VirtuosityIf real life were like a video game you would get gold coins and eternal life for committing mass murder.Unfortunately, as the avatar in this sci-fi thriller is about to find out, the real world has real consequences.SID 6.7 (Russell Crowe) is a VR composite of serial killers, including the man who murdered the wife and daughter of Lt. Barnes (Denzel Washington), who is now serving time for his retaliation. So when SID escapes the virtual world and goes on a killing spree, it only makes sense to send Barnes, and a criminal psychologist (Kelly Lynch), after the astute android. Ahead of its time, this action-heavy, tech savvy cat-and-mouse cavort with a memorable performance from Crowe is crippled only by its clichéd cops and robbers script and by the clunky special effects of the mid-1990s.Incidentally, there would've been more bloodshed if Ask Jeeves had escaped into our reality. Yellow Lightvidiotreviews.blogspot.ca

It's not a blockbuster, true. However, it's far from "yawn-inducing spawn of Lawnmover 2" and other futuristic crap about nano-technology and cyberspace. There are plot-holes, but show me similar movie without any. Indeed, the plot is not mind-wracking: an omnipotent killer (R.C.) from cyber-space, created for cops' training by some secret government organization, breaks loose, and only an imprisoned ex-cop (D.W.) whose family has perished in an explosion from another terrorist, can stop him. D.W. has been much blamed by other reviewers for giving "wooden" and "flat" performance, which is rather unjust. He delivers what's expected of him: a positive hero, tortured by memories and own guilt, being used by the government that promises him freedom if he stops their creation.However, for those that love action, there is plenty of this to keep the excitement levels raised. Our brilliant villain uses the analogy of music to give an "artistic" touch to his heinous crimes. The two main actors give a remarkable performance of extreme mockery from Russel, and black rage from Denzel. Because of the well treated source material, the quality of acting, and set design I think it's worth it.Overall rating: 7 out of 10.

I think I might have see this several times over the years.You read synopsis, sounds great. You take a look at A list of actors, wow, great.You start watching it and OK, looks kinda meh, like that Stallone one with three shells. Except that one had cute little Sandra Bullock. This one doesn't. Maybe casting director was gay and had no taste in women. Seriously, what type of guy do women in this film appeal to? Certainly not me.CGI is pretty bad. Looks more like badly done 80's than 1995.Writing was terrible.Not a single memorable scene.Oh, and its anti-white racist. Near beginning there is scene where entire prison is supposedly white guys cheering some racist to kill Denzel. Give me a break. Much more likely scenario would be 90% prison population being black and poor, so usually racist, cheering Denzel to kill the white guy. Thats just what reality is like.Movie sucked.

Brett Leonard is a name that has fallen by the wayside, and, maybe rightfully so. The director of such a film as The Lawnmower Man didn't really make anything of note since this film Virtuosity (unless one counts Highlander 5: The Source to be of actual quality which is hard to argue for), but there was a time when he knew where to put the camera and shoot as far as action and competency with his actors. The plot of Virtuosity is cut out of other movies to be sure, and would be again (one may be reminded of 12 Monkeys with its convicted man put on a mission by his captors, or even by Batman with its anti-hero and psychotic villain creating chaos all over the city), but, perhaps if only in retrospect, the movies carries some solid entertainment in the near-mindless tradition of loud, stupid Hollywood science fiction movies of the 90's. It's like John Woo lite.There isn't much to the plot except that a former detective (Washington) in prison for killing a man, and a few others, one of whom responsible for the death of his wife and daughter, is put into a virtual reality simulation against a psychotic being (Crowe), who is let into the real world by an asswipe who wants to get back at his bosses or something, and now the mano-a-mano is on in the real world (and, another former movie reference, Escape from NY: finish the mission, get a full pardon, but don't mind the chip in your head that might kill you). The plot is cookie cutter, and there is lack of motivation to some of the action until the over the top climax comes around. But within the silly context of things, it does make sense. And for those who may be tired of the super-fast action cutting of today's product (Bourne, Transformers, Expendables), it is a relief to be able to see what's going on.Will it be amazing for everyone? Probably not. It does have generic plotting and the very end is close to a cop-out. But one big factor in my enjoyment of Virtuosity, on top of the decent action, were the stars, Washington and especially Crowe. The latter gives a performance that is surprising considering where he went to for the rest of his Hollywood career. This is an actor with a lot to prove, and it's ironic considering Crowe is having more diabolical fun as a Terminator-cum-Joker than he has had in most other more serious action oriented roles. Sometimes his mannerisms make the stakes a little crazier, or simply the way he acts across from stoic and concerned Washington that makes it work so. Strange as it might seem, it's really one of Crowe's finest performances, true to the wonky nature of the character and just wicked fun. It's like Crowe's imitation of a Rutger Hauer performance, which is a sight to see on its own.Certainly it's no masterpiece, but Virtuosity has its charms and moments of excitement. It's likely the highpoint of Leonard's career, which may not be saying much, but putting together cool virtual reality sequences (the opening is most thrilling) and two high-caliber stars makes for some fun Saturday afternoon viewing.