In 1974's Beirut Tarek is a normal kid – making Super 8 movies, hanging out with friend Omar and getting in trouble at school. Conflicts are fun distractions and even when civil war proper erupts between Muslims and Christians, it is all still a bit of a game to Tarek, giving him time off school and interesting things to see. However with the city split in two, Tarek's mother wants to leave but his father insists they will be fine to stay. Meanwhile Tarek befriends May, a Christian girl living in his building; but as the conflict deepens tensions rise and the war becomes less of a game and more of a tragedy.I am usually interested in films that draw on personal experience because sometimes they can be very enjoyable and interesting and I accept the risk that some will be so personal that the director/writer loses sight of what he is doing and will make a film that doesn't translate well to those without the same degree of personal insight. So with West Beyrouth I was interested enough already and wasn't coming to it as some of the Tarantino completest that seem to have seen it. The film deals with a time and a place that I will not claim to fully understand or even know that much about – I have always been more interesting in political/religious wars that are closer to home for me than in the complexities of the Middle East etc but this film doesn't concern itself with making points; it is more about growing up during this time.As such I felt it missed out on a chance to provide a wider understanding, although it did open the doors for a more personal view of the conflict. As the latter the film does work pretty well as I can't really think of another "coming-of-age" story set in such a place. The problem with it though is that, like a "you had to be there" joke, it doesn't totally translate to the screen in terms of being an engaging narrative. Yes, the period and place are very well delivered and the direction is blessed with real experience but the story didn't draw me in and it did feel like a collection of personal memories, strung together the best they could have been but not really that good a story. The cast are also pretty mixed. The director's own brother, Rami, is quite good in the lead but he is more "in" the scenes rather than being of great interest himself – or rather, I didn't feel he enabled me to emotionally buy into the film. Al Amin is gorgeous and seems a lot more natural, shame the film didn't use her more. Chamas was selected for the role after picking a fight with the crew and he is generally good enough to do the job, but for large sections it does feel like he is trying too hard and maybe overdoing his delivery. Supporting roles are all OK but these three were the key and they were generally OK if not anything wonderful.Overall this is an OK film that is an interesting enough look at the conflict from the point of view of trying to grow up in it. The direction is good and has a personal touch along with a good eye for time and place but as writer Doueiri isn't as confident and his collection of memories don't manage to come together in an engaging narrative. Worth watching once if you're after a "teen" film that is different from the usual US collection of jocks and nerds, but not a completely satisfying film on the whole.

I wouldn't know how a non-Lebanese would look at this film. But to me, it's a very personal movie because I've lived similar events, even if 10 years later. It's definitely one of my favourite movies. And I have to say that the 3 leads have done great jobs for first-timers. "Carmen Lebbos" as the mother was superb, but my favourite character will always be "Leila Karam as" "Emm walid"

I've seen WEST BEIRUT several times at this point - it has become one of my fave recent world films, and made me curious to see what other Lebanese films I might've missed out on. *MINOR SPOILERS*An extremely accomplished debut from Lebanese-American filmmaker Ziad Douieri, WEST BEIRUT is loosely patterned after Francois Truffaut's 400 BLOWS, and blends a similar tale of growing up in troubled or uncertain settings, with a detailed examination of a nation collapsing into a civil war of extraordinary violence. The film does demand a little knowledge of history from the audience - actual events not depicted in the film are occasionally referred to in passing, which isn't really a weakness, though WEST BEIRUT (the title of the film refers to the partitioning of the city into Christian and Moslem enclaves) doesn't spoon-feed anything either. The slice-of-life, episodic nature of the film is perfectly suited to the material - the film follows a downward narrative trajectory from adventure and youthful mischief towards tragedy - with many moments reflective a splintering world around you, but many moments that you can immediately identify with.

Well you certainly don't become an expert on Late 20th century Lebanese politics by watching this movie. But for those of us with an outside interest and a yawning gap of understanding and knowledge, this movie is superb "edutainment". It both educates and entertains.The transition of the civil war through the eyes of these youngsters, as the movie goes on is moving. It starts off more or less as an adventure. It takes time to dawn on the characters that the civil war is tearing their lives apart.The family debates about whether to stay or go are very moving. We know many people in the Lebanese community here in the UK, many of them (or their parents) must have gone through those heart-wrenching decisions back then.The "romance" between the Muslim boy(s) and the Christian girl is also moving. It avoids the trap of descending into a Levantine Romeo & Juliet, however it seems a shame that the girl seems to just drift out of the story-line just at the point that we are all falling in love with her!See it, it will be worth it.