If I had been Irene Dunne in The Secret Of Madame Blanche I might have thought twice about eloping with charming wastrel Phillips Holmes.. Sadly she met his ironfisted father Lionel Atwill only after they were married. Dunne plays a singer and does get to show her vocal talents in this film which is always appreciated. Holmes who does nothing, but spend dear old dad's money in various hedonistic pursuits. Of course dad does not even try to channel Holmes into some useful profession where he could have an income. What he wants and frankly I thought this a hoot, he wants to have him get a seat in Parliament with of course an arranged marriage with a woman of the proper station. Atwill has really no redeeming qualities as a father. He just wants to dominate his kid. Eventually he forces Dunne to give her child over to him to be raised in the image. As the kid grows up to be Douglas Walton he truly is a chip off the old Atwill/Holmes block.Fast forward to the World War I years and Walton while AWOL gets himself in a big jackpot and he also meets Dunne with no idea she's his mom. Atwill told him she was dead.I won't go any farther except to say that the whole thing has a Madame X quality to it. It does work out better for the principal cast members.The Secret Of Madame Blanche is a property very unlikely to be remade. Still the cast led by Dunne, Holmes, Atwill, and Walton does pull it together.

This is a film that probably won't please everyone. Viewers looking for a film with a lot of realism and a plot that is lacking plot holes would probably find it pretty tough going. Plus, those who aren't particularly inclined to watch old fashioned soap operas might also balk at seeing this film. So be it. However, for a lover of classic Hollywood films who accepts all the irony and melodrama without being too critical, the final product is lovely to watch and very satisfying.Now I must admit that usually a film with this many weepy scenes turns me off a bit, but the writers, directors and Irene Dunne manage to weave a tale so well that my sometime cynical nature was kept in abeyance. Plus, the amazingly awful and evil character played by Lionel Atwill was one of his best roles--one that will definitely make an impression on the viewer. Now I must admit that the impossibility of the final third of the film was at first a bit hard to take, but when the plot wrapped up like it did, I found I just didn't care--I wanted the hokey Hollywood ending and enjoyed it thoroughly. An excellent weepy film--similar to, but in many ways superior to MADAME X and SO BIG! If you liked this film, try Barbara Stanwyck's STELLA DALLAS--another great weepy melodrama.

IRENE DUNNE had THE SECRET OF MADAME BLANCHE. It's the forerunner of all those Madame X stories that gave actresses meaty roles in tear-jerkers. For Olivia de Havilland it was TO EACH HIS OWN. For Lana Turner and earlier, Ruth Chatterton, it was MADAME X. For Helen Hayes it was THE SIN OF MADELON CLAUDET. These were the kind of stories that spanned some twenty years, always about women who were cheated out of mother love--women who fell in love unwisely and were then cheated by circumstances.LIONEL ATWILL is the rich father whose son (PHILLIPS HOLMES) has fallen in love with a cabaret singer and he opposes the match from the start, threatening to stop giving his son handouts to keep them solvent. The son is destitute when he learns that she's about to have a baby and finally commits suicide. The years fly by and Dunne is now a working woman in London at a not very reputable establishment populated by servicemen. It's World War I and one of the patrons is a young man who makes a fuss over not being given a room. He turns out to be her son and she is soon protecting him from a murder charge.It's a pretty plot-heavy melodrama with enough twists and turns to keep the viewer interested, but you have to have a taste for these mother/son tear-jerkers to truly enjoy this sort of film. The final scene with mother and son reunited at a prison after a stormy trial, is reminiscent of MADAME X--but at least here, the son learns the true identity of his mother.

I am an Irene Dunne fan but had only seen her comedies, so I was surprised to see her in this one night after I got home from work. I read the other review and thought it was rather harsh. This IS from a different film-making era, so if it seems trite, that may be to our jaded modern sensibilities. I was totally rooting for Dunne's heroine until the very end...and the part in which she discovers that the horrible soldier is her very own son that was stolen away from her...."Oh, my baby boy, what have they done to you?!?"...I mean, it will rip your heart out!!!! I get misty just thinking of it. You have to love the melodramatic twists and turns, and of course, I always appreciate a happy ending...even though he's in jail, you know they'll be alright!!!