The Baby of Mâcon
The Baby of Mâcon
NR | 03 November 1994 (USA)
The Baby of Mâcon Trailers

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

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Reviews
tonymurphylee

THE BABY OF MACON is Peter Greenaway's most disturbing and shocking film yet. It's about a baby born of a deformed woman in a disease ridden village. The villagers go berserk due to the fact that the mother is so grossly deformed, and soon a different woman claims the baby as her own and pretends that she is still a virgin to gain the town's approval!!! Her parents detest, so she locks them up. She tries to seduce a man that she is in love with, but the man is killed by the baby in the process. What occurs afterward is nothing short of horrifying. I'll just say that some truly disgusting events transpire, and the film ends in a hollow and empty climax. I felt that the film was effective in demonstrating it's views and certainly was grueling, but the appeal of the film is what makes it so hard to really review. Who on earth would want to watch this? People who want to see a good movie maybe, but they will no doubt be put off by the subject matter. Fans of independent cinema will probably appreciate it, but most likely won't rush to see it. Everyone else will probably not find much appeal in this kind of storytelling. But that's kind of what's so cool about Greenaway. He is able to create film in a way that most cannot. He's in a class of Chaotic cinema where any sort of personification is possible and signature themes are easier to put to light than a real story. I found the film moving, but unless your a big fan of set design, I'm going to have to recommend it to Greenaway fans only.

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NateManD

"The Baby of Macon" is a very bizarre film. Part play, part period piece and part religious satire. As usual director Peter Greenaway creates a stunning masterpiece, that looks like a painting come to life. Of course the film has disturbing elements and is probably Greenaway's most violent and brutal film. Julia Ormond plays the daughter, a beautiful young women. Her mother who's extremely ugly gives birth to the most beautiful baby. The daughter lies and says the baby is hers and that it was a virgin birth. She profits from the child and has him bless the whole town, even the cow. Both Ray Fiennes and Julia Ormand have very tough roles in this film; including a manger scene seduction. When the town finds out that the daughter is lying and the baby is not hers, they sentence her to be raped by over 100 men. Poor Julia Ormond. Avoid this film if religious or easily shocked. The film does have a dark sense of humor and makes a powerful statement about greed and religion. Although brutal, "The Baby of Macon" is a surreal masterpiece in which reality and stage performance collide. You'll wonder what parts a play and what events are actually happening in the story. This film also includes an amazing film score by Micheal Nyman. If only it would get a DVD release in the US?

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Ben Parker

A baby is born amidst a ritualistic theatrical event in the 17th century, with gaudy costumes and gilded sets, while a crowd look on and cheer. Many characters declare multiple times that the baby is too good looking to have come from such an ugly mother (who no-one can see anyway for the bag over her head) - so a better-looking mother is chosen.Its so slow that its impossible to enjoy as a story - and when you don't have much plot, its important that your central situation is fascinating enough to keep our interest up - but here, it wasn't enough. Its tedious to watch - unlike Greenaway's masterpiece, The Cook the Thief His Wife and Her Lover.Also, the camera is held at such a great distance to the action that its impossible to be anything but empty spectacle. It gives it a very stagey, theatrical feel, which seems intentional. But this same point of the shallowness and corruption of a society might have been better demonstrated with the aid of a story and some closer camerawork.The only real mystery is how someone could have read the screenplay (if there was one, which i doubt), or heard Greenaway's proposal for it, and agreed to give him money to film it, knowing they would neither enjoy the finished product nor ever see any returns on their money.1/5

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acejase

This film is simply a masterpiece, the ultimate experience in visual poetry. If I didn't think Greenaway was a master film maker before, I certainly did after viewing The Baby of Macon.His use of the Camera is stunning, I believe it is the closest thing to perfection in reference to the Camera, Actor and Stage. There were so many moments of genius throughout the Film that I was overwhelmed and had to see it a second time to soak it all in.He has captured the era, the aura, the atmosphere of the subject better than anything I have seen before. The script was a work of Art, the blending of Vulgarity and Beauty, from the spoken word to the lavish colours and movement captured on Film, a true masterpiece in every sense of the word.Yes, I highly recommend this Film, it has volumes to say, if you desire a deeper, fulfilling feast of mind and heart. Everything a Greenaway fan could want, and more.

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