The Vindicator
The Vindicator
R | 14 February 1986 (USA)
The Vindicator Trailers

An employee of a secret company operation becomes the victim of the company's special weapons project. He is transformed into a robotic killing machine that, because of his programming must destroy anything that comes near him.

Reviews
Claudio Carvalho

The high-tech ARC Corporation that is directed by the unscrupulous Alex Whyte (Richard Cox) is researching a software that provokes violent reaction from someone that is attacked against the attacker. The efficient scientist Carl Lehman (David McIlwraith) has an argument with Whyte since his funds have been cut. On the next morning, Carl has a serious accident while his partner and friend Burt Arthurs (Maury Chaykin) is bringing coffee for them. Carl's pregnant wife Lauren Lehman (Teri Austin) is informed that her husband has died; however, the accident was provoked by Whyte. Carl becomes the guinea pig for the ARC Frankenstein Project and is turned into a cyborg. While testing the remote control unit, the scientist Gail Vernon (Lynda Mason Green) is attacked by Carl that escapes from ARC in a garbage truck. Then he eliminates a motorcycle gang that has attacked him. Carl realizes that he cannot be touched and he contacts Lauren from outside home to arrange a meeting with Burt. Meanwhile Whyte contracts the killer Hunter (Pam Grier) to get rid off Carl."The Vindicator" is a low-budget movie with a poor storyline and lame production. The characters and situations are not well-developed and the rushed beginning does not exactly explain the importance of the rage project or why it was necessary to eliminate Carl. The storyline has similarities with "Robocop" that was released more than one year later. Was "Robocop" a rip-off "The Vindicator"? My vote is six.Title (Brazil): "Roboman"

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wes-connors

As a microphone disappears overhead, scientists in the "Primate Lab" division of "ARC" witness a monkey going ape. Meanwhile, at home, absent worker David McIlwraith (as Carl Lehman) tells barely pregnant Teri Austin (as Lauren Collins) he suspects boss Richard Cox (as Alex Whyte) is up to no good. Relatively unconcerned (at this point), Ms. Austin responds, "You wanna try for twins?" Running a tight ship (with jeans to match), Mr. Cox has already determined Mr. McIlwraith is a risk to his top secret "Project Frankenstein," and McIlwraith "dies" in a freak accident."The Vindicator" gives presenter Michael Levy and viewers an excellent bang for the buck.As it turns out, the "accident" was staged, and McIlwraith isn't really, totally dead. Cox and company put his brain (and eyes) in an indestructible containment suit. But, the suit is equipped with a protective device making McIlwraith wantonly kill anything it perceives as a threat. Think of it as "The Terminator" meeting "The Hulk" (the script wisely offers the comparison). As you might imagine, punks and Cox had better beware, but Austin and innocents are in danger too. No dummy, Cox hires Pam Grier (as Hunter) to track down McIlwraith before he completes his revenge."The Vindicator" is a good example of what to do with a formulaic project and limited budget.Director Jean-Claude Lord and the crew pace it very well. And the lead performers are terrific. In two of three sexy "R-rated" scenes, Austin shows more than she did on "Knits Landing" (and it's a welcome sight). Cox is one of those actors who never gets the caliber of parts he deserved (and it shows). Grier seems a little lost at first, but is fine on later auto-pilot (there couldn't have been many re-takes). Unrequited lover Maury Chaykin (as Burt Arthurs) plays his role just right. And, McIlwraith (whom you may have seen in "Hollow Man II") follows suit. Make some popcorn.******* The Vindicator (2/14/86) Jean-Claude Lord ~ David McIlwraith, Teri Austin, Richard Cox, Pam Grier

