If you want to see a Cuban run the drug game then this is the best movie to do so. I absolutely loved Al Pacino in this role and he is a legend for it. I strive to be like him everyday.
... View MoreBrian De Palma remade the 1932 classic and exclaimed to Hollywood "say hello to my little friend!". Modernising it to colossal heights, thus creating one of the greatest gangster epics of all time. Relentlessly referenced in pop culture, my expectations were quite high. Suffice to say, they were met. We witness the irrepressible rise of Cuban refugee Tony Montana, as he enters the illegal drug business, and the eventual fall from decadence. The classic, to quote Drake, "starting from the bottom now we're here" narrative has consistently been a reliable structure. Enabling central character development whilst building an intimidating environment that allows for personality adaptation. The fictional Montana is a testament to this. Observing the manifestation of greed, lust and envy disguising the apparent loneliness and selfish behaviour of Montana. Money powers him, and De Palma's focus on the requirement of desiring the world makes him both ambitious and arrogant. Even when all can be achieved, his artificial greed beckons him to want more, consequently leading to his demise. A fascinating character study that was brought to life by the legend that is Pacino. Exaggerative, hyperactive, aggressive and commanding. Pacino embodied Montana and gave life to the drug kingpin. De Palma's lightning pace seamlessly combined frantic stylised action with punchy dialogue, whilst also introducing frequent long takes to spice up the Miami beach. Stone's screenplay is littered with memorability. "Her womb is polluted", "you want to play games?" and enough F-bombs to redefine the word profanity. Seriously, every other word! Plenty of exasperated action, particularly the mansion shootout, that excessively assist the visualisation of the crime world. My only criticism is with some of the song choices in the soundtrack, it comes off as trashy and I think Scarface is better than that. Despite the overlong runtime, this is 80s gangster mayhem and the sheer craziness from both Pacino and De Palma adds to the bloody charm.
... View MoreDirector Brian De Palma's masterpiece Scarface is one of the best films ever, and in my opinion, we watch Al Pacino at its best. If you like Mafia movies, do not miss this movie.
... View MoreI enjoy watching classic movies. In a movie market saturated with superhero films fueled to success with CGI effects, the classics often are refreshing with unique plots and fascinating characters. Scarface though, is a highly overrated movie and should not be considered a "classic." Scarface lacks character depth, an interesting storyline, and good acting. Gangster life is hard to relate to. Money laundering, prostitution rings, drug dealing, and hit jobs are far from the daily experiences of working a 9-5 and maintaining a social life. However, viewers can relate to characters like Michael Corleone in the Godfather through the dilemmas he faces balancing personal ambition with family politics. We are captivated by the Goodfellas Tommy DeVito who quickly transitions from being playful to murderous. Characters in Scarface are not interesting or relatable because they lack depth. Tony Montana is a predictable overly masculine character. He is willing to run through anyone, anything, or any rules to get what he desire, but predictably like most brutish characters, his nature destroys everything he obtains. Most of the other characters are defined in relation to Tony Montana and lacks interesting traits of motivation. The plot of Scarface is way too simplistic. Montana arrives in Miami and quickly rises to power and then quickly loses it all. This could work with interesting characters in a surrealist genre, but in a movie that frames itself as somewhat historical at the beginning the unrealistic plot (coupled with the laughable accent acting) doesn't work. The acting is also subpar. Don't get me wrong, Al Pacino is one of the great actors, but the role of Tony Montana is not great him. Most '80s Cuban refugees in Miami spoke Spanish especially with other spanish speakers; Cuban accent most characters have to make the movie more realistic and replace Spanish is badly acted and makes the characters too cartoonish. I think this movie receives more credit than it deserves from viewers who drool over gore and are glued to its icon names (Scarface, Tony Montana, Al Pacino, Michelle Pfeiffer, Oliver Stone, and Giorgio Moroder). Sure, some of the violent scenes are thrilling and interesting especially the finale with the memorable "Say hello to my little friend!" quote, but this just not justify high praise.
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