A somewhat lame attempt to jump on the "evil baby" bandwagon, a sub-genre which includes such diverse titles ranging from the absolute classic (ROSEMARY'S BABY), to the fairly hopeless (I DON'T WANT TO BE BORN), to the inevitable obscure, foreign-made rip-offs (BABY BLOOD and DAMNED IN VENICE). THE UNBORN is a horror film containing lots of slow-burning dread and fear and a few moments of graphic horror to make up for the slow pacing and routine plot that the rest of the production offers. Characters are poorly-defined and set up to fall and the climax is let down by some really cheesy special effects of a killer baby which looks like nothing more than a rubbery doll. The script is over-wordy and the film let down by the central casting of Brooke Adams (INVASION OF THE BODY SNATCHERS) who overplays it by overacting during the sequence in which she throws a tantrum and wrecks her house and proves to be unlikeable at other times, meaning that you never really care for her character. Brad Blaisdell, who plays her husband, is wooden and dull throughout, so his eventual death is not so much shocking as a much-needed case of "just desserts".The only actor of note in the proceedings is RETURN OF THE LIVING DEAD's James Karen, but even he is wasted in the small role of the sinister scientist who causes all the aggro in the first place. His slimy death, in which his dying body is pelted by all manner of strange and unnatural slime and goo, is pretty amusing though. Trivia fans can spot a pre-FRIENDS Lisa Kudrow appearing in a one-scene cameo as a secretary. Gore fans will be disappointed that the blood is in short supply; aside from a nasty moment in which a lesbian massacres her lover there's only a knitting-needle-in-the-eye sequence to get excited about. THE UNBORN does deserve kudos for being brave enough to include one sick scene in which a woman stabs herself in her own pregnant stomach repeatedly but otherwise is a bit of a missed opportunity, following a well-worn and predictable route to a rather lame and tired conclusion. It's difficult to get worked up about any of the characters or their activities in this movie and as a whole it leaves a distasteful taste in the mouth come the downbeat, oh-so-surprising twist conclusion. None of the science-fiction elements are adequately explored or the reasons or results for their appearance explained, leaving them looking like nothing more than tacked-on shots to give the plot some kind of solid ground.

Slightly irrelevant and pointless, but nevertheless interesting little footnote to start off this user comment with: this movie contains a sex sequence that could have come straight out a Kama-Sutra encyclopedia. The couple makes love in a rocking chair and – believe it or not – but it's fairly elegant and passionately filmed, which is the last thing I expected to see in an obscure early 90's B-movie so kudos! "The Unborn" revolves on the ever ongoing quest to create the perfect human being. Therefore, some sleaze doctors in an artificial insemination clinic are saddling up unsuspecting but desperately craving mothers with altered DNA that eventually grows out into evil mutant monster fetuses that communicate from within the womb. Argh, freaky! The patients, including the writer of children's books Virginia Marshall, soon begin to have strange side-effects, like a burning rash in their necks. Virginia, who has been rational and even somewhat skeptical about the whole in-vitro fertilization method since the beginning, quickly understands that this thing growing inside of her is something evil and uncontrollable and she becomes obsessed with the idea losing her baby. Of course, nobody – especially not her husband - believes her mad raving speeches about doctors trying to create a master race. Completely unexpected, "The Unborn" was a pleasant horror surprise! The film has an original and potentially very terrifying basic premise – particularly if you're a young parent yourself – and the execution is fair to very decent as well. The script contains a handful of highly imaginative little details, like for example the malignant doctor corresponding with his evil embryos through hidden messages in the specially prepared relax tapes. There are some unsettling special effects and make-up art for the horror fanatics to enjoy as well. Of course, it's fairly easy to show shocking images in a film dealing with pregnant women and unborn babies. Just one brief image of a mother with a bloodied belly and a pair of scissors in her hands looks genuinely disturbing. The monstrous fetus looks quite cheesy, but it's nevertheless a nice attempt and, besides, it's not everyday you watch a fetus attack someone with a needle.

