I was surprised by how much I liked Unstoppable. It's based on a true story, but with a number of Hollywood embellishments to make it more suspenseful. The characters are all flat and it's fairly predictable, but it's a fun popcorn movie that I enjoyed watching.

Wants to get thrilled? Then watch "Unstoppable". It is exciting and you will forget everything for the next 98 minutes. The movie is full of excitement and it takes the viewers to be part of the challenging mission. The BGM is wonderful and it suits well with the overall theme of the movie. Buy some popcorn and just enjoy the thrill.

Tony Scott's Unstoppable was the maverick's last directorial outing before his heartbreaking and untimely death. It's ironic because the film's title is a descriptive term I would have applied to the man's career, life and approach to filmmaking. But it was not to be. This is some swan song of a film to go out on though, a pleasing juggernaut of an action drama that greases the tracks and goes full steam ahead. Any film about trains run amok will inevitably be compared to the 1984 masterpiece Runaway Train, and although this one is vastly different in both story and tone, they just seem to be sister films. The mournful, resolute nature of Jon Voight's character in it just seems to echo the sadness surrounding this film, and the fact that it was Tony's last. But that's just my strange intuition talking. The film itself isn't really melancholy or downbeat, in fact it focuses largely on human triumph in the face of gross error. There is in fact a runaway train on the loose here, but the stakes are upped when we find out that it's packed to the brim with highly toxic and flammable chemicals, and hurtling unchecked towards a densely populated metropolitan area. Denzel Washington is the Everyman veteran railroad worker, in danger of having his job devoured by greedy corporate development and ready to have a meltdown. Chris Pine is the hothead rookie swaggering through his first month on throb, and together they have to deal with the disaster, and prevent any further outcome. Rosario Dawson is the frantic control station operator, trying to coach two other workers (Lew Temple & Ethan Suplee) and help as best she can. Kevin Dunn is the abrasive company CEO, unwilling to get his hands dirty and callously looking for the first readily available solution, even if it results in mild casualties that he doesn't have to witness. It's all been done before, no doubt, but not by Scott, and you can never write off a formula, trope or act n cliché as dead until the maverick has had a good crack at it. The scenes involving the train are breathless and edited with a glass shard explosiveness, never to shaky or chaotic, always in control and bursting from the frames like the speeding locomotive they encompass. Look out for Jeff Wincott as Pine's older brother, as well as Kevin Corrigan, T.J. Miller and David Warshofsky as well. It's not a bad little flick for a director to put the final seal on his career with, and stands as a wrecking ball of an action flick. I just wish we got to see more from the guy. RIP Tony.

As much as not all-regular commuters take the train on a daily basis, the railroad has always been an important asset to various interests since its commencement during the 1800s. Whether its passenger or freight trains, railways are one of the biggest systems of transportation for anything that needs a direct way of travel. However, this complicated arrangement of simultaneous operations would not work right or be safe enough for anyone to be apart of if it were not for the array of classes that specialize in this field. The train engineer, conductor, signalman, stationmaster and so on all have to coordinate exactly by the book because if one thing is left unchecked, several severe consequences can arise. One of which is loss of property and that is no loose change purchase. It's one of those jobs where if you screw up once, there's really no way your going to be getting a second chance.The plot to this "you can't afford to be lazy" thriller is when station master Connie (Rosario Dawson) and her boss Galvin (Kevin Dunn) find out that a rather unqualified train engineer (Ethan Suplee) managed to lose control of a mile long freight train out the yard and onto the public railway line. As soon as this occurs, chaos and mass hysteria ensues for somewhere along the line comes a sharp curve that lies over a populated city that the train won't be able to make. Despite this major problem there are people who can help. Frank Barns (Denzel Washington) a 28-year veteran of the railway and greenthumb Will Colson (Chris Pine) team up to try and slow down the runaway train. Directed by genre action/thriller veteran Tony Scott, once the train leaves the yard the pacing does not slow down from there and rightfully so. Written by Mark Bomback (Live Free or Die Hard (2007)), which was adapted from an actual event that occurred almost a decade before, this intense thriller is one of those cautionary tales about how detrimental one slip can be if your not careful enough (whether it was intentional or not).Aside from how quickly paced scenes move in this film, there are a number of scenes for character development. Because there are moments that involve trains catching up to each other, this allows room for Frank and Will to talk and emote to each other about their separate lives and what they are currently dealing with. Frank is a widower with two daughters trying to make it through college and Will is a guy who's been put on a restraining order for a rash decision he made. Although at times these two characters bicker they do have heart and that makes them likable. This is important for main characters. Even Connie (Dawson) who comes off as hot headed at times is a sympathetic character because her situation is just as critical as the person whose trying to stop the train. Also, Dawson's knowledge of train terminology is astounding (apparently she has railroad experience in real life). Even for actor Kevin Dunn, who normally plays parent roles plays his character the right way, which represents how business leadership can become tainted over time.As for the set pieces, there's something to admire about how real this film feels. For a plot that is described as extremely hazardous, it is amazing that a number of the action sequences were done live. Could you imagine being on a runaway diesel train with 30+ cars on the back end? What's great specifically about the runaway train is about how it's portrayed. Whenever the train appears on screen, it screams metallic echoes that are a bit terrifying even from a passive point of view (from not literally being there). Envision the power behind all that weight and then speed it up,...it is literally a monster that is indestructible. The only visual elements that seem illogical are mostly the technical parts. For majority of the time, the special effects are kept to a minimum but there is one scene that looks like it wasn't touched up as nicely as it could've been. Also like a lot of action films, sometimes the laws of physics are blown off just to have the film go a certain way and here is no different. Some things just shouldn't be possible.The other two components that work in this film's favor however are its cinematography and music. The director of photography was handled by Ben Seresin best known for shooting Transformers: Revenge of the Fallen (2009) a year before and went on to shoot for Pain & Gain (2013) and World War Z (2013). Much of Seresin's work has great wide-angle shots of terrain, sky and the rail lines. When it comes to a film like this where everything is on the move, it is definitely important for the viewer to have an understanding of geography within the story and Seresin is able to display that efficiently. The music composed by Harry Gregson- Williams was also a surprise. Although there isn't a truly recognizable theme for the runaway train other than staccotoed notes randomly throughout the score, Williams does have a theme for Frank and Will which to be quite honest is the best tune. The motif is lightly played on the piano and it has real emotion. The action cues do its job at hightening the experience of tension but it isn't as thematically integrated when being listen to alone.Aside from having some implausible physics and undoctored special effects in a few areas, this thriller goes beyond comfortability with its suburban setting and realistic dangers of what happens when someone isn't paying attention. The actors perform well, the writing develops them nicely, the music gives the right amount of emotion, the cinematography and practical set pieces make it all the more real.