"Fast and Loose" was one of the many husband and wife murder mysteries spawned by the success of "The Thin Man" franchise. Living up to its title at 80 minutes, this lighthearted contemporary M-G-M crime story featured a married couple forged in the mold of Nick and Nora Charles. Robert Montgomery and Rosalind Russell were ideally cast as an amusing couple of amateur detectives, Joel, and Garda Sloane, investigating the theft of the only existing excerpt of a genuine William Shakespeare manuscript valued at half-a-million dollars. At least three people die under mysterious circumstances because of this priceless manuscript. Since this is an M-G-M effort, the production values are glossy, the cast immaculate, with glamor in every department, particularly the villainous gambling entrepreneur. Indeed, everything is its proper place, and the amusing banter between Joel and Garda Sloane is more fun than the formulaic plot. Rare book dealer--and resident smart-aleck--Joel Sloane (Robert Montgomery of "The Lady in the Lake") is approached by a client, Christopher Oates (Etienne Girardot of "The Kennel Murder Case"), who wants him to buy a scrap of Shakespearean manuscript from a wealthy gentlemen desperately needing money. The economy of Edwin L. Marin's invisible direction is surpassed only by charisma of the two leads. Montgomery and Russell belong together. They have rhythm. Like traditional heroes and heroines, they don't blunder into this investigation from the get-go, they are desperate for work themselves. The office landlord has threatened to evict them if they don't pay up in ten days. Joel and Garda are in their office surrounded by book shelves bristling with valuable texts when she utters forbidden sentiments. "Too bad they abolished slavery, you'd bring a nice price," quips Garda flippantly. I'm surprised that comment didn't spark some controversy.You can tell "Fast and Loose" is an M-G-M film because even the police look like they have better salaries. Mind you, this murder mystery unfolds in a large house, and everybody here had been there when the murders were committed. Furthermore, this crime follows infighting among the wealthy Torrent family. Nicholas Torrent (Ralph Morgan of "Strange Interlude") suspects that his son, Gerald Torrent (Tom Collins of "The Secret of Dr. Kildare"), may be stealing his prized books from his collection and selling them to pay off his gambling debts to 'Lucky' Nolan. The father plans to cut his son out of his will because of his son's larcenous spree. Joel phones one of his close friends, Phil Sergeant (John Hubbard of "The Mummy's Tomb"), who works for Torrent, Phil gives Joel nothing. Everything kicks into gear after Joel's insurance agent friend Dave Hilliard (Alan Dinehart of "Hotel for Women") asks him to visit Torrent and snoop around for him. The agent shows Joel a rare hardback copy of a book that Hilliard's company obtained. Hilliard and company are suspicious about what is happening out at the Torrent estate. Joel Sloane isn't a defenseless amateur. He pulls some mighty slick moves, especially when he disarms Nolan in the gambling house. Garda ridicules Joel about his rush to heroism and wishes that he would refrain from it. You'll chuckle when you see what condition Joel is in at the close of "Fast and Loose." Even if the climactic payoff isn't as surprising as it is, "Land of the Pharaohs" scenarist Harry Kurnitz parcels out the appropriate scenes in agreeable order. Light comedy is the order of the day. Indeed, Kurnitz would later pen the stage play "A Shot in the Dark" that would become the basis for an Inspector Clouseau comedy. Anyway, Garda needles her impetuous husband about what happened when he got in the way of a crime investigation. We learn that Joel was shot in the buttocks. Garda wiggles a finger through the bullet hole as she holds up his pants and reminds him how painful the aftermath was with an inflatable donut tube. When Joel and Garda aren't picking at each other, Joel interferes with Nolan's dame, Bobby Neville (Joan Marsh of "Anna Karenina"), to question her about her presence at the house. Harry Kurnitz provides swell dialogue, interesting characters, but the revelation about the villain's identity isn't startling. This individual was fairly smart, but like all villains tripped himself up in the long run. "Fast and Loose" doesn't wear out it welcome.

Robert Montgomery and Rosalind Russell just fit their roles as Joel and Garda Sloane, witty rare book dealers who dabble in detective work on the side. The book business is apparently not that good— Montgomery wishes that somebody would steal a lot of rare books so he could recover them and get the reward. Also, detective work is a lot more fun than book selling. The plot, which gets rolling quickly, involves a Shakespeare manuscript and a Paradise Lost first edition, as well as a rival book dealer, an absent-minded client, and some family intrigue. As Russell sums up neatly at one point: "What a spot for that girl. Her father murdered and her brother and her sweetheart probably all mixed up in it." It's fairly complicated but the story moves along plenty fast enough that we don't have much time to wonder whether it makes sense.The banter between Montgomery and Russell is the picture's main attraction, and both stars are appealing and funny. The supporting cast is also good and features such familiar faces as Reginald Owen and Ralph Morgan. It's no masterpiece but never boring for a minute; it's certainly a solid entry in the husband-and-wife-amateur-detectives genre.

One of several films Robert Montgomery did with Rosalind Russell; they're a chummy couple, they interact well on-screen, but this is one of their weaker efforts. A book expert plays part-time sleuth when a handwritten manuscript by Shakespeare is stolen; his wife inadvertently helps. Some smart jabs at the economy (circa 1939) and the playful repartee between Montgomery and Russell make this watchable, but nothing more. The scenario is too cluttered with suspects, and no one in the large supporting cast makes much of an impression (except possibly Sidney Blackmer playing a sinister gambling czar, his steely eyes just as chilly here as in 1968's "Rosemary's Baby"). Hectic, somehow tolerable, yet imminently forgettable. ** from ****

Serviceable part-time-detective story set in the world of rare-book collecting and presented in the Thin Man style. (The writer, Harry Kurnitz, later contributed to the 4th and 5th Thin Man movies.)Points for premise and some good one-liners ("I request the pleasure of your absence"); unfortunately, the leads wear their roles with all the comfort of sackcloth. Robert Montgomery's transitions between lighthearted husband and tough-guy sleuth are awkward -- like he was just rehearsing to be Lord Peter Wimsey in "Haunted Honeymoon" a year later -- and the usually superior Rosalind Russell as a "wifey" isn't sharp enough for the Nora Charles league.Otherwise, it's an OK way to kill some time on a rainy afternoon ... but I wouldn't waste 1.5 hours of videotape to watch it later.