BACK IN THE day, the early days of Television, that is, the notion of space Travel, not new to Science Fiction, was a hot genre for exploitation in the ever growing network and local channel schedules. There was, of course, two ways to obtain their desired "Space Operas." They could be either be culled from old theatrical movies; or they could be produced brand new, just for TV.ALTHOUGH THERE WEREN'T exactly very many old, previously released movies that dealt with space travel; there were some-even dating back to the silents. Among the backlog of oldies, as big as life and with double dosed action, was the movie serial.*ALTHOUGH THERE WERE quite a few space oriented serials available for the TV*, there are four that were the most durable and popular. They were BUCK ROGERS (Universal, 1939) and the trilogy of FLASH GORDON (Universal,1936), FLASH GORDON'S TRIP TO MARS (Universal,1938) and FLASH GORDON CONQUERS THE UNIVERSE (Universal,1940). These four were playing for years on local stations.**THE SECOND AVENUE of acquiring the coveted programing was to produce it just for TV. Hence, we had live & in studio classics as CAPTAIN VIDEO, BUZZ TOM CORBETT, SPACE CADET and SPACE PATROL. The in studio, live production had many drawbacks and limitations. The next step surely would be filmed series; which was much more akin to the theatrical film. Well the filmed series did become a reality when ROCKY JONES, SPACE RANGER debuted in 1954.AS WE RECALL it featured diverse stories, impressive special effects and an energetic and talented cast. Richard Crane gave a credible and energetic performance in the lead; supported by Sally Mansfield, Scotty Beckett, Robert Lyden and veteran Maurice Cass. We know by way of our friends in the neighborhood that Rocky Jones was tops.IN RECENT YEARS, we've seen at least one "movie" that was constructed through a compilation of several ROCKY JONES Episodes. The acting, the special effects, costuming and stories were good enough for the big screens of the nation's movie houses. It begs the question; so why was it canceled after one season of 39 episodes? Go figure!NOTE: * There were many serials with space travel and rocket ships. some, like BRICK BRADFORD (Columbia, which never made it to the small screen in your living rooms. On the other hand, Republic Pictures opened the floodgates giving the TV Stations such titles as: KING OF THE ROCKET MEN, THE PURPLE MONSTER STRIKES, FLYING DISC MAN FROM MARS, ZOMBIES OF THE STRATOSPHERE and others. NOTE: ** Just what is the common thread that runs through these four chapter plays? Well, other than the studio's being Universal, it is the Star Male Lead. Can you say Buster Crabbe?

Don't listen to the negative reviews. Rocky Jones Space Ranger is a great series. As basic juvenile oriented entertainment, it is terrific fun. There are spaceships, travels to different planets, weird science, and girls in mini-skirts. As a Science Fiction television show, it is pioneering, and arguably one of the most enduring.There seems to always be a rift between those who want their sci-fi to be "smart" and those who are looking for action and/or special FX. This series was made before the genre was divided. It's an early 50's sci-fi adventure t.v. show aimed primarily at juveniles--take it for what it is. Despite it's "limitations" it sure seems to have a lot of elements that would later be used by Gene Roddenberry on Star Trek.Rocky Jones Space Ranger portrays a future where interplanetary travel is routine. The show employs an ensemble cast with a family-like camaraderie. Rocky and his crew (Vena, Bobby, Biff, and Professor Newton) are sent out as emissaries of the United Worlds. The UW is portrayed as a peaceful alliance of planets, yet outside threats from rogue elements & planets require a force of Space Rangers. Diplomacy is always the first resort, but Rocky is definitely able to go fist-city with any bad-guy. Also of note is the fact that this series routinely cast women in important roles as both rulers, villains, and sidekicks--fairly unusual for 1954.Rocky Jones is a truly enjoyable sci-fi adventure t.v. shows for those young at heart. It's well written, filmed (as opposed to shot on video) and the special effects are actually pretty good for something produced in 1954. If you're not a sci-fi snob, you'll definitely enjoy this great, pioneering show.

