If you don't expect too much from "Puppet on a Chain," you can spend an enjoyable session watching a nearly half-century-old bam- bam-wham- wham adventure movie set in beautiful Amsterdam.The story, cobbled from a book by Alaistair MacLean, once one of the most popular novelists working the global-thriller gold mine ("The Guns of Navarone," "The Satan Bug," "Ice Station Zebra,"), involves a narcotics gang working out of Holland, and the good guys bent on stopping them. If "Puppet on a Chain" has any claim to fame, it's because of its heart-pounding epochal speed-boat chase through Dutch canals. Beautifully set up, daringly acted by supremely skilled stuntmen and superbly photographed, it's one of the most exciting high-motion chase scenes in movie history.The rest of the movie involves a heavily layered story about dolls, Bibles, and ingenious ways of making the hero's life miserable and painful. Aside from the veteran American actor Alexander Knox ("