote a song about what a creep the elder Trump was.

Amen, brother. To me this movie is Larry Cohen's damn opus, I've always mainly loved it for the awesome monster which looks like a combination of both a dragon and a bird. The stop-motion animation of it is extremely well done, and I think it still looks pretty amazing to this day, particularly during the big money shot sequence of the movie where it's slowly brought down by the armed forces of the NYPD! I feel really sorry for the creature as it nears death and pathetically clings to another skyscraper that just happens to be very temple-like in design and it cries out in an almost beseeching manner. It's simply gotta die though, the monster always exists solely to be conquered... I also love the bit of stop-motion done as it plummets to the ground and its wings furl around it, making them appear like bat wings. I always remembered the monster's terrifying shrieking roar, it's scary the way the people stand as helpless as little bugs before it to be swept up and rained back down onto the city streets in showers of blood and bones! And while the appearances of the immense winged beast may be brief, they were at least smart enough to have it appear every ten minutes or so. I hate pictures where they never reveal the monster until the very end. I think they show just enough of it that it never loses its mystery or becomes tiresome. And yeah so it does look a tad rubbery at points if you look a little closer, so what? Some things are more important than perfect special effects, I loved this as a kid, it captured my imagination in a very special way and was one of the key monster movies that I grew up with and that formed a little movie-lovin' part of my soul, nothing would ever make me see it as anything less than excellent. You really can't truly love this flick without also getting a kick out of some of the characters though, as well as that classic gritty old New York atmosphere, and the strange sense of realism that comes with it that enormously works to the film's favour. I feel they blended all the street detective stuff with the more fantastical themes of the folklore and the monster exceptionally well. The 'aerial terror' angle is highly distinctive and is something that I've never seen done quite the same way in any other horror film. The ever-present imagery of the architecture and the 'forest' of skyscrapers, it's creepy! It's a whole other unknown wind-blasted alien realm way up there... And the haunting musical score is one of my favourites, it just perfectly complements the visuals and tone. "Jaws with wings" is a very apt description, but there's more to it than just that. There's a certain fine delicate kind of eeriness to certain parts of this film, despite the fact that it's a gigantic snake-bird we're talking about here! I find a lot of the humour to be on the low-key mean-spirited side, and most of it comes from Michael Moriarty who really is the heart of the movie and steals every scene he's in with his excellent portrayal of the loser Jimmy Quinn, a self-centred conniving little man who wants to capitalise on the monster by selling his knowledge of its hiding place for the hefty sum of a million dollars because the city of New York owes him one!!! He's empowered by his discovery and begins to take control of his life, at the expense of the only person who cares about him, his girlfriend, touchingly played by Candy Clark. What a jerk, people are getting killed and all he cares about is money. Jimmy wasn't just an asshole, but an occasionally sneaky and devious one as well. He lures the two ugliest grease-ball gang members you've ever seen to the top of the Chrysler building which is where the creature lives to find some stolen loot, and they get devoured. I love to hate this guy, but I'm glad he ends up getting screwed out of his money, he didn't deserve s**t! The sadly late David Carradine also put in a solid and charming performance as a good cop who delves into Aztec mythology in an attempt to find answers to the mystery. I also quite enjoyed the gleefully pompous performance of the heavyset Irish gentleman who played the police commissioner, why was it so important that any evidence connecting the creature with the ritual sacrifices be denied? The topless woman being eaten is the scariest most suspenseful kill for me. I love how blasé the cops are about the whole thing. They treat it like it's just another everyday national disaster. It's a real "meat 'n potatoes" kinda movie, and you can really tell that it was put together by folks who were enthusiastic about what they were doing, and I find the overall picture to be a very compelling and satisfying experience. And the cracking epilogue I still find chilling as hell! Such a freaking fun and brilliantly unique movie that I'll love forever. To Dave.

