Based on a novel by Yasmina Khadra, Lebanese director Ziad Douiere's The Attack is about a man without a country. Unlike Philip Nolan in Edward Everett Hale's classic novella who has been exiled from his country forever, however, Dr. Amin Jafaari (Ali Suliman), a respected Israeli Arab doctor, never had a country to begin with. The film, about a man whose life is turned upside down in the course of a single moment, is a gripping suspense thriller, an intimate love story, a poignant personal drama, and a powerful political statement. What it adds up to is superior entertainment. Unfortunately, the film has been banned by the Arab League for the crime of filming in Israel, limiting its potential to reach a bigger audience.The film opens with Dr. Jafaari delivering his acceptance speech at a prestigious medical conference where he has been honored as the first Arab ever to receive an important medical award. Oddly, his wife Siham (Reymond Amselem) is visiting relatives in Nazareth and is not with him to celebrate the apex of his career. Before going on stage, he receives a call from Siham but tells her that he cannot talk and will call her later. That is the last time that he will ever hear her voice. The next day, while at the hospital, Amin hears a loud explosion and knows from experience that a suicide bombing has taken place and will bring many injured and dying victims to the hospital.Dr. Jafaari, who has always treated both Arabs and Israelis, works feverishly to save as many lives as possible, even though a Jewish victim refuses to be treated by an Arab and spits in his face. Amin's world of safety and respect is torn apart when he learns that his wife may be the suicide bomber responsible for the death of 17 people including 11 children. Arrested and mercilessly grilled by a relentless Israel Intelligence officer (Uri Gavriel), he is told that the bomber has been positively identified by forensic evidence as his wife but he is in denial. It is only after he receives a letter from Siham in which she tells him not to hate her that he becomes convinced of the impossible.The letter is mailed from Nablus, a Palestinian city on the West Bank, but Amin withholds the information from his friend Raveed (Dvir Benedek), a high-ranked police officer. Provided sanctuary by Kim Yehuda (Evgenia Dodina), a Russian colleague, Amin is distraught by the realization that his wife of fifteen years had a secret life that she never shared with him. Mirroring Denis Villeneuve's 2010 film Incendies, he travels to Nablus at great personal risk to trace the roots of Siham's involvement, questioning family and friends to find answers. As Amin seeks out those responsible, he is told by his nephew Adel (Karim Saleh) who was deeply involved, "Something snapped in her head," and by Sheik Marwan (Ramzi Makdessi) that he has no business there and to return to Tel Aviv before he brings the Israeli Intelligence down on his people (why Israeli intelligence did not follow him to Nablus is not explained).An Arab leader in the Christian church tells him, "We're not Islamists and we're not fundamentalists, either. We are only the children of a ravaged, despised people, fighting with whatever means we can to recover our homeland and our dignity," and adds, "I never met your wife," the priest declares, "I wish I had." When Amin learns that Sahim is considered a hero and a martyr with her picture posted all over the city, he begins to feel trapped between his loyalty to the Arab cause and to his Israeli colleagues who opened so many doors for him and his wife. Visiting the rubble of Jenin, a Palestinian refugee camp that was bombed by the Israelis, he starts to sense the anger behind his wife's radicalization.Doueiri presents a balanced picture of the feelings on both sides, and The Attack is not a propaganda film. Although it is about the seemingly impassable political divide that separates the Israeli and Arab worlds, the film is basically a look at the human cost of the conflict. A sensitive and poetic story of the love between two people shown in flashbacks, the film asks the question – can we ever really know another person, even those we have been intimate with for many years? Can we ever know what goes on in the deepest layer of their being, how they "sense" the world? Can we even know ourselves, who we really are? For Amin, who must put the pieces of his life back together, there are many questions, but few answers, only emotional scars that will last a lifetime.

The Attack (2012) was co-written and directed by Ziad Doueiri. This is a dark and troubling film about a dark and troubling situation--the Israeli-Palestinian relationship. The gifted actor Ali Suliman plays Dr. Amin Jaafari, a Muslim surgeon who has chosen to live and work in Tel Aviv. He is so successful that he receives a prestigious medical honor from the Israelis. His world is shattered when his wife is killed in a terrorist attack. As if that's not horror enough, his wife is accused of being the suicide bomber who triggered the explosion.After that, we follow the protagonist as he tries to learn the truth about what role--if any--his wife played in the bombing.I think this is an excellent film--well written, well directed, and well acted. I'm not an expert in Middle East politics, but I think the movie was made stronger by the director's refusal to take sides in the tense Israeli-Palestinian conflict. A friend who is an expert in the area told me that the Israeli population is not monolithically opposed to the Palestinian cause. An entire spectrum of beliefs about the conflict and its solution is found in Israeli. Unfortunately, here in the United States opinion is much more rigid and monolithic.The only fault I found with the movie is that sometimes the plot wasn't completely clear to me. It was probably crystal clear to someone who knows the situation and the languages, but I don't, so I wasn't always sure exactly what was happening. Other than that, the film was truly superb. The Attack carries a modest 6.7 IMDb rating. Don't be thrown off by that rating--it's too low. I gave the film a rating of 9, and could easily have given it a 10.)This is a movie worth seeking out and seeing. Just be prepared to be discouraged by the political reality of a problem that apparently doesn't have a solution.

