I have always been nostalgic about this Euro-Spy film. When very young, I picked up the soundtrack (which is still available if you look for it) and used to listen and dream about exotic locales, adventure, and of course about that special woman that would be a part of it all. I especially like(d) the Ray Anthony song "Love was Right Here all the Time" which plays at the end against a dark screen when the audience is supposed to leave the theater. Just minutes earlier the leading man, Horst Bucholz, had given his heart to the leading lady, then winked at the audience and confided verbally: "It happens to everyone sooner or later." Many in the audience must have smiled and left the matinée filled with no little amount of delight and renewed hope! Also available are lobby cards and a few B&W photos from the movie. If this movie was ever released on VHS in North America, I'm totally unaware of it. In Europe, yes, but apparently many years ago. I finally acquired a copy of this film, dubbed in English, and with Greek subtitles in DVD which had either been taken off Greek television, or a European VHS. My nostalgia was only increased by spending a week in Istanbul myself, as part of the People-to-People Program for "Student Ambassadors," five years after the movie came out. It is Istanbul as I remember it. Twenty-six years later I again journeyed across Turkey and can say that old, freer, almost magical feel that once was Istanbul was largely gone, and the same can be said for all the islands and seacoasts of the Eastern Mediterranean region. So, for me the movie is a fun and romantic snapshot in time.

The U.S. government is double-crossed when they pay a $1 million ransom for the return of a top scientist. They lose both the money and the scientist. Agent Kenny (Sylva Koscina) is sent to Istanbul to investigate. She enlists the aid of a gambler named Tony Mescenas (Horst Buchholz) to assist her in finding the scientist with the promise that he can keep the $1 million. The trail leads Tony and Kenny through the streets, masques, and waterways of Istanbul. Will the U.S. government get what it wants? Will Tony get what he wants? And will Kenny get out alive? That Man in Istanbul is a very good entry in the 1960s Euro-Spy cannon. While the film may lack some of the usual over-the-top spy accoutrements, it doesn't lack in exciting chase scenes, gun play, or fist fights. In fact, the action is pretty much non-stop. Director Antonio Isasi-Isasmendi keeps the pace at a high level throughout most of the film. The fight at the top of the masque tower, Tony's jump to the boat, and the underwater knife fight are real highlights. Both of the film's leads, Horst Buchholz and Sylva Koscina, turn in more than competent performances. A solid supporting cast, particularly Klaus Kinski and Gustavo Re, is more than up to the task. Throw in a bit of humor, suspense, intrigue, and some wonderful shots of 1960s era Istanbul and you've got the makings of a very entertaining film. If I have a couple of complaints they would be Koscina's screen time (she's absent for most of the second act) and the overall length of the movie (cutting 15 or 20 minutes would help). Still, a very enjoyable experience. I'll give it a 7/10.

A handsome hero with a shady past and a knack for adventure (Horst Buchholz), a beautiful heroine assisting him (Sylva Koscina), evil masterminds and agents, kidnapped scientists, an exotic setting (Istanbul), fights & chases, etc: the stage is set for a 60's Bond-inspired spy adventure. This one begins pretty well, but loses its spark when Koscina (one of the most underrated spy girls of the decade - see also "Deadlier Than The Male") disappears for long sections. Klaus Kinski also elevates the few scenes he is in (and has the best line in the film: "I am considered a good shot by those I have killed"!), but, like Koscina, he is underused. Buchholz is pretty good, both in the tongue-in-cheek and in the more violent moments, but the film is too long at 119 minutes, and about halfway through I began to lose the plot. At least it's better produced than many of these Bondian imitations, though the current VHS prints, fullscreen and worn-out, don't exactly do the production justice. (**)

This is one of the best action spy thrillers I saw, and believe me I've seen a lot.Even by today's standards, it would be good, provided someone cared to restore it's brightly colour, perfect editing, and natural sound. The alternate soundless shots of a knife fight inside the hotel swimming pool, where he can see each detail of two athletic actors actually going at it, and the merry sounds of tourists on the esplanade above while still unawares of the drama close-by, has NEVER been recreated in any film, possibly because it was too much trouble, or there were no Horst Buccholz and Mario Adorf around.The dialog was OK, and true grit, real lines, and delivered with realism. In that not only Buccholz was good, but the other actors, too, therefore grabbing the spectator into a quite realistic scenario. The story develops from a predictable ending into something quite different, therefore we miss the presence of Koscina in the later part of the story, but it is all for the best of the film.The director was defending his name and career, but also his money in more ways than one, as he was one of the producers investing in the project through Isasi (Barcelona, Spain). It is a pity that there was never a VHS around that I know of, and that no DVD is made of such a precious B jewel.