I loved the novel Mysteries of Pittsburgh. It took place in familiar surroundings, places I hung out, in a town I loved. It questioned mysteries that I'd questioned myself.It's not certain if the passage of time or the changes wrought in adaptation brought about my dislike for this movie. After all, I first read the book some 25 years ago. But the film lacks so much in comparison with the book. It has none of the humor, none of the introspection, none of the sense of resolution or at least readiness at the end.The acting does not help the situation, especially Sienna Miller, who as Jane, is basically a flat line. Art is nearly a flat line, strangely enough; as the lead he is not supposed to be. Sarsgaard's Cleveland attempts to compensate for the affectless performance of his screen-mates by wildly over-emoting. It's a valiant effort that almost works. And Mena Suvari is just pitiful as a sad stereotype that no woman with a shred of self-respect should ever have to play on screen or stage.I'm sure it doesn't help my assessment that Chabon is one of my favorite writers and Pittsburgh is my beloved home city. But if I were you, I'd give this one a miss. The four stars are for cinematography Nick Nolte, and music, which were decent.

Michael Chabon's 1988 novel " The Mysteries of Pittsburgh" was a novel about coming of age for a young man. The book is a fine account of a summer in the life of Art Bechstein, the son of a mobster who falls for Jane, a young woman, who is in love with another man. There is no doubt in our minds Rawson Marshall Thurber had the best intentions when he decided to adapt, then direct, this beloved work of many for the screen.The problem seems to be in the way Art comes out in the movie, where he also serves as the narrator as well. The way Mr. Thurber conceived his main character does not resonate with the viewer. It is never quite clear what did Jane and Cleveland see in this bland person to befriend and be part of a group; they are unevenly matched, to say the least.Cleveland is the most complex character in the novel. He is a bisexual man that is in the equation for the thrills he can get out of his situation with Jane. Art finds out soon enough what Cleveland is all about, but in the end he too is seduced by a guy that is a manipulator of the worse kind. It is also hard to believe, the way Cleveland is presented in the film he is the criminal he is supposed to be. Art, on the other hand, appears to be a closet homosexual, in spite of the sexual relationship he was having with Phlox, something that seems contrived and phony.Any film in which Peter Sarsgaard appears is worth a look. He is the most lively character in the picture. Mena Suvari shows up as a brunette with such a different look. It is hard to recognize her at first. Ms. Suvari is at her best in the film. Jon Foster is too bland to get anyone's attention. Nick Nolte plays Art's father. Sienna Miller, in spite of her looks, is an enigma in the movie.One thing that plays well is Theodore Shapiro's fine musical score. It gives the picture some class. Michael Barrett captures the spirit of the city, and its surrounding area in great images.

For those who find it difficult to appreciate the adaptation format of film making from a famous novel, THE MYSTERIES OF PITTSBURGH as now released on DVD should help explain the naysayers' opinions. In a very valuable session of conversations among Michael Chabon and Rawson Marshall Thurber (screenwriter and director) and the producer and cast, the transition of this complex novel into a very altered story is comfortably explained and the person most happy with the result seems to be the originator - Michael Chabon! That being said this film stands well on its own terms. June and July in hot Pittsburgh generate mysteries among a variety of people, especially the young college graduate Art Bechstein (Jon Foster) who while working in a bookstore wastes time with a fling with the supervisor Phlox (Mena Suvari) with disinterested post grad classes dealing with becoming a broker and having monthly dinners with his mobster father Joe Bechstein (Nick Nolte), until he encounters an odd couple: bisexual biker and thief Cleveland (Peter Sarsgaard) and his female consort, the violinist Jane Bellwether (Sienna Miller). The bizarre interactions among these characters drive Art to make many decisions and discoveries - including his falling in love with both Cleveland and Jane. The summer winds down with Art finally discovering his own identity despite the clouds of mystery that have surrounded his life. It is a piece of life as lived by disparate characters whose direction in life seems at odds with the natural flow of finding happiness and success. But then the question is asked - what is happiness and what is success if not survival? For this viewer the explanation by the makers of this film was interesting enough to encourage a repeat watching of the movie. A good movie not a great movie, but it still tastes strongly of Michael Chabon's genius. It deserves more attention than the critics have given it.....Grady Harp

According to the above synopsis, this "indie" pic derived from one of the most vivid and persuasive first novels of the last 25 years or so has changed the main characters essential dilemma, which was not choosing between two girls while the romantically self-destructive Cleveland hovered on the edges before bringing things to a head, but figuring out if his close friendship with Cleveland's gay friend Arthur (Art/Arthur, get it?) was sexual attraction or merely bromance. "Jane Bellwether"! Why not call her "Schwing Bothways" or "Girlgirl Akshun"-- they're much more evocative names. What were Peter Sarsgaard and Mena Suvari thinking?