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Scarecrow-88

Scientist Carl Lehman(David McIlwraith),working on a special type of NASA space suit, demands to know why his funding has been cut off by colleague Alex Whyte(Richard Cox), threatening to expose his secret project. Whyte has a number of scientists devoted to a project which would create cybernetic humans, offering the possibility of eternal life. The catch..Whyte would have a remote which could order them to do what ever he so chooses, quite a wealth of power at his command. So, Whyte has scientist Ian(Stephen Mendel)set poor Carl up to be severely burned by a nuclear reactor, his body used as the first prototype for the super-powerful cybernetic man..a BIG mistake, because Carl is able to break free, his remote control mechanism unattached, leaving the facility, and out to endanger potential innocent lives because the single touch onto his body causes a negative hostile reaction that's fatal to the one responsible. Carl's brain still contains memories and certain feelings for his beloved wife, Lauren(Teri Austin), and anger/hostility for those who ruined his life forever. Whyte is quite worried that he'll spoil his future success and calls in an exterminator, Hunter(Pam Grier)who has "never lost to a man", a cold-blooded assassin that will eliminate anyone that may've witnessed something they shouldn't have. Carl believes his only ally, besides Lauren, is a fellow co-worker, Burt(Maury Chaykin), but even he might not be the friend he always though he was.I'm a big fan of "human cyborg" films, contributed to my formidable teenage years watching popular sci-fi actioners, ROBOCOP & THE TERMINATOR, and I do believe THE VINDICATOR will appeal specifically to this crowd. The film also is a mad scientist movie as well with Cox well cast as the determined ARC industries boss yearning for the kind of universal control his project might eventually produce(..by controlling the cybernetic human, whose strength is a phenomenal asset, Whyte sees the unlimited potential for power). The true casting choice that will provide an allure for THE VINDICATOR is Pam Grier as a vicious killer who will snap the neck(..or put a long, thin needle all the way through young female witness' throat)of a woman who provides a threat to her employer's company without a second thought. McIlwraith is only seen for a minimum of five or so minutes before Whyte has him terminated, his eyes providing us with the only method to judge his feelings when his cyborg body goes into attack alert(..when he's touched by anything, an alert sounds off, beating faster and faster before trouble starts for those that antagonize him)..or when he takes his face guard/helmet off to reveal his scarred visage, reflected to his horror from a pool of water or store shop window. Those familiar with Maury Chaykin know that his characters are often never to be trusted, even when his Burt consoles Lauren(..actually Burt is lustfully obsessed with her, and his attempted rape/strangling of her is really disturbing).No doubt, Whyte's team of scientists(..and his bounty hunter)are an assortment of ruthless, vile dreamers, willing to go to any lengths for their own success. That's what makes Carl's revenge so sweet. The 80's, interesting enough, featured films like these where revenge was so satisfying because the hero's opposition were such foul cretins worthy of the most violent death possible. The death toll here isn't extravagant, and the violence isn't as graphic as in ROBOCOP or TOTAL RECALL, but I think THE VINDICATOR has enough elements to please sci-fi buffs. A good point was made elsewhere regarding this movie coming before ROBOCOP so it shouldn't be labeled as a rip-off. Carl's robotic suit of armor(..after the golden NASA suit is burned away), in a bit of cool trivia, was made by Stan Winston's studio.

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pardy_travis

Ok, it's not "craptacular", I just wanted to use the line. I just don't know what the other reviewers are raving about, as this is just not GOOD. The movie does have great special effects and acting, IN COMPARISON to 80's sci-fi Canadian efforts. However, they don't stand up when compared to other films of the same time in the same genre (and Canadian science fiction in the 80's is kind of a narrow field anyway, right?) Even animated films like Akira beat it. Budget-conscious editing and production is apparent but forgivable, as the crew did do a great job with the money given to them (probably the loose change out of George Lucas' wallet). The performances give what is demanded of them, undoubtedly, but the movie has a plot as see-through as the (very bizarre) goop the main character gets trapped in. I'm not saying it's a bad movie, but it's not good either. It's certainly nothing to build Canadian sci-fi around (we still have someone named David Cronenberg), and if Atom Egoyan ever put his massive brain into this genre we'd get something really wonderful. In short, go rent it, give it a shot. It won't live up to the fantastic title, but you might enjoy it for what it is. An 80's Canadian sci-fi movie.

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