Q, or to give it it's full title- The 8 Exciting Excapades Of Mr Q, The Big Thing, Also Known As Quaker Coat Al, King Of The Mormans, As He Chases Shaft, Kwai Chang, And Michael Moriarty- is basically just a remake of Jaws, but set in space. It has all the same scenes from that movie- a child being mauled to death as he takes his moon buggy for a brief spin; a dead man's head floating by the spaceship's port hole, Shaft having his legs bitten off as Q eats through the bottom of the ship. Heck, it even 'borrows' some of the famous lines- 'We're gonna need a bigger rocket', 'we're gonna need a bigger ship', 'Monster! (instead of shark!)', and 'Hi'. It is suffice it to say that the famous George Lucas theme tune of the approaching evil is rogued too. While the Jaws music goes like this- Duh duh. Duh duh. Du du du du duh da du du, duh da du du' and so on, the music in Q goes like this- 'Duh duh. Duh duh. Du du du du duh da du du, duh da du du'. If that ain't a slice of the old Rip Off Magee, then I don't know what is boy! Anyways, I'm sure if you've seen Jaws (or it's other remake, King Qwong) you'll know the basic storyboard. Humans have been living on the moon for a few weeks now, but for some reason they are all trapped in the 80s, or possibly the 60s. Drilling for precious moon oil has awoken an ancient beast known as Qod (basically God with a Q) and he ain't happy! He ain't happy, but he ain't not hungry! Q is a giant dragon type feature, roughly the size of a large squirrel, and he can fly. He can't breath fire, but he ain't not hungry! He feasts on space tramps and rocks and takes off towards the main city- Earth Part Two. Soon it is a race against time for the spacemen to work together and bring down this awesome foe. I like the graphics in this film- they are some of the best I have ever scene, and I like the fact that they filmed on the moon, with Neil Armstrong's permission. There is plenty of gore and killings, and the excitements are kept high on the scale- about 340lbs worth, give or take. What the film really needed was a big monster fight- they should have dug up another alien and had a smackdown rumble fest where they both smelled what the other had cookin'. This is a lovely piece of filming, Michael Douglas should be proud.Best Scene: Patrick Moore's cameo. He is discussing the possibility of life on other planets at the start of the show, then it cuts to him going to his dressing room. Later when his director goes to pick him up for his next shoot, and spins his chair round he is dead and Q has crawled out of his eye! You know which one.

This flick is a distinctive and haunting oddity , concerning about a winged serpent , a dragonlike , which carries out creepy killings , happening in N.Y. City . A pair of detectives (David Carradine , Richard Roundtree) are investigating the strange events . As the giant winged bird hungry for sunbathers and rooftop construction workers . Thanks help a delinquent (Michael Moriarty) who encounters the monster's hidden nest on the Chrisler building , detective Sheperd discovers that several murders committed in violent manner have been executed as bloody sacrifices to Aztec God named Quetzalcóatl , a feathered serpent whose two halves are a serpent and a bird .This is a rough-edged chiller and results to be an entertaining return to monster movies from the 50s . Simple and stop-motion monster special effects by recently deceased David Allen , usual to 'Full moon' and 'Empire' Factory . Good cast as an overacting Michael Moriarty and David Carradine , Richard Roundtree as Police Inspectors ; and nice support casting as Eddie Jones and Candy Clark as crooks'fiancée . The film is well produced by Samuel Z. Arkoff who along with James H. Nicholson financed numerous movies of various genres , including monster movies , during the 50s, 60s , and 70s for their production company called ¨American International Pictures¨ . Atmospheric photography by Fred Murphy who has a successful career as an expert cameraman . The picture was compelling and originally written/realized by Larry Cohen . He's a B series craftsman , such as : terror genre (Stuff , Return to Salem's Lot , It's alive I ,I and Island of the alive) , hard hitting crime films (FX , Ambulance) and Blaxploitation(Black Caesar , Hell up in Harlem , Original gangsters) ; plus , a prestigious screenwriter (Phone booth , The ex , Invasion of privacy) and usually writes all his own scripts . This is a cult movie to be liked for chillers and monster films admirers .