Love IT. I have seen IT maybe 6 times or so! Cud see it again and again!

(Originally seen many years ago) I have hated this film for a long time, and I still do, it think's it's funny, but for people with comedic taste, it's 90 minutes of torture. The Wayans who also made the dreadful Little man from 2006, have no shame, they throw out these alleged comedies every few years, and it's putting me off the entire genre. White Chicks is a film for imbeciles, it's complete and utter garbage and the worst comedy of the pre 2010 era.

White Chicks If you want to howl with laughter, you should watch White Chicks. White Chicks is a comedy that was released on June 23, 2004 in the United States. The stars in this movie are Shawn Wayans, Marlon Wayans,Terry Crews, Faune Chambers, Jaime King, Brittany Daniel, Maitland Ward, Anne Dudek, Busy Philipps,Jessica Cauffiel,Jennifer Carpenter, Rochelle Aytes,John Heard, Lochlyn Munro,Eddie Velez and Frankie R. Faison. The director of the movie is Keenan Wayans.Two FBI agent brothers, Marcus (Marlon Wayans) and Kevin Copeland (Shawn Wayans) agreed to escort and protect two twin hotel heiresses Brittany and Tiffany Wilson to the Hamptons from a kidnapping plot and go undercover. When they soon realized that they are used as bait for a kidnapper, the brothers have no choice but to pose as the sisters to bust the kidnapper. In the beginning, The brothers are disguised as two Mexican-Americans who owned supposedly an ice cream shop to bust some drug dealers. Three men walked into the shop to give them some ice cream they ordered. The brothers think they are the culprits and arrested them. It turns out they caught the wrong men and the real drug dealers shows up and got away which leads their boss forcing them to escort the sisters. In the next scene, Marcus and Kevin are waiting for the sisters to show up so they can escort them. While driving them to the destination, an accident occurred leaving one of the girls with a scratch on her face and the other with a busted lip. The girls complain about their marred faces and how they cannot come with their faces disfigured. Kevin tells them to just cover the scratches with makeup. Marcus worries and Kevin comes up with an idea to dress up like them for their protection so he calls some makeup artists to transform them into White women. Later the brothers who are posing as the sisters arrived at the Hamptons and are approached by the friends of the twins Karen, Lisa and Tori. They discuss about what have happened while they were gone. While chatting and gossiping like girls always do, two girls named Heather and Megan Vandergeld shows up and ends up with them in a yo mamma joke battle. Heather and Megan are enemies of Brittany and Tiffany and they are very rich. Later in the movie they meet again at a nightclub for a dance-off and Brittany (Kevin) and Tiffany (Marcus) won.One aspect of filmmaking I like is the acting. I like how the actors stay in character and how funny they are. For an example, when one of the brothers who are posing as one of the sisters were trying on clothes with the sisters friends tried to make the clothes fit and the clothes ripped I laughed so hard. Also acting is very interesting and fun. However, I find acting very tedious. Acting takes a lot of practice and you have to work hard if you want to debut in a movie. Also I wonder how many people who auditioned for this movie. Another aspect of filmmaking is the setting. The setting is cool and beautiful. I like how they change scenes and how the background is detailed. I've seen tons of movies with unique set designs. All of them are interesting too. In this particular movie, I see where the scenes are filmed in different places like the mall and the Hamptons. The scenery is awesome and beautiful. The director chose a great place to film this movie.My opinion about this movie is that it is hilarious. The actors did wonderful and the plot is excellent. I watched this movie several times and it's still funny. I recommend this movie to anyone who wants a laugh. The Wayans brothers and the casting crew did a good job. Some people found this comedy racist and unfunny however, I think the movie wasn't racist at all, people just don't understand humor when they see it.

