Tomb of the Werewolf (2004) ** (out of 4) Paul Naschy made his twelfth and final appearance as Waldemar Daninsky in this American production that was quickly thrown together when the Spanish legend came to the States for a quick visit. The film centers on the Daninsky Castle where there's a hidden treasure somewhere. The last relative of Waldemar invites a reality show there to try and find it but an evil servant (Michelle Bauer) decides to bring Waldemar, the werewolf, back to life. Okay, if you're expecting the Waldemar of two decades ago then you're going to be disappointed but at the same time I think this film offers enough for fans of Naschy who aren't going to be offended by what the movie is. There's no question that this film doesn't work but I think some of being overly harsh on it because it doesn't look, feel or smell like the films Naschy was making earlier in his career. This film contains a lot of nudity, various sex scenes and a weak story but at the same time I think the werewolf side of things gets plenty of attention and we get to see Naschy, in full make up, attacking more people here than in any of the other films that this character appears in. The transformation scenes, done through cheap CGI, are extremely bad so thankfully we only have to see them a couple times whereas the wolf just appears in the other scenes. I think Naschy is good at his old tricks of howling, jumping out and biting folks but the screenplay never gives him any dialogue with the make up. I understand how this might upset fans but again, we have to remember how quickly this thing was thrown together. I found the rest of the cast to be entertaining even if they weren't giving the greatest performances out there. Bauer is fine as the vamp with Stephanie Bentley, Danielle Petty and Jacy Andrews turning in fun characters as well. There's plenty of bloody attacks to keep horror fans entertained and plenty of nudity for the teenage boy in all of us. Ray hasn't created any masterpiece or anything ground breaking but I think fans of Naschy should at least check it out to see the man in his most famous role one last time.

... and that question is... DOES *NO ONE* MAKE GOOD WEREWOLF MOVIES ANYMORE?! This movie features an incredibly untalented cast, very cheesy and outdated special effects and just plain bad writing.First problem, too much sex and nudity. Now some, especially men, might argue with that opinion, but that fact is I wanted to see a movie about werewolves. If I'd wanted to see that many breasts exposed, I could have just rented a porno. Seriously, this was one step above a snuff film. (If you don't know what that is, I am *not* going to be the one to explain it.) Now, the special effects. I get that this was very low budget production, and so was not expecting anything state-of-the-art. That would have been dumb. But I have literally seen better special effects made by teenagers on their home computers. It was sad.Most of the actors, particularly the women, were more likely cast for their willingness to get naked and get it on with the other female cast members than any acting skills they might possess. (Which are very few.) Now, if the script had at least been well written, some of the other stuff could have been forgiven. This was not the case. And the real hell of it is that they started out with a fairly good plot line. Bringing Elizabeth Bathory into the mix, for example, was a good idea and one that I have not often seen used. The reincarnation factor wasn't exactly original, but could have worked out quite well. There is also a tragic back story for the werewolf, in which he basically trades his humanity to Bathory in exchange for saving his beloved wife from the plague. Ironically, once his wife begins to heal, he ends up killing her while in werewolf form. The writer/director was, unfortunately, apparently just not talented enough to build on that plot very well. Maybe he was too distracted by all the pointless lesbian sex he just had to put in.In all, this movie doesn't rank up in the category of "Worth at least one watch." Heck, it doesn't even rank high enough to be put in the "So bad, it's funny" category. This movie is part of the bottom dwelling "There ain't nothing funny about a movie *this* bad" category, where it is kept company by the likes of "El Chpacabra" and "Miner's Massacre." Now, I admit, no one made me watch this, er, film. (And I use the term "film" very loosely.) That's not to say that I'm not still a bit disgruntled by the fact that I shelled out about four bucks to rent this thing. But I admit that was my own folly. Having made that horrible mistake, I now warn any who might be reading this not to make the same mistake. To say that this... film is a waste of both time and money would be an understatement. If you're like me and want to see a good werewolf movie, go with a classic, like "The Wolfman" and the sequels starring Lon Chaney Jr. (At least they have the excuse of the time period for the special effects and they're well written enough.) If you want something a bit more modern, I'm sorry to say that you're limited to the 80's and early 90's. To my knowledge there have been no good werewolf movies made since then. Oh, there have been a few good ones that feature werewolves, but none exclusively about werewolves.I still have hope that someday, someone out there in Hollywood will make a worthy werewolf film once more, but I'm not holding my breath.

