Cinematically beautiful but utterly confusing in plot, the film version of Ford's revenge tragedy was a tad disappointing. As a Drama and English Literature student, the text was a gripping and dramatic piece to read- but the film is to be avoided if you want to retain any knowledge of narrative and character.This said, the epic 'Tis Pity deals with the central themes of incest, religion and revenge in a stunning manner, with unforgettable images of Giovanni seemingly stuck in a well (a metaphorical purgatory, perhaps) and a bizarre shot of horses weaving around unexplained white flagpoles. Dialogue, and any kind of linear narrative is missing; replaced with close ups of Rampling and Tobias' pensive expressions and hair blowing in the breeze, and a sequence that is almost pornographic in nature (incestuous pornography at that.) If you are familiar with the play, you will be disappointed to find that half the characters are missing, which leaves the screen empty at the best of times.Even the bloodbath climax of the play seems contrived, but after all but five minutes of the film watching expressionless faces, it's a relief to see some action. Expect dramatic speeches and hearts on daggers...not for the faint hearted.Overall, 'Tis Pity is visually impressive, but not suitable for anyone studying the play or hoping to see a decent interpretation.

Well, I have to say that 'Tis a Pity She's a Whore wasn't exactly what I was expecting. Given the title, and the fact that it was made in Italy during the 1970's, I was expecting something a lot more sleazy and bloody than this! The film is based on a stage play by John Ford, and this is always obvious as it's all very stagy and the focus seems to be on the performances. This might be a good thing if you were going into the film looking for something 'great' - but I just wanted sleaze! The plot line, however, is about as sleazy as it gets and puts most of its focus on the sick idea of incest. There's a bit of the standard 'arranged marriage' theme thrown in for good measure, and the plot focuses on Annabella; a woman who marries Soranzo after it was decided she would. However, this isn't good news for her brother - a man named Giovanni, as he's also in love with Annabella, and has managed to get her pregnant, despite the fact that she's his sister.The plot is actually rather good, in that the central theme is interesting. It's the way that its portrayed that was the problem for me, however, as the plot pace isn't very exciting and it seems to take an eternity to get to the point. There's a fair amount of sex in the movie, but it isn't very graphic; so fans of the rough stuff are likely to be disappointed. One of my main reasons for seeing this film was because of the fact that it stars Charlotte Rampling. She might not be as beautiful as some of the other women making trash films around the same time (e.g. Edwige Fenech, Rosalba Neri, Barbara Bouchet), but Rampling is a classy lady who doesn't seem to mind starring in unsavoury movies, which is OK with me. She is joined by Fabio Testi and Oliver Tobias, who apparently was some sort of sex symbol around the time. The film does get more interesting towards the end, when the story opens up and we finally get to see some blood. I'm not saying this is an overall bad film - but the story and the way it's portrayed didn't work very well.

'Tis Pity She's a Whore' is the story of a passionate and romantic love between brother and sister Giovanni (Oliver Tobias) and Annabella (Charlotte Rampling), and the ensuing havoc when, pregnant, she marries an arrogant nobleman (Fabio Testi). Writer/director Giuseppe Patroni Griffi freely adapted his screenplay from John Ford's Jacobean tragedy. His film is highly personal and exquisitely conceived, with a radiant cast. Released in 1971, it has been available here only in a frustratingly truncated, coarsely edited, 91-minute, full-screen VHS version dubbed in English.With some effort it can now be found in a 100-minute, wide-screen DVD version in Italian, with optional Japanese subtitles – but no English. If you know and love this film as I do, you won't care. You will revel in the sheer beauty of its design, photography, and cast (including Antonio Falsi as Giovanni's friend and confessor). Illustrative of writer/director Griffi's vision and eye is his creation of such a ravishing ensemble. All simply exude youthful animal magnetism and appeal.The violence is typical of a tragedy of this period with subjects like incest, blasphemy, obsession, and revenge. Suffice it to say, the 17th Century was not a time when such things were taken lightly! But there are many moments of great poetry as well. Allegory and symbolism abound and, as Oliver Tobias (a major British sex symbol) never looked so extraordinary, Maestro Griffi unabashedly exploits the actor's resemblance to a suffering Christ throughout his gorgeous, breathtaking film.

'Tis Pity She's A Whore' is a lavishly produced and strongly acted movie which raises a lot of fascinating questions about where to draw the line between art and exploitation, and indeed, if there is any need to. Based on the play by Shakespeare's contemporary John Ford, it manages to work as an engrossing historical drama, and captivate as a passionate, albeit unconventional, romance, while still being sensationalistic enough to entertain any fan of AIP-style Seventies sleaze. The central relationship between Charlotte Rampling ('The Damned', 'Zardoz', 'Angel Heart') and long forgotten 70s sex symbol Oliver Tobias (who I grew up watching on several UK TV shows popular at the time, but now too obscure to bother listing) is incestuous, and the movie ends up with a surprisingly bloody climax that will please splatter buffs. Like the recent controversial adaption of 'Titus' it reminds the modern viewer that sex, violence and extreme imagery are are nothing new and have long been the subject of great literature. (Or if you prefer so-called "great literature") 'Tis Pity She's A Whore' is one of the great lost European movies of the early Seventies, and deserves a much larger audience. Knowing nothing about it before viewing, and not being familiar with the original text, I expected it to be a lighweight erotic romp worth a giggle or two, but was very impressed at just how powerful a movie experience it was. After watching it I immediately watched it again. Highly recommended.