While there is little about "Rocky Jones, Space Ranger" to justify recommending it today, there is a certain value to considering the historical importance of what it was in 1954.I should say, that I grew up watching this program. I and one of my friends, joyfully, wrote away to the show and were rewarded with a Rocky Jones, Space Ranger Fan Club kit, which included a large, blue, scroll-type banner with gold tassels, a selection of cheaply reproduced head shots of the actors in character, and if I recall correctly, a couple of code rings that were nice but had no relation to the show.We both watched the show religiously and were thrilled by the adventures and the wonder of space travel. We both read science fiction and we were both precocious little intellectuals who understood just how poorly these shows approximated quality in that area. Still, it was fun, it was science fiction, it was for kids, and it was 1954-55.If you consider the plots, such as they were, and consider the headlines of those days then it should not be hard for you to recognize how idyllic Rocky's problems seemed to us.Yes, Rocky Jones KNEW what was right, but the '50s was a time when knowing what was right was very important. There was a certain amount of social commentary built into the show that said that doing 'the right thing' was more important than political concerns. Rocky Jones doesn't seem human to us today, because he is not paralyzed by doubts, he is serious about what he is doing, he is dedicated to fighting the bad guys who are clearly 'bad' guys. That a woman was aboard was ground breaking just as having a mixed crew was shocking when "Star Trek" hit the air waves. It was futuristic, and though it didn't go nearly far enough, it pointed the way to where our society has actually begun to go.Rocky was a hero. He was not an ordinary guy with some extra training. He could do no wrong, by definition. Heroes are always in short supply, so it is not surprising that others went to him for advice and took what he gave. The only real difference between a hero story then and one now is that today's heroes need to fight the system to do their heroic deeds and they are tortured by the fear that they may die alone because no one understands their truths.Certainly, there is more depth to a modern hero, but the question is, how often does that depth advance a hero story?As far as cheap sets and cheap effects go, they weren't for that day and time. They were pretty much state of the art for weekly television in the '50s. We, today, are spoiled by our current technology which makes much better effects cost effect where they were impossible before. Compare "Star Trek" to "Enterprise", both relatively low budget for their times. Consider "Bewitched" versus "Buffy, the Vampire Slayer".So, for a proper appreciation of "Rocky Jones, Space Ranger" in the context of what it was versus what it is now, let me say that it has no depth or artistry that survives its original time. There is no great artistic merit to the shows which would justify a week long retrospective. It was an afternoon syndicated children's show, which added wonder and hope to my life as a child. I would joyfully sit through an episode or ten, to revive old memories and to ruefully remark on how sophisticated I have grown and how technology has advanced. But, then, I am currently re-reading the Shadow and Doc Challenger novels for much the same reason and with much the same recognitions.There were great space operas in the literature that still hold up today for all their lack of modern sophistication and they reach all the way back to the '30s. There have not been many great science fiction films and fewer television shows until much more recent times. If you need examples, consider "Metropolis", "Things to Come", "Destination Moon", etc. as big budget films for their day compared to modern science fiction movies. (We'll skip movie serials completely.) As far as television goes, till the '60s, all I can remember are this one, "Captain Midnight/Jet Jackson", "Superman" and "Science Fiction Theatre" and none of these others offered adventures in space. I'm sure that others of us, can think of more, but I'm willing to bet, not many more.So, if anyone wants to put out a bunch of episodes on DVD, they've got one purchaser ready, with cash in hand.

Rocky Jones is an emotionless space ranger who is never wrong. Everyone he knows follows his every whim, even his superiors in the Space Ranger chain. He's smarter than everybody and knows everything about everything. Nothing fazes him, nothing is beyond his control. He looks like Kirk but acts like Spock, only not as excitable. He's about as fun to watch as a dead hamster. On the opposite end of the spectrum are all the other characters, who are so inept and annoying that you wonder why Rocky even bothers with them. There's tow-headed, chipmunk-toothed Bobby, a know-it-all kid who sucks up to everyone and comes along on all the missions for no discernable reason. Also along for no reason is Vena, who is someone's sister. Vena wears a lot of short skirts, which is nice, but she's also dumber than a stick, which is not. And don't forget senile old Professor Newton, who is one of those movie scientists who doesn't specialize in any specific realm of science or medicine, but is called upon for everything from astrophysics to childcare. Worst of all is Rocky's effeminate sidekick Winky (yes, Winky), who constantly yammers on about his swingin' social life with the ladies. He claims to be girl crazy and quite the player, but spends 24 hours a day with chiseled and asexual Rocky, chirpy man-boy Bobby, and platonic gal-pal Vena. All the male characters wear really tight pants.Their adventures seem to be aimed at kids, but they're shot so drably and acted so woodenly that it's the visual equivalent of Nyquil. The mind-numbingly-simple plots are over-explained to the point where you can't tell what's going on. People get captured and recaptured by their nemesis over and over again until you can't tell who's a captor, who's a captive, and who's just pretending to be a captive. The "futuristic" sets show all the ingenuity and imagination as a Sears catalog. The scripts are written by people who cannot grasp simple human interaction, let alone the science of space flight. They're technically inept, which should be funny on some level, but they're also boring and made by people who just didn't put any heart into their work, so I guess television hasn't changed much since 1954.