I thought this was great. It's about a doctor Eduardo who kills his wife Elena by poisoning her because he loves another woman. His housekeeper Sara is not pleased as she was the godmother of Elena. As a witch she has the powers to call the help of demons mainly thanks to a figure length mirror present in Elena's room. In this way she decides to torment Eduardo and his new fiancée Deborah. Things go so badly that Deborah gets burnt badly on hands and face. Eduardo doesn't want to give up and wants to heal Deborah's damaged skin, going as far as stealing bodies from recently deceased beautiful young women so he can transplant their skins onto Deborah. It did have a certain "The Eyes without a Face" feeling at that point even though the 2 movies are pretty different, and I enjoyed The Witch's Mirror much more. Sara also continues to torment the couple even being able to communicate with Elena's spirit. It happens in psychological as well as really creepy ways with for its time some pretty amazing effects. The cool thing is that it happens without need for any real monsters to pop up, more subtle which was very effective. That the ending was quite predictable didn't take away any enjoyment for me, certainly if it eventually pays of in terms of the one I was rooting for.

Witch's Mirror, The (1962) *** (out of 4) Mexican horror film from director Chano Urueta about a husband who murders his wife so that he can marry his mistress. Unfortuantly for him, he kills her in front of a witch's mirror, which allows her spirit to come back for revenge. The first thirty minutes of this film are great due to Urueta making the most of his small budget. The opening sequence is brilliant and there's some great atmosphere and art direction but things start to unravel in the final act. The first half of the film certainly isn't original but the second half seems like a mix between Eyes Without a Face and The Hands of Orlac.

This is another Mexican horror classic being given a new lease of life via Casanegra's superb SE DVD.The plot is a mishmash of various well-proved elements (with even a nod to Poe) - a young wife is forced to live in the shadow of her husband's former bride (largely through the machinations of the latter's devoted housekeeper) as in REBECCA (1940); when the wife is horribly scarred in a fire, her doctor husband resorts to body snatching for skin graft experiments as in EYES WITHOUT A FACE (1959); the hands he gives her (unbeknownst to him, they belong to the revenge-seeking first wife he poisoned!) take on a life of their own as in MAD LOVE (1935), etc. - but which works reasonably well in the context of its essential "witchcraft vs. mad science" theme (to quote the DVD sleeve notes).The first half is a bit slow, but the cheaply-realized yet often poetic visuals - borrowed from Cocteau and Dreyer! - keep one riveted; the latter stages are more frenetic, with several of the characters resorting to histrionics and a fair splattering of gore (leading up to a particularly busy and highly satisfying climax). The acting from all the major players is above-average for this type of film but, best of all perhaps, is Isabela Corona as the outwardly reserved but sinister and powerful witch; the two younger women also make an impression - Dina De Marco as the murdered wife who keeps turning up as a ghost to haunt her husband and her rival; Rosita Arenas as the innocent young bride who becomes the unfortunate victim in both the doctor and the witch's scheme of things (particularly effective when essaying the pathetic qualities of the bandaged-up, desperate and lonesome woman).As was the case with THE BLACK PIT OF DR. M (1958), the Gothic/supernatural atmosphere deployed with the barest of resources through camera-work, lighting, sets and props is truly incredible...though the special effects (which get quite a heavy workout here), ultimately, leave a lot to be desired! I've purposely refrained from describing individual sequences (as I often tend to do) so as not to deny first-time viewers - as I was myself - the pleasure of discovering its considerable felicities on their own! The supplements are similar to those of BLACK PIT: the Audio Commentary (by the same Frank Coleman) is just as interesting, but he seems to be enjoying himself a good deal here as he approaches the film with tongue-in-cheek - while retaining a justified reverence for his subject. One disappointing aspect of these DVD editions, however, is that the English-dubbed version of the films aren't included as they were released back in the day (for instance, in the Commentary it's mentioned that the narrated prologue accompanied by sketches in the Mexican original was dropped for the export version - but the DVD includes it, presumably with the 'new' lines recently looped in!).

There are some nice visual moments in the film involving the mirror, but more often you have to give the filmmakers credit for trying things that don't quite work. Like a "detached" hand that is obviously some one wearing a black cleave so you won't see the black cleave but you do.Characterizations and the acting and the dubbing are all pretty flat and one dimensional and that's what really sinks it.Still it's fairly lively and though cheaply made decently produced especially for the time and place where it was made. Never dull, just never takes off either. Decent photography. Uneven special effects. Could really use more music to add atmosphere.