Women make the best suicide bombers. They receive more media attention and generate greater mass hysteria. If they can kill innocent children, this creates the best publicity possible. The Attack, a film by Ziad Doueiri deals with such suicide bombing connected to the Israeli/Palestinian conflict. The story is told in such a powerful and inventive way that I left the theatre feeling as if my emotional center had been extracted, run over by a train, and then transplanted back inside. One way I seem to judge how good a film is is by how bad it makes me feel.After seeing The Attack I thought immediately of Paradise Now (2005). It has the same lead actor and both films involve Tel Aviv bombings, but while Paradise Now's suspense is generated by mystery involved in the story's unfolding climaxing in a mega-unsettller of an ending, The Attack gives away all its plot secrets in the first act. The major conflict of the film takes place early. Climax hit, mystery solved, we are out to examine why the events happened. The film opens with the protagonist's highest moment, so from here down is the only way to go.Amin Jaafari, an ultra-successful Arab surgeon living in Tel Aviv receives a career achievement award. In his acceptance speech he praises a non-existent armistice of hostility between the Arab world and Israel. The irony of this speech is played out over and over again as he suffers blow after blow demonstrating the error of his judgment.There is a suicide bombing in Tel Aviv and Jaafari's wife disappears. She has forgotten her cell phone. All things lighting, photography and mood point to "oh no, she's been killed." Shockingly, not only has she been killed, she was actually responsible; She was the bomber. Married for 15 years, Jaafari tries to persuade others that he knew his wife well, that she could never do anything so terrible; we spend very little time wondering or investigating the trivialities of whether or not she did the deed. He gets a letter that was mailed before the bombing. It admits to the bombing and pleads, "Don't hate me."This secret disclosed, Jaafari goes to Palestine to track down the people who organized her suicide. What we find out in Palestine is a wrenching tale of Jaafari's own search for answers. He tries to come to terms with his wife as a mass murderer while at the same time still being madly in love with her. The more he mourns, the bigger the atrocity of his wife's deed becomes, and ever the more realistic.Jaafari's fall from grace is a vivid representation that tragedy can strike at any time, to anyone. After seeing this film we are left with a striking awareness of our own vulnerability. Seeing an affluent, successful surgeon being betrayed by his wife, his family, his profession, and both of his home states leaves little hope for those of us that are less successful, non-surgeons.Jaafari's was ignorant. He disregarded all the signs, saw only what he wanted to see, and this contributed to his ultimate demise, but he was not exceptionally oblivious, nor was he in any way malicious or evil. He was human. We leave theatres hopefully trying not to make the same mistakes.More reviews drumgodchris.blogspot.com

Seldom comes a movie that keeps you glued to the screen without the need of some fancy special effect or camera move; one that has a story that is universal, involving, complex, and devastating. Here is the eternal conflict, one that continues despite our supposed maturing and evolving into much better characters.A successful doctor suddenly finds himself in the middle of a big mess as his wife might or not have committed a brutal act of terrorism. As the plot unfolds and he's inevitably questioned, more and more questions arise. Some of these are inquiries by the authorities who want to capture any other parties. Most of the ones the film deals with, are apparently of a personal nature for this is a love story between a man and his wife. This love story, however, has ended badly, and the mystery will be resolved by the end of the film.The doctor continues to suffer and slowly see his perfect universe fall apart as he discovers more and more of the truths that have surrounded him for a long time, yet he might not have wanted to see or acknowledge. The film delivers each one of them like a hard slap to his face, and it is painful to see that it's difficult to place a 100% of the blame on anyone, and that is equally impossible to justify any of the actions taken by anyone here. There are moments when one goes through a range of emotions similar to the main character, and this where this film excels for we learn to discover more than we might want to know.The film explores the cultural, political, and social differences between two types of people, and even at first, we can catch one furtive look from someone who is not happy with the success of the doctor. This gets more intense and clear as the investigation continues, and here the man is a pariah not wanted by anyone because he can't understand what happened, what is happening or what will happen. As usual, there is plenty of ignorance at the heart of the conflict, and the dialog in the film illustrates a lot of this. More and more questions continue to arise as the film nears its conclusion.There are many beautiful scenes in the movie, trying to explain the relationship between the doctor and his wife, and we keep wondering how it was possible that the events led to the attack. In the end, things become more clear, but questions remain, and they will continue as long as we fail to heal and embrace each other, finding a common ground, recognizing the similarities rather than the differences.Great film.