San Francisco Docks
San Francisco Docks
| 25 December 1940 (USA)
San Francisco Docks Trailers

Longshoreman Johnny Barnes is in love with Kitty Tracy, barmaid at her father's waterfront saloon, and he beats up Cassidy, a crooked politician who has been annoying her. Cassidy is murdered that night and Johnny is jailed for the crime. Kitty, her father Andy Tracy, and waterfront-priest Father Cameron believe Johnny is innocent but all evidence points to his guilt.

Reviews
Alex da Silva

Irene Hervey (Kitty) spends the film trying to prove the innocence of her boyfriend Burgess Meredith (Johnny) who is standing trial for the killing of a politician. She has the help of a priest Robert Armstrong (Father Cameron) and her very annoying father Raymond Walburn (Admiral). This crew solves the crime! Unfortunately, the film has many comedy moments and comedy characters – the kind that aren't funny. Main offender is Raymond Alburn. I see that IMDb has this film classified in the crime/drama/romance sections. Well, they should add comedy (but not the funny sort) to that. Had I read that I may not have bought the film. Also, there are several times when the screen is just black. What's going on! A poor quality film but it's OK – nothing special. One funny moment happens when Meredith is described as being 5'10". Ha ha. I don't think so.

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malcolm-68

This is a zippy B which has a great deal going for it. Burgess Meredith is the nominal hero, but he spends time in jail and therefore off screen particularly in the last half hour, so its left up to others principally his feisty fiancé played by Irene Hervey to investigate the crime. The main merit of the film is that it allows some great character actors to shine. Top acting honours are probably shared between Raymond Walburn as the heroine's father, a garrulous old timer whose glory days are long behind him, but who has a penchant for telling tall stories and Robert Armstrong as a courageous two fisted priest. One highlight is the fight between the two beautiful hellcats Irene Hervey and Esther Ralston who don't battle by the Queensberry Rules. The atmosphere of the docks is well maintained complete with colourful waterfront characters. Arthur Lubin does his customary professional job in the director's chair. This is a good film for a wet afternoon... or for a dry one.

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