Impressionable Barbara Vining (Glynnis Johns) has a crush on her Latin teacher, Stephen Barlow (Leo Genn) but only his wife, Kay (Gene Tierney) seems to realise it. When Barbara comes over for extra tuition Kay questions her about her feelings and the girl flees the house. I kept thinking that an actress like Celia Johnson, Phyllis Calvert or Margaret Leighton would have been better suited for the role, in keeping with a more reserved British feeling. Tierney did quite well but she seemed too glamorous for Genn and it just didn't ring true that she felt he would have returned gauche Barbara's feelings. Also she seemed to know from her first meeting with Barbara that there was something between them and even though, as the movie progressed, Stephen did confess to having feelings about Barbara, it wasn't at all obvious initially. Tierney was overshadowed by other, more powerful, performances and towering over them all is Pamela Brown's neurotic Aunt Evelyn. She is Barbara's spinster aunt who has been nursing a broken love affair for 20 years and now hopes, in her own twisted way, that Barbara will follow in her footsteps.When Barbara fails to return home, Stephen confesses that he met with her to convince her the crush was pointless and he saw her safely onto the bus but she doesn't go home and within a few days rumour and accusations are flying around the village, Barlow has been let go by the school and the lake is soon to be dragged. Until now Aunt Evelyn has seemed like the rock of the Vining family - cool, calm and collected when mother (terrific Megs Jenkins) becomes such a wreck she is being kept in her room and the father, who works on a local paper doesn't know where to turn or what to believe. She sees Barbara as the village lovelorn heroine and is probably half hoping that she is found drowned in the lake. She forces the father to take notice when a couple of babbling schoolgirls come to impart all the gossip they have heard and at the end visits Kay and lets all her pent up neurosis fly when she tells what she thinks (in her own mind) really happened to Stephen and Barbara.The end is tied up a little too neatly - Barbara returns after fleeing to London for a few days to sort herself out. Stephen and Kay embrace on the little bridge - but he had been sacked, how are they both simply going to pick up the pieces and start again after this - especially in a small village where the gossip was too easily believed. Everything seemed fixed up within a few minutes. Even Aunt Evelyn is given her marching orders - to which she responds "I'll go now, I have lots of friends" but would she? Would a person like her have any life outside the family?There have been a few comments about Glynnis Johns ability at 30 to portray a teenage girl but I thought the very versatile Miss Johns did tremendously well. With her little girl voice and very youthful looks, I don't think she would have found it at all hard.Highly Recommended.

A school teacher (Genn) is implicated in the disappearance of one of his female students (Johns). This student who has a crush on the teacher is humiliated when the teacher's wife (Tierney) accuses her of the truth.The girl flees the house teacher follows and girl disappears. We are left in suspense as to what actually happened to her as we see the small town net close in around the teacher.More of a filmed play than a movie this film is intelligently directed and well acted and holds your suspense very well up to the denouement.As other reviewers have stated the only casting flaw is the girl (Johns) who is too old for the role.Nice suspenseful well acted watch.RECOMMEND

"Personal Affair" is a crisply written, beautifully photographed, thoughtfully directed thriller about a teenage girl (Glynis Johns) who disappears, one night, from a small town and the schoolteacher (Leo Genn) who is suspected of being implicated in her disappearance. People do notice things and people in the town have noticed that there was something between them. They don't know what, he's an outsider, anyway, so they figure he's guilty. The film is a study of how feverish imagination becomes gossip, and gossip becomes the truth, how suspicion breeds fear and undermines love and trust, how crazy you can become from the whispers and half-truths swirling around you and you don't have a rock to hold onto.The schoolteacher has a beautiful American wife (Gene Tierney) who loves him deeply but becomes detached from that rock when certain suspicions she has regarding her husband and the girl turn out to have weight. He's innocent of any criminal culpability, but he hasn't quite told the truth, which has something to do with love. The film talks a lot about this tricky emotion. At various points in the film each of the main characters - the teacher, his wife, the girl, her parents, her aunt - bring up the subject of love, and their own experiences with it. It is the aunt who has been damaged by love who harbours all kinds of toxic feelings and spreads the most lies and chaos.The stage play and screenplay, I note, were both written by one Lesley Storm. The film has been nicely opened up, runs a tight 88 minutes and is very cinematic. Do note that beautiful metaphor at the end of the film - turbulent waters and still waters. Really a lovely little film.

This next to unknown feature from Two Cities Films is an intelligent, mature, and well-made feature about secrets, sex, and gossip. Leo Genn delivers a finely nuanced performance as Stephen Barlow, a schoolteacher who has a budding relationship with student Barbara (Glynis Johns). Stephen also has an American wife (Gene Tierney) who is both jealous and suspicious, and she quickly discerns that he is taking a special interest in the teenager. When Barbara disappears after meeting with him late one night, jaws start flapping, the police begin an investigation, and the girl's father (Walter Fitzgerald) suspects foul play. Beautifully shot by Reginald Wyer, Personal Affair also benefits from superb supporting performances from Megs Jenkins and Pamela Brown as Barbara's mother and aunt.