Tomb of the Werewolf (2003) is a terrible movie. But it has some spots that keep it from receiving a place in the dust-bin. Another straight-to-video flick from Fred Olen Ray who's aided and abetted by ancient Iberian lycanthrope Paul Naschy (Jacinto Molina). A boring rehash of the old werewolf genre except it's filled with some sleaze and girl-on-girl action. But the scenes are either boring or too tame to be of interest. Over the years some filmmakers improve but unfortunately F.O.R. has still remained a z-grade director. But he's a genius compared to clowns such as David De Coteau and his fifty other alias.Not recommended unless you want to watch tame R-rated soft-core porn, uninspired directing, bad acting, inane writing and cheesy special effects.

Elizabeth Bathory (Michelle Bauer) sells her soul to Satan for eternal youth and (as most of us know) must bathe in the blood of young women (not just virgins, as you will later see!) to retain her youth. She is also responsible for periodically sending her dark lord Lucifer some damned souls by making human sacrifices. Somewhere along the years she crosses paths with Waldemar Daninsky (Paul Naschy), a nobleman in love with Lady Eleanor Daninsky (Stephanie Bentley). When the black plague ravages Eleanor, Elizabeth strikes a deal with Waldemar to return her to life. She does, but then Waldemar is transformed into a werewolf, kills the newly-revived Eleanor and is captured by townspeople who drive a silver cross through his chest. He's then laid to rest in a hidden crypt in the Daninsky family castle and forgotten. (By the way, the time and place of these events are never given.) Flashing ahead to today, descendant Richard Daninsky (Jay Richardson) learns he has just inherited a huge castle reputed to have a treasure hidden somewhere inside. He travels to Europe with the crew from the television series "Current Mysteries" in tow. Amongst the group are arrogant TV reporter Melanie Charles (Kennedy Johnston), her producer boyfriend Tony (Leland Jay), script supervisor Leslie (Beverly Lynne), beefcake cameraman Steve (Frankie C. Cullen) and make-up artist Christie (Jacy Andrews). The group also hire psychic Amanda Collins (Stephanie Bentley), who is a dead-ringer for the long- dead Eleanor because she is actually a ghost. And wouldn't you know it, there in the castle alive and well-preserved is Elizabeth, who is posing as the caretaker and housekeeper, but is naturally up to other devious things.Elizabeth leads Richard down into the dungeon/crypt and tricks him into removing the cross from the corpse of Waldemar. Waldemar returns to life, kills Richard, gets outside and starts biting chunks out of villagers. Meanwhile, the TV crew goof off and get off in assorted combinations. The sex scenes for the video release (including the expected girl-girl encounter) cut to black before they get too racy, suggesting there may be an unrated version out there somewhere. If one does indeed exist, it will probably end up on Cinemax at 3 a.m.; this film is fun and perfect for late-night trash-film fanatics. Director Fred Olen Ray does an OK good job with the return of Naschy's famous Spanish horror character. He's added a little fog, a little ambiance, a little blood and some romanticism to this tale in intentional reverence to the El Hombre Lobo movies of the 1970s. He also stuck pretty closely with the original werewolf design and special effects. The only major difference is that the cheesy time-lapse werewolf transformations of yesteryear have been replaced by the cheesy morphing werewolf transformations of today. The film is nowhere near as atmospheric as the original Spanish productions, but there's plenty of nudity/sex and even a decent amount of blood to keep B movie fans mildly entertained.The period details (aside from the castle and some costumes) are not convincing in the least and neither are the performances from most of the younger cast (Beverly Lynne and Jacy Andrews excluded), but having three veterans in the pivotal roles makes a big difference here. Jay Richardson dies pretty early on, but he's an-always reliable character actor and does just fine here. It's great to see Paul Naschy in an American movie and playing Waldemar again. He has a few English-language lines with his thick Spanish accent, but spends most of the film in make-up or standing off in the background watching the action from afar. But the real star of this one is Michelle Bauer, who is menacing, sexy, sardonic, wickedly funny and delivers her dialog with great camp relish. Pay careful attention to her facial expressions. She never just stands around waiting to say her line; she's always active in what's going on while others around here often seem to be drifting off. It is one of her best performances and largest roles... and none too soon! The 44-year-old (who seems to be growing old gracefully with no signs of reconstruction or Botox face-freeze) is surrounded here by girls who are young, attractive and refreshingly devoid of silicone. Never mind that, Michelle steals the spotlight away from all of them.