Yesterday
Yesterday
R | 13 June 2002 (USA)
Yesterday Trailers

In 1990, number of children suddenly disappear. Meanwhile, the Ministry of Defense selects an elite group of scientists for a top-secret mission. Then, 30 years later ... The year is 2020 on a reunified Korean Peninsula. A string of murders is committed against retired scientists. The Special Investigations (SI) unit staffed by a crack team from the former North and South Koreas and outfitted with the latest technology is brought in to investigate. The killer, however, far from being deterred, taunts them with a signature pendant at every murder scene. In an act of devilish boldness he even kidnaps the son of the investigation team's leader, Seok

Reviews
miikkamiikka

I might be exceptionally stupid, but I didn't understand this movie at all! The plot had something to do with serial killers, cloning and genetic engineering, but the main thing might have been something else. I don't know, since I couldn't follow for longer than the first couple of minutes. The characters weren't properly introduced and there were too many of them (plus their clothes and hairs looked ridiculous). Most of the characters seemed out of place. They were quirky, but no reason was given for their quirkiness. Sooner or later they died, so one didn't have to wonder about them anymore. The main characters were the dullest characters in the movie, which was very annoying. They too were apparently genetically modified, but that seemed to be a completely irrelevant subplot (though I probably missed something important concerning that...)My advice, don't watch the movie!

... View More
Zombified_660

Yesterday is an entertaining sci-fi movie. It's very near to being an excellent film, and in fact is a vast improvement on many recent Hollywood sci-fi flicks. It works really well because the science-fiction takes a back seat to realism and characters.Yesterday is well acted by the entire cast. It's slow moving, and has a lot more in common with say Heat or Pulp Fiction than your I-Robots or your Serenity's, which may put people off a little. Characters reveal themselves in totality gradually, avoiding you from being able to figure out the entire plot machinations like you could in a more obvious movie.Action in the movie though sparse is terrific, handled brilliantly from a point of direction and filled with power and excitement. Very few outlandish special effects are used outside of explosions, all of which serves to ground it further in reality.It's unfortunate then that the film is written in such a way that whenever something big needs to happen, reality gets thrown out of the window. The last twenty minutes turn the film into some over-the-top slasher type premise as serial-killer Goliath systematically demolishes the entire cast other than the two key leads. This is honestly intensely frustrating, as the movie bears the unfortunate hallmark of some Asian cinema that the leads are a little difficult to relate to. It's nowhere near as bad as the earlier Natural City, where I seriously didn't care about anybody in the entire cast, but the main female lead is really bland, and consistently out-shined by the other key female character May, who is preposterously killed off in a frustratingly stupid fashion in the final sequences, almost like Wash in Serenity. You'll watch this and think 'God, you could've sent her off a bit better than that, she would've easily dodged that'. I can't help but feel she got written out so the audience would concentrate on the central lead instead.This is a good movie, and outside of the way it happens, the end is satisfying. If it wasn't for the slightly desperate final 20 minutes then this could've been a contender for one of the best films I've watched this year. Unfortunately this movie spends 100 minutes as a police thriller then turns into a cheesy slasher movie in the last 20. The ending is great from a story point of view, but the actual events feel more Freddy vs Jason than the Seven meets Heat thriller the rest of the film serves up. It's definitely worth a watch, but be warned it is long, slow and the ending is like suddenly skipping channels mid-film.

... View More
Adam Whyte

If you fully understand the complexities of the plot of `Yesterday,' a new Korean sci-fi action movie, you deserve some sort of medal. I'll try my best, though. There is a serial killer on the loose killing scientists. This leads to an investigation led by Seok (Seung-woo Kim), who accidentally shoots his kidnapped son, who was trying to escape the clutches of the killer. Later, the chief of police is kidnapped, and her daughter joins in the investigation. She is well trained and ambitious, like Clarice Starling without the emotion.That is only the film's set up. Later (or earlier. or somewhere along the line) we are introduced to the concept of cloning, and the rights of the clones. This concept, as well as the visual appearance of the futuristic city that the film takes place in, is inspired, to say the least, by `Blade Runner,' which had androids instead of clones.The film is directed by Yun-Su Jeon, a man with a good eye for visuals; the film looks fine. The problem with the film, it seems, is it tries to do to much; there is a lot of action, shooting and explosions, sometimes during battles where I was not even entirely sure who was fighting whom, and why they were bothering, and there is also a look at cloning in the future, as well as a sort of study into the personalities of the main characters. While I admire films that mix intelligence and ideas with action (`Minority Report,' the best film of last year, is a fine example), I think I need to have some time to breathe, and I also need to be able to know exactly what is going on. Keeping up with the plot is even more exhausting than keeping up with the action.`Yesterday' is set mainly in 2020, in a unified Korea. It begins though, in 1990, where the scientists who are later to be killed off are picked for a special project, and some children disappear. The film starts off with a fight scene that made me think of the madness of `Black Hawk Down.' The confusion was part of the point of `Black Hawk Down,' here it is a distraction that takes much of the thrill (and all of the suspense) from the action scenes.`Yesterday' requires a lot of attention and thought to follow the story, but it isn't really worth it. Yun Su-Jeon, I'm sure, has good films in him; what he needs to do now is find a story that he can explore more fully, without losing the audience. The film has split audiences in Korea. I do not hate it, but I did not particularly enjoy the experience of watching it; I ended up admiring aspects of it rather than enjoying it. I was looking at it rather than watching it.While I think there could be a perfectly good character study about clones set in the future, or a perfectly good action films set in a world with clones and complex characters, the film tries to be both, never quite choosing what its main ambition is. Is it just trying to tell a story in its own way? Maybe, and maybe you'll enjoy its story, if you can keep up. I tried my best to, but didn't find the experience particularly rewarding.** (out of 5)

... View More
yojimbo999

YESTERDAY is a South Korean movie, so right away you know that despite the flashy visuals and the high production values that most of the characters, especially the lead villain and the lead female, will walk around and talk like they just came from a funeral. I mean, this IS South Korea cinema, folks. If the entire industry is known for one thing, it's their drama, which because of its inherently understate and amazingly low-energy, most WEsterners mistake for subtlety. It's NOT subtlety, it's just WHO THEY ARE.Which is why YESTERDAY isn't any better than just good. Despite the BLADE RUNNER-esque background and high octane action, the movie is so lacking in energy, that you wonder why they bother with these type of "HOllywood blockbuster" movies in the first place. I mean, can't these actors muster up SOME energy for the role? If you compare YESTERDAY to, say, MINORITY REPORT, it's like comparing a funeral (YESTERDAY) to MINORITY REPORT (roller coaster ride). Do you see the difference? And both movies are pretty much great to look at!So there you go. If you want a thrill ride actioner, go with Hollywood. If you want a slow, "it's real because everyone looks like they're about to commit suicide" drama, then watch a South Korean movie. But a South Korean sci-fi Actioner? Forget about it!

... View More