Courage Under Fire
Courage Under Fire
R | 04 July 1996 (USA)
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A US Army officer, who made a "friendly fire" mistake that was covered up, has been reassigned to a desk job. He is tasked to investigate a female chopper commander's worthiness to be awarded the Medal of Honor. At first all seems in order. But then he begins to notice inconsistencies between the testimonies of the witnesses...

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Reviews
floyd beck

Sorry, but I cannot stomach a movie that is pro-military when Meg Ryan, a devout Democrat and worshiper of John Kerry, the war-hater and devout liar, and Denzel Washington, a worshiper of President Obama and a devout Democrat who is said to be a devout Christian. One cannot be both...in 2011, the Democrats voted NO to have God inserted in their convention, in spite of the chairman's blatant lie; just one of 100 reasons.So, after my ranting, what about the movie? It is too hard to believe any of it because the actors are not sincere in true life. It would be like having an openly gay person portray Rudolph Valentino unless the movie was a comedy. Courage Under Fire does not pass as a comedy unless one forces one's mind to the point of insanity to see liberal war-hating actors and actresses pretend to be pro-military.

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dunmore_ego

Yes, I know it's trying to be inspiring and heroic and poignant, but COURAGE UNDER FIRE is one of the most blatantly gutless movies ever made. About a soldier investigating whether a downed female United States helicopter pilot in Desert Storm deserves a posthumous Medal of Honor. So I ask you: in which universe will America ever make a movie where a Medal of Honor is investigated and NOT awarded? So it's a foregone conclusion--all the mystery and mayhem and maybes are simply wasting our time more than the actual war this story was set in--as it leads inexorably to the melodramatic military funeral, the flags, saluting, tears of the family, proud shiny buttons and white gloves, the flyover with one plane breaking formation, and that bilious, bleating orchestra swell. And the Medal. The End. Cry me a river; cry me a patently meaningless award, military swine.Then the coda: the investigating soldier visits pilot's grave, salutes grave, tiny flag, voice-over of dead pilot to American Pie Mom and Dad, talking of the Big Push and hero hero hero hero hero hero another blithering orchestra swell I'm going to vomit... Denzel Washington is the investigating soldier, with demons of his own. (Well, they're not really demons; they're roiling stabs of conscience he feels for stupidly shooting one of his own tanks during a skirmish, killing his own men in the hilariously black euphemism "friendly fire," and then having the military cover-up his blunder.) And whenever he has visions of that po' boy he fricasseed in that tank (Mmm! Soldierboy, the other white meat!), he heads straight for the alcohol... uh, cos he's a hero, see.When he's asked to investigate whether Captain Karen Walden (Meg Ryan) is worthy of receiving the Medal of Honor for "courage under fire," the story ends right there. Of course she's deserving of it. She's the first female officer recommended, she's regarded as a hero for sacrificing her life for her men--and she's Meg Ryan. As if the movie would go to all the trouble setting up her heroism and feminism and Ryanism and NOT award her the medal.And every cliché in the military lexicon is thrown at us like grenades lobbed into foxholes: the tragic family; damaged goods investigating damaged goods; the novice (Matt Damon), the toughguy (Lou Diamond Phillips), the hero-worshipper (Tim Guinee) and all the other bumboys like the Benetton passengers of SPEED; the hospitalized guy (Seth Gilliam) whose seen one battle too many; the military cover-up. And everyone's got Movie PTSD.Denzel wants to find out "what really happened," so COURAGE is constructed like a RASHOMON for rednecks, as we see all the alternate flashbacks with a coy Walden, an indecisive Walden and a butch Walden barking orders and trying not to look like a sex object. Not one of the scenarios is ambiguous about her Hero status--no matter if she threw Iraqi babies at walls or defunded the G.I. Bill. If we can call football players heroes, and people who jumped from the Twin Towers heroes, then this chopper pilot must be a shoo-in, so I ask again: what compels viewers to spend 120 minutes *pretending* there's any doubt?Denzel visits Walden's helicopter bumboys, who all give differing accounts of My Night In The Desert With Captain Walden. Diamond Phillips claims he was the toughguy, as he lies and plies himself with alcohol and commits suicide (cos he's a hero!); Damon claims Walden was a strategic hardnose, as he admits to being a junkie and afraid to go flying again (cos he's a hero!); Guinee relates how Walden sacrificed herself for them, even as he reveals how she got them shot down by taking another pass at an Iraqi tank when she could have flown away--cognitive dissonance rules!--while constantly telling his wife to shutup for calling Walden butch (cos he's a hero!); while Seth Gilliam pounds his medication to numb himself out of the running as a reputable eyewitness (cos he's a hero, see!).What's in it for her bumboys to report that she was a coward? Nothing. But saying she was a HERO makes them vicarious heroes alongside her. Ooo-rah! And here's a note to all you military wardogs whose first reaction is to Spock-chop me for "disrespecting" you (such heroes, fighting for peace!): When are you going to realize your own government, who pays you hypocritical lip service, regards you with even less respect than I do? I just consider you deluded and egotistical and sometimes uneducated, while they consider you cannon fodder! It's the United States government that fools you into getting your asses shot off for them in the first place; it's the United States government that refuses you and your family financial benefits when you return from war; it's the United States government that stop-losses you, reneging on your stipulated leave time, over and over and over again; it's the United States government that cuts your medical funding; it's the United States government that evicts your family, that lies about friendly fire, that doesn't provide armor for you or your vehicles; it's the United States government that kicks you out for being gay after you've dedicated your life to them; it's the United States government that supposedly trains you for PTSD and then all of you return from war with PTSD (Who are the a-holes? You, who are either failing your training, or the government who are failing to train you properly?).Is that what you bitches call "respect"? Under fire from your own government, it's about time you showed some real Courage Under Fire and tell them where to shove it next time they want to exploit you for political gain. That is, unless you really are as dumb as they consider you to be.Ooo-rah! --Poffy The Cucumber

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Sammy

I don't care about the petty "goofs" or parts of the story that other people point out- this movie means a lot to me as a disabled veteran with PTSD. This movie is about many things, but to me, the story is about how Col Sterling is trying to manage his survivor guilt and PTSD from his incident on one hand, and deal with his task to validate the medal for his General, his wife, his kids, etc. on the other. He resorts to booze (like we all do) to try to cope. That's what this movie is really about: how one guy is trying to come to grips with PTSD, which I can tell you first-hand is a challenge that I face every minute of everyday. And seeing this movie helps heal me. It reminds me that I too lost a promising career in the Navy, lost my marriage, lost my kids, and lost myself in the abyss of PTSD and alcoholism before I got help. That's the only negative I have on this movie- we don't see if Col Sterling got help. Otherwise, this movie has helped heal me in ways that no other movie I've ever seen has.

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Shady Janzeir

I tried to watch Courage Under Fire, but I couldn't get past the completely amateurish opening sequence and the horribly miscast cast. Everything about this movie is bad, from the lighting, prop execution and poor use of body language to Edward Zwick's apparent inability to get his actors to perform to editor Steven Rosenblum's poor sense of timing and choice of takes. The execution of props, battle sequences and facial expressions would have been embarrassing in the 1980s. This sort of material has been done countless times before and since, and apart from third-rate, shoestring C-movies with unknown actors and obscure porn stars by wannabe directors, few other movies of the military genre were worse.

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