The Jayhawkers! is directed by Melvin Frank and Frank shares writing duties with A. I. Bezzerides, Frank Fenton and Joe Petracca. It stars Jeff Chandler, Fess Parker, Nicole Maurey, Henry Silva, Leo Gordon and Frank DeKova. Music is by Jerome Moross and cinematography by Loyal Griggs. Territory of Kansas . . . Shortly before the Civil War.In short order form the plot finds Chandler as a driven empire builder Luke Darcy, who is taking advantage of Bleeding Kansas. Insinuating himself into Darcy's gang is Cam Bleeker (Parker), who has a very personal ulterior motive for doing so.The Ace of Spades!It's one of those films that has some great literary ideas, with some stoic characterisations and deft hints at the turmoil hitting this part of American history, and yet it never truly delivers on its powerful potential. Action is in short supply so we are very much asked to invest fully in the key players, their motives and drives, reasoning's etc, with the Darcy/Bleeker relationship and the shades of grey holding the attention whilst simultaneously holding the play together.Love-And-Death. That's everyone's fortune my friend.Bonus point also are the tactics used by Darcy to build his empire, which coupled with his beliefs - and Bleeker's growing conflicted values (Bromance does that to a guy apparently) - marks it out as a good try at something more deep and meaningful. Filmed in Technicolor/VistaVision, pic looks lovely, but not enough is made of the outdoor locations, while Moross provides a big bold booming score - which is great - it's just in the wrong film as it belongs in a ripper of an action piece.All told it's a very mixed bag, and stripped down it's a undercover story dressed up in familiar Western attire. It works for those who enjoy well written speeches and simmering tensions/passions, but it's a trick film to recommend with confidence. Oh and serious history buffs should give it a wide berth. 6/10

Plot-- An ex-renegade (Parker) agrees to infiltrate a renegade band in return for a pardon from the feds. Then too, he's got a personal grudge against the band's leader (Chandler) for victimizing his wife and their farm. Trouble is the leader is kind of a likable guy. So which way will the ex-renegade go.Somewhere inside all the turgid talk is a good story of conflict between Parker's emotions and his principles. Trouble is the studio (Paramount) appears more interested in playing up the three leads than in the story itself. Thus we get a ton of talky scenes with some combination of Parker, Chandler, and Aubert instead of action or suspense. So western fans may feel cheated in the action department. I suspect four scriptwriters working on the same screenplay have something to do with that. Then too, the direction (Frank) is pretty flat. In fact, the director's resume (IMDB) appears more at home with fluff than outdoor drama. It's noteworthy too that the locations never leave greater LA, so we're also short in the scenic department. That's especially unfortunate since the film needs some sweep to match the story's scale. After all, the script is playing with the disposition of an entire state, Kansas. On the other hand, Paramount did pop for an army of extras to fill out the mustering scenes.I winced at one point where Chandler says life is short, or words to that effect. Tragically, Chandler himself would die two years later as a result of medical malpractice. So his words here seem more than just a little prophetic. Too bad the menacing Henry Silva is largely wasted in a routine role. Some close-ups of his sinister sneer would have added needed dramatic impact. All in all, the movie's a turgid disappointment despite a capable cast, a good core conflict, and big screen VistaVision.

It's been a while since I saw this movie, but I remember being impressed with the performances of both Fess Parker and Jeff Chandler.The other person who commented on this movie implied the Chandler character murdered Parker's wife. I don't think that's correct. He just dumped her and she killed herself, or some sort of indirect thing like that.I've since heard part of the movie score on a soundtrack CD showcasing the music of Jerome Moross. Wow! No wonder I liked the movie, the score is really great with a driving main theme. Look for a CD called "The Cardinal - Classic Film Scores of Jerome Moross". There is 16 minutes of music from "The Jayhawkers".

If you're going to watch a Jeff Chandler western, this is the one to see. I'd hestitate to call it a masterpiece, but it's a damn good try. Produced and directed by the team of Norman Panama and Melvin Frank, it is a tale of conflicting loyalties, megalomania, love, hate and a number of other issues I can't remember, in pre-Civil War Kansas on the eve of the Civil War. Star Jeff Chandler, who portrays the megalomaniacal but withal personally decent and charismatic bad guy, is quite good here. He had spent a decade in action pictures and romances, with an occasional comedy thrown in for good measure, and yet had not achieved major stardom. A mid-level star of the kind of medium grade movie that was going out of fashion, he was on the verge of becoming an anachronism; and had he not died a couple of years after this film one wonders what would have happened to him and his career. In The Jayhawkers he shows what he might have become: a fine, commanding, aristocratic character actor.As the second-billed good guy, Fess Parker, fresh from his triumph as Davy Crockett a few years earlier, was attempting a mainstream, post-Disney career. Low-key and phlegmatic, and not without appeal, he lacks the edge of a Mitchum that might have propelled him into the big leagues, and is for the most part an uninteresting hero. Nicole Maurey is the incongruously Gallic love interest, and one can't help be curious as to why she was cast in this film. She was a lovely young woman, but way out of place here.Loyal Griggs color photography is as good as his work in Shane, and far less mannered. The music of Jerome Moross is stirring and in its way as good as anything Dimitri Tiomkin ever did. With its larger than life good-bad guy, and reasonable (for a movie) historical accuracy, this could have been a major film. The problem with it is that though Panama and Frank were quite good at light comedy, they were inexperienced in the western genre. Frank does a good, derivative job of drawing from Ford and Hawkes; and there are some breathtaking vistas. There is even a touch of Nicholas Ray in his creative and interesting use of interiors, especially the main hideout. And Chandler gives an at times daring performance, with occasional lapses into mild effeminacy in his vocalizing and posture, his work is well-rounded and sophisticated, suggesting that his character's feeling for Parker is more than just friendship. Alas, this daring aspect of the story is never gone into with any depth or insight, and the result the movie is a near-miss, but a fascinating one.