This movie is like comfort food to any (intelligent) woman going thru menopause. How many movies can say that? Progressive and interesting on a number of different levels. Real life with no pretense, no plastic surgery. The cast is fabulous. Brooke Shields, Wanda Sykes, Daryl Hannah and Virginia Madsen, they are all interesting and should have been more developed as characters. And Mark Povinelli as the ex-veterinarian/coach? Kidnapping dogs to clean their teeth? Yes! Moonlight rescue! So progressive, pro tolerance, pro kindness. Of course the idea of charity basketball games to fund the mobile unit screening for breast cancer is great, but there is so much more here. Eric Roberts is a very believable character but he was a little obsessed with his hair. I mean, what man plays with his hair like that? Whatever. This movie is specifically wonderful from a human kindness/tolerance prospective. Bravo!

I'm 50 minutes into this movie as I write this review.Other reviews have said that this movie is hit or miss, you're either going to love it or hate it... As I'm watching a middle aged American woman wrestle with a teenage girl on a basketball court, I'm thinking that the target audience has to be really, really heavy women from the South of America.For everybody else, watching Brooke Shields play an aging, hick, do-gooder American woman is just going to be depressing.I'd certainly not bother going to watch this at the theatre, unless you happen to live in the town in which it was filmed, and downloading/renting the DVD is probably not worth your time either.

I really enjoyed The Hot Flashes. I loved the relationships between and among the women and the empowering message it sends to people of all ages. There are far too few movies with women in central roles and I hope that people will go out and see it so more will get made. I went with my seventeen year old daughter and it was great to see her cheer for fifty year old women playing basketball. I absolutely support the central theme of breast cancer prevention and I loved seeing it played out on the big screen. Yes the jokes were a little silly and unnecessarily raunchy at times, but it was generally a fun, women oriented, feel good comedy. Go out and see it; bring your daughters, bring your sons, and cheer loudly together.

There is a sharp comic satire buried beneath the clichés and underwhelming effect Susan Seidelman's The Hot Flashes leaves on a viewer. Despite a capable directing effort on her part and the cast's evident enthusiasm for the material, this is a comedy that plays things safely and one that never is funnier than the idea of a basketball team called "The Hot Flashes." There's enough in the film to hold interest but not enough to cordially recommend.The plot centers around Beth (Brooke Shields), a middle-aged woman currently going through menopause, and her family, made up of her husband (Eric Roberts) and her daughter. When Beth, who is known to take up numerous hobbies, however, not known to carry them out in a meaningful way, realizes that the local mammogram unit will be closing due to lack of financing on her part, she decides to form a basketball team called "The Hot Flashes" with several girls from her quiet Texas town named "Burning Bush." The goal in mind is for the team to play the championship school basketball team and raise $25,000 to save the mammogram unit.As upsetting as this will be for some people to hear, the thematic idea that "women can do more than men" is hardly as subversive as it was so many years ago. While films should exist that show off a strong central female or more, having a film predicated off that idea and nothing more is beginning to become tiresome. The Hot Flashes even manages to downplay its central premise of menopause, offering little comedic or dramatic points about the inevitable, life-changing stage women must go through, only offering the redundant piece of optimism that despite menopausal setbacks they still have game.I recently watched a film called Coffee Town, which was a simple, pleasant comedy centered around three characters who spend their days at the local cafe, using it as a free-office with Wi-Fi, coffee, and all the baked goods they need. While a tad vulgar, the film managed to disregard the idea that a film needs to be oppressively raunchy in order to be funny. The Hot Flashes does something similar to Coffee Town, which is make most of the characters possess wholesome morality, or at least a moral compass. Not to mention, their southern drawl is a sweet diversion from the city-slicking bawdiness that has been commonplace in cinema recently. And it's always nice to see a film maturely explore the reality of age as well as the optimistic way of looking at it.But that doesn't excuse the idea that The Hot Flashes feels like Bridesmaids without a bite and that isn't because of the lack of language, sexual content, or gross-out humor. It's because Bridesmaids manages to try and make its characters come to life, using real-life situations and bittersweet reality. The characters in The Hot Flashes know they're getting older and there's no true reality to face since they're constantly reminding themselves they still have it. Not to mention, it doesn't help that the team itself is composed of the good mother, the sassy black lady, the chubby girl with the foul-mouthed, the town tramp, and the simple cowgirl.Starring: Brooke Shields, Daryl Hannah, Virginia Madsen, Wanda Sykes, Eric Roberts, Mark Povinelli, and Camryn Manheim. Directed by: Susan Seidelman.