You open with an airplane that has an actor pulling off a poor Jerry Lewis impersonation, doing the forgetful Jewish stereotype, that's so boring and annoying you wonder if you should even continue watching it. Underneath you have the terrible underscoring with the music just going DUN DUN ... DUN DUN ... DUN DUN over and over and over again (and this is coming from me -- a film and TV score lover).You stick with it and instead of being rewarded, you are tortured by a poorly written, poorly delivered, and badly executed scene of a mis-cast United States President talking to advisers. That's six minutes of your life. During the next minute what happened in the opening is finally addressed and the plot is starting to advance. It's painful, it's mental torture, it goes on for almost eight full minutes. But, you stick with it because John Cleese is in it and other reviewers praise it. And he must be in it, because he was seen riding a bicycle during the opening credits music.FINALLY, thirteen freaking minutes into the fifty-five minutes long special, Cleese actually joins the film already in progress. Oh yes, there's nothing better than seeing one of three people the film is about, not actually do anything but ride a bicycle in the opening credits, until thirteen minutes later. By the way, he doesn't even speak until about fifteen minutes in. After all, the last thing we want to hear is the main star of the film speak words.Twenty-one minutes in it tells us we've reached the conclusion of Part I, and by that point almost nothing has been accomplished.Another eleven minutes later and Part II has ended and we know almost nothing more than we learned in the first part.And when Part III ends, you find out there was no actual serious plot, that the whole thing was filler jokes and skits leading to no resolution of everything we were told and ending in rear-end squeaker.There is so much un-earned and undeserved padding in this special that you could probably trim it down to ten minutes, and even then it would still be awful and not funny.There are so many bad jokes and poorly executed ones. Not a single laugh in this whole hour of misfires. The premise was't bad, the idea of Cleese as Sherlock Holmes's grandson (following in Holmes footsteps) hunting his old nemesis in modern times has potential, some of the casting was good, and there were little skits that had the potential to be funny if they had been done right, but overall I found myself struggling to watch it, skimming small parts, and wishing a giant foot would slam down and tell us it was now time for something completely different.The score is unremarkable and at times boring when even there. I wonder why there was even a score, as it was heard so little and did nothing to enhance the struggling mess.And there are bad edits, film and sound wise.This is terrible and deservedly forgotten.

I was expecting a very funny movie. Instead, I got a movie with a few funny jokes, and many that just didn't work. I didn't like the idea of bringing in Sherlock Holmes' and Moriarty's descendants. It was confusing. It would have been more funny if they just had someone new, instead of Moriarty resurrected. Some of the things were funny. Burt Kwouk was very funny, as always. McCloud on the horse was funny. The McGarrett from Hawaii 5-0 was not even McGarrett-like. Connie Booth obviously is very good with accents. She is from Indiana, but played English and a New Yorker pretty well. Unfortunately, she was not presented much into the script. I was expecting a more funny film. Instead, I got a rather confusing movie with a poor script. Rather ironic, since both Booth and Cleese were together on this one. Maybe they were about to break up in 77.

If you enjoy Cleese & all the British 'Pythonesque' humour of the time, then this little gem is absolutely hilarious.Arthur Lowe is a real treat!I saw this with friends on TV when it first came out, and its classic quotes have formed a part of our jokes for 30 years, and will do forever! I have it on tape and it is continually appreciated.Perhaps some reviewers are taking it too seriously.I can't believe it is now only available in the US (NTSC of course), and not in UK, where it should be an essential part of the history of British humour!!

You can do a lot with a little cash. Blair Witch proved that. This film supports it. It is no more than a sitcom in length and complexity. However, because it has John Cleese as Sherlock Holmes it manages to be hilarious even on a budget that couldn't afford a shoestring. The highlight of this film is Arthur Lowe as the sincere, bumbling Watson, his dimness and slowness foils Cleese's quick-tempered wit. If you ever run across the film watch it for a quirky laugh or two.