Henry: Portrait of a Serial Killer
Henry: Portrait of a Serial Killer
NR | 24 September 1986 (USA)
Henry: Portrait of a Serial Killer Trailers

Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis' sister comes to stay, we see both sides of Henry: "the guy next door" and the serial killer.

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Reviews
robertandrewbacon

I was completely blown away by this film and have no idea why it's not more popular. The acting is amazing, the script is fantastic, and it's wonderfully directed. There are scenes in this film that will stay with me forever because they feel so real.

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Alan Smithee Esq.

An absolute must see for fans of serial killer films. This is one of the best, inspired by an actual killer and his accomplice, it's a very unrestrained look at an artist who's particular talents are expressed with graphically realistic violence. The direction and action are top notch for the minuscule budget it was made on. One of those rare horror films that sits with you well after it's over. Check it out.

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CinemaClown

An utterly discomforting journey into the mind of a sadist, Henry: Portrait of a Serial Killer is exactly what its subtitle suggests. Brutal, disturbing & absolutely uncompromising with its content, Henry is unsettling from the very first frame but what really separates it from other examples of its genre is its stringent focus on telling the story from the killer's perspective.Loosely based on real life serial killer Henry Lee Lucas, Henry covers the crime spree of its titular character who goes around randomly killing people without any remorse or empathy. The plot mainly focuses on his stay in Chicago where he lives with Otis, a drug dealer he befriended in prison, and the inner turmoil he undergoes when the latter's sister comes to stay with them.Co-written & directed by John McNaughton, Henry establishes an uneasy tone within the first few minutes in which we see this sociopath driving around the town but interspersed within that segment are snippets of the brutality he leaves behind on every corner. Most of Henry's murders take place off the screen and yet its effect is deeply felt, which can be attributed to the film's clever use of sound effects.The film is truly an unhinged view of a mind filled with reckless hate but it is also extremely honest in illustrating the root cause of Henry's evilness, his philosophy of life & the ruthless but calculated nature of his crimes. Shot on a shoestring budget, the movie makes use of real locations & settings that gives its story an added sense of realism, which in turn ends up making the experience all the more horrifying.Despite the low budget, the technical aspects are no slouch here for the film creatively uses its limited resources to full potential and all of it works in harmony to serve its story as well as characters, whether it's the bleak shots of Chicago streets, the stark arrangement of few scenes juxtaposed together, the pace at which its plot unfolds, the brilliant use of sound & music to further amplify its ominous vibe, and keeping it as true to real life as possible.Coming to the performances, Henry: Portrait of a Serial Killer features a committed cast in Michael Rooker, Tom Towles & Tracy Arnold, with all three of them doing an excellent job in their given roles. Rooker is obviously the show-stealer here for his rendition of Henry is very chilling, effective & exquisitely balanced. Towles begins his act as if his character is dim but as the plot progresses, he adopts a highly repulsive persona that's destined to shock many, and even Arnold does well with what she's given.On an overall scale, Henry: Portrait of a Serial Killer isn't a film for everyone. It's an absolute horror show that takes a no-holds-barred approach with its content, swims against the tide of its time by discarding a moral conclusion, is bolstered by three convincing performances, utilises its available resources amazingly well, and despite lacking the graphic depiction of murders, barring one family massacre sequence, can leave its viewers emotionally scarred. A low-budget classic that shows that people in real life are capable of inflicting more horror than any monster on film, Henry is definitely worth a shot.

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namashi_1

Based on the true life serial killer, Henry Lee Lucas, 'Henry: Portrait of a Serial Killer' is a haunting & unsettling tale of a troubled man. Its brilliantly written & Michael Rooker nails in it! 'Henry: Portrait of a Serial Killer' is dark, disturbing & violent. But, thats the mood of the film, its unsettling & haunting. Its no-holds-barred, no-mercy storytelling, that leaves a strong impact. Its certainly not flawless, but its depiction of a serial killer is extremely intriguing. John McNaughton's Direction is note-worthy. He handles this difficult, disturbing story with an unbiased opinion. He captures every frame with a sense of repulsion & paranoia. Michael Rooker is awesome. He's award-worthy as Henry. He's truly an under-rated performer, who deserves much more than what he has received. On the whole, 'Henry: Portrait of a Serial Killer' is not everyone's cup of tea, but those who can stomach a brutal, life-like story of a twisted of serial killer, shouldn't give this one a miss.

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