The story makes no sense at all. A hired gun has to get stopped from his contract to kill a snitch with a bag of money. He misses his call, gets his job done and for whatever reason he and his agent should be killed now. There is another "plot" involving wiring up a gangster boss car to bomb him, but the car gets stolen. It even has a tracking device installed, but instead of phoning home and asking for the location, the beautiful assassin decides to go into a nearby bar and get drunk where she meets the hit-man who instead of warning his partner that assassins will come for him soon, also decides to get heavily drunk in the same bar. That is it. In fact nothing of importance is happening all the time. The car jackers sub-plot involves driving to a diner to steal hamburgers and is interrupted by their infantile humor. You will see many famous faces of German television who will in the end meet up in a shoot-out including several minutes of angry shouting at each other. The hit-man gets wounded, but is still able to walk away with the girl he just met. Instead of getting to a doctor and survive, they get the money that is still next to the dead snitch and decide to bleed to death on a nameless state road.The obvious comparison is Pulp Fiction. While the original focuses on absurd humor and violent shoot-outs with great cinematography, this is like the version for 14 year olds joking about penis sizes on the school yard smoking their mild tasting cigarettes. Oops, I just spoilered half of the jokes the actors will narrate. The overacting and the slow pace of the movie make it really annoying to watch. You will see a bar that looks like everywhere else with a group of xenophobic regulars, the rapid transit system of cologne and a no-name diner. This is no way near Tarantino even though it re-enacts parts of other movies all the time. Not even the Mexican standoff in the end is in any way impressive.Instead of watching this garbage I should have played a mission of Grand Theft Auto. It's storyline would have made much more sense and be way more entertaining. Luckily the protagonists died so there won't be a sequel.

I've just "Der Eisbär" and do not quite understand why so many people dislike this movie. Due to that I did not have any high expectations it is true that this movie tries a little too hard to become a cult classic and that some jokes do not really work out (as the phone ringing a couple of times when the hit-man is just about to kill some fellow) but on the other hand there are some brilliant scenes. The burger robbery for an example is one of the moments in which the movie's concept really works out. Schwaiger's performance is not over the edge but he does a good Job. Ralf Richter is brilliant as always. The story has some weaknesses but somehow one does not really care as it is not the aim of the movie to tell the backgrounds of the story. I reckon it's quite a good movie and if you don't go to see this with the expectation of watching another "Bang Boom Bang" you won't be disappointed.

Til Schweiger in one of his best roles. Nearly forgotten german music gives the proper sound providing the amusing plot of the film directed by Til himself. All in all it is worth seeing it more than just one time so enjoy the atmosphere which will catch you in any case.

DER EISBAER is the first movie German mega-star Til Schweiger directed, and starred in. Seen when it premiered in Germany in November of '98, I accompanied all the avant premiere buzz surrounding the film and Schweiger's career moves, and even attended one of the premieres Schweiger hosted at the new Potsdamer Platz Cinemaxx. This action drama with a relationship story lived up to all the hype, and exceeded my inflated expectations. If you are a Schweiger fan or a an action drama lover, don't miss DER EISBAER when it comes out on video or if it opens outside Europe. Schweiger has come a long way since DER BEWEGTE MANN ("Maybe, Maybe Not"), and in the process has single-handedly brought German cinema back to the masses after a half century of domination by the high brow author directors (Herzog, Fassbinder, Wenders) who made German cinema synonymous with boredom, and inaccessibility with the masses. Since 1994, Schweiger starrers have broken German Box Office Records consistently. Here, though this film did not break the Box Office Records of the others (including MAENNERPENSION and KNOCKIN' ON HEAVEN'S DOORS), he shows us in more dimensions why he has been the phenomenon of popular German cinema this past decade, and probably beyond 2000. I give DER EISBAER 8 out 10 points.