A childless couple (Brooke Adams, Jeff Hayenga) go to a doctor (James Karen) to try to conceive. It works but Adams slowly becomes aware that there's something seriously wrong with the baby...Pretty interesting idea is thoroughly done in by a lousy script--the basic idea is OK but becomes screamingly predictable towards the end. I saw every "twist" coming. The direction is poor--he seems to have no idea how to shoot a basic scene. The production values are--to be nice--lousy. Very shabby. And, the gore scenes are too unpleasant (I almost turned it off when a pregnant woman started stabbing herself in the stomach) with lousy special effects. The film completely derails at the end when it becomes quite clear they had no idea HOW to end this film.Some good acting makes it somewhat bearable. Adams, Hayenga and Karen are all good at their roles and kept me watching but that was about it. This film barely got released in 1991 and still remains unknown--it's easy to see why. I give it a 4.

The Unborn tells the tale of a married couple named Virginia (Brooke Adames) & Bradley Marshall (Jeff Hayenga) who have tried for the last five years to conceive, Virginia has had two miscarriages since then & is desperate to have a child. They visit Dr. Richard Meyerling (James Karen) for help after he is recommended by some of their friends, Dr. Meyerling says he will be able to help them have a child. Dr. Meyerling operates on Virginia & it is soon confirmed that the surgery has been a success & Virginia is pregnant. At first everything seems perfect & the Marshall's couldn't be happier, but their picture perfect lives don't last for long as Virginia's pregnancy develops problems, she becomes moody & acts totally out of character & she receives a worrying phone call from Beth (Jane Cameron), another woman who has undergone Dr. Meyerling's procedure, who claims that Meyerling is in fact using his patients for his own sinister ends & is in fact a disgraced genetic researcher. Virginia begins to question just what is growing inside of her...Produced & directed by Rodman Flender I actually thought The Unborn was a decent horror/thriller (it's DEFINITELY NOT a sci-fi film as the IMDb would have you believe) that pleasantly surprised me. The script by Henry Dominic tries to be different & it must take some credit for that at least. The Unborn goes for psychological horror rather than cheap scares & bad special effects, it's got quite a clever story that works & plays on basic human fears. It moves along at a fair pace although it's not exactly an action packed film by any means. The climax was good & seemed a fitting way to round things off & the warnings about messing around with genetics seem even more relevant today than it must have been back then, maybe Flender knew something the rest of us didn't. On the down side it lacks some exploitation elements & is at heart a dialogue driven film mostly focusing on one person so it can get a bit dull at times. Also, I have to mention it, what on Erath was that grinning black skateboarding dwarf all about eh?!Director Flender does an OK job, The Unborn is far from the most stylish or visually interesting film ever made but it's good enough. The atmosphere is good & there's a fair bit of tension as what Virginia has inside of her & Dr. Meyerling's sinister plans aren't fully revealed until the last possible moment. Disappointingly the blood & gore is almost non existent which in a way lets the film down because in retrospect nothing really memorable happens, The Unborn relies on good storytelling which is fine but in a week I doubt I'll remember too much about it.Technically the film is OK, I'd imagine that The Unborn had a pretty low budget but it's well made even if it's a little bland & forgettable. The baby creature is actually a decent special effect & has fairly realistic facial movement. The acting is good & this was one of the first acting jobs credited to Friends (1994 - 2004) star Lisa Kudrow, I have to be honest I don't like Friends & I don't even know who she was in this so I can't tell you how she did.The Unborn is a good horror/thriller that deserves to be more widely known & seen, it's far better than a lot of low budget crap that litter video shop shelves. If your a horror fan & are looking for something a bit different, something slightly more intelligent & thought provoking than usual then I think you could do a lot worse than The Unborn. Followed by a dumbed down sequel The Unborn II (1994) which I watched straight after this, check my review out if you want..