This may be a very loose adaptation in detail- though not in spirit, there is a real feel of what makes the story so good in the first place- of the classic Dumas tale, but adaptations deserve to be judged on their own terms(fidelity to the source material has never been an issue to me, there may be some poor adaptations around but if they are of such good quality elsewhere it would be very unfair to completely dismiss them) and this adaptation of Man in the Iron Mask is not an exception. And yes it is a very good example of being brilliant on its own regardless. It may start off rather slow and a little poorly staged in the first 10 minutes but it picks up very quickly and is near faultless after that. It may be a TV film but one of great quality, the locations and scenery are colourful and very authentic and the same can be said for the costumes. The photography is also fluid and skillful, not cinematic but hardly amateurish or too studio-bound. The music is rousing and enhances the action very well, while the script is witty and successful in the comic and dramatic moments, what there is of the action is very exciting and not clumsy-looking at all and the direction doesn't allow the film to rush or drag beyond the first 10 minutes. The story is still the thrilling, suspenseful, fun and ceaselessly compelling one that we know with scenes that prove to be quite memorable. Especially when the iron mask is fitted onto Phillippe, quite cruelly harrowing in a way, Phillippe and Louise dancing the minuet which was beautiful to watch and more than satisfying dramatically and the touching scene where Phillippe meets his mother for the first time. If there was an asset that fared best it was the acting. The standout is Richard Chamberlain, in one of his best films and roles he is amazing as both Phillippe and Louis, completely believable in roles that couldn't be more different. You'd be hard pressed to find a crueller and more egotistical Louis than Chamberlain and his Phillippe is subtle and sympathetic. Patrick McGoohan is also wonderful, literally seething with villainy while having a touch of charm, and his intense scheming chemistry with Chamberlain's Louis is equally good. Ian Holm is wonderfully shrewd and intelligent and Louis Jourdan is a sly and dignified D'Artagnan. Ralph Richardson doesn't disappoint either and Jenny Agutter visually has never been more lovely and still brings believability and enchantment to a somewhat one-note character. All in all, a brilliant version, adaptation-wise the 1939 may be a little better but this is my personal favourite, both trump the Leonardo DiCaprio version though that has its merits too. 9/10 Bethany Cox

A fantastic sword-fight TV-movie from the famous Alexander Dumas's novel. This great movie remind me to four years before Richard Lester Three Musketeers pictures not only for the presence of Richard Chamberalin. Lester movies had a more ironic and unconventional tone but the same cure for the customs and locations, here the director is talented Mike Newell (Dance with a Stranger, Donnie Brasco) that it was more careful not to betray the spirit of the novel. Together with fidelity to the novel, another aspect that make the movie truly agreeable and he approaches again to Lester movies was the rich cast. After the co-starring role as Aramis in The Three and The Four Musketeers, now brilliant Richard Chamberlain was the main character and he proved himself to be a fine actor because he plays very well two different roles: King Louis XIV and his long lost twin brother, Phillippe. It's Richard Chamberlain who carries the entire movie and he was astoundingly charming in his screen costume, oh my God that unbelievably handsome man....I confess not hardly I saw fine Richard to enter in scenes I fell in love lost of he, He was more sexy and seductive than Musketeers protagonist Michael York and also than Leo Di Caprio that impersonates the same character in the movie of 1998. There are others connections with Lester movies in the central characters and in the actors...Patrick McGoohan (Escape from Alcatraz) was delicious as villain Fouquet and remind me to Charlton Heston Richelieu for the same elegance. The wonderful Jenny Agutter as the movie heroine Louise de la Vallière was simply most beautiful; she formed with Richard a beautifulst couple on the screen; Agutter remind me to Musketeers heroine beyond compare Raquel Welch as Constance for her fine physiognomy, fabulous hair natural but amazing in both, for the simple but elegant costume and because both have been partners on screen of Michael York (Agutter in Logan's Run, Welch in The Three Musketters). Vivine Merchant in her last apparition as Queen Maria Theresa remand me to wicked Faye Dunaway as Milady in The Four Muscketeers in spite of the diversity of the two personages: Merchant was older but was and elegant queen while Dunaway under the gorgeous courtesan dress was a coarse whore, thief and murderess; watching the movie it's not possible not think to she because Merchant wears the same costume dressed from Dunaway in the final dance in The Three Musketeers and both have the same blonde wigs and similar make-up. Others the performances are strong all around (Holm, Jourdan, Richardson, Bruce as in The Musketeers are Reed, Lee, Chaplin and Finlay).

There seems to be an inferiority complex about this version of THE MAN IN THE IRON MASK but why ? Mike Newall is a competent director and he's assembled a fine cast in something that doesn't resemble a made for television movie . The story itself is based upon a Dumas swashbuckling classic but there's a fly in the ointment that is an obvious giveaway that this version lacks confidence . What am I talking about ? Why the music of course . Whenever the film wants us to feel something Allyn Ferguson's score dictates how the audience should be feeling . Certainly the score for THE MAN IN THE IRON MASK goes with the visuals but did it need to be so obvious ? It's almost like listening to PETER AND THE WOLF where the music itself is the narrative and I'm not sure if that's a good thing in cinema

Pure excellence. Wonderful script. Production, directing and acting was superb. Great ensemble cast. What more can one ask from a made for t.v. movie? This one had all the qualities of a big budget film. Highly recommended.