I find it difficult to try and align the plot and slapstick humor of Keenen Ivory Wayans' film White Chicks with Laura Mulvey's ideas about gender and the role of women in film largely because I think any social commentary found in this particular film wasn't on the forefront of the minds who made this film. This is a film that is meant to do one thing, and like most Wayans' productions, that is to retaliate against conventions and stereotypes by using said conventions and stereotypes. The Wayans work to make films that exploit the wide-variety of clichés used in modern film, yet their films – such as this, Dance Flick, and the two Haunted House films – all abide by the common tropes of the films they're parodying, so their films feel less like acts of rebellion but more like surrender to filmmaking principles.The film is a brutally unpleasant slog through the ins and outs of buddy-cop clichés and tired racial and sex humor that relies on the idea that African-American males are well-endowed and all white females are privileged and simply stumbled their way into wealth. The film revolves around Kevin and Marcus Copeland (Shawn and Marlon Wayans), two disgraced FBI agents who have just flubbed another serious drug bust. Their deputy (Frankie Faison) gives them one last chance at redeeming themselves by making them protect two young, ditsy billionaires named Brittany and Tiffany Wilson (Maitland Ward and Anne Dudek) from a rumored kidnapping plot.When the Wilson sisters refuse to leave their hotel room after getting minor cuts on their face, both Kevin and Marcus impersonate the two sisters in whiteface, and are plunged into a beauty pageant alongside acquaintances of the sisters. Both Kevin and Marcus can't reveal their true identities to Brittany and Tiffany's competitors, nor can Marcus tell his wife (Faune A. Chambers) exactly what he is doing, so the two lumber around in drag as they try to navigate the ins and outs of this business while trying to save their jobs.White Chicks would be infuriatingly racist, sexist, and stereotypical if it wasn't such a narrow-minded and stupid film, so hellbent on pinpointing every charmless and laughless racial and sexual stereotype out rather than attempting to do anything with it. Where's the commentary on the hyper-sexualization of women in American film? Where do we exactly identify and take note of how, whilst in drag, Kevin and Marcus gawk at other women, but hate being gawked at as women by other men? Where's the commentary on the perception of race, or at least the satirical side of this screenplay? It's like a potential-ridden screenplay was gutted and left for dead because too many uptight suits got their hands on it and robbed it of all creativity, but perhaps that's the creative process of Shawn and Marlon Wayans. How else do you explain how it took six people to write a film predicated off of jokes about stereotypes and bathroom activity? Doing my best to connect White Chicks with Mulvey's ideas of phallocentrism, Mulvey's argument is the idea that women couldn't truly enjoy or connect with Hollywood filmmaking because of the camera lens being (a) objectively male and (b) part of a patriarchal structure. Mulvey views Hollywood films as films that further male ideology and principles by giving males the power in their films (to which Mulvey states the power of the male comes from the penis and the male's possession of a penis).One idea of Mulvey's White Chicks carries throughout its plot is the idea that women exist in films for visual pleasure (what Mulvey calls to-be-looked-at-ness). With that, women are viewed in a scopophiliac sense, which resorts to viewing women as objects rather than individual characters with individualized ideas. Almost every white female character in White Chicks is an object representative of fetishized beauty, with characters lacking any discernible ounce of authenticity. So much of the film occurs in a beauty pageant, or involves women trying to achieve unrealistic states of beauty by way of tight outfits, breast implants, and materialistic possessions, that the objectification of women in the film runs rampant because there is no way to view these female characters other than by way of their measurements and their love for material things.Finally, returning to the idea I alluded to earlier about male gaze – where the camera lens assumes a de facto masculine perspective – White Chicks does abide by that idea as well. Even though most of the characters we meet in the film are females, the two lead characters are males disguised as females, which leads to the idea that even if you can paint the focus in a different light, you cannot escape the idea of male gaze because it's a default in the world of cinema. White Chicks is essentially the male gaze playing dressup, much like its male characters in the film.White Chicks is an unforgivably awful film; the kind where one wouldn't be so stupid as to take a few days off from comedy upon seeing it and witnessing joke-after-joke fall prey to conventionality and trainwreck delivery. The film is as obnoxious as it is unfunny, with characters and stereotypes - particularly the seriously ridiculous and one-note Terry Crews character - mistaken for any kind of significance in narrative or thematic urgency. I guess having Shawn, Marlon, and director/co-writer/co-producer Keenen Ivory Wayans giving some kind of worth to this material would've been too much to ask. We could've seen how racial and sexual prejudice and tendencies are communicated in many varying shades of gray, in a film called "White Chicks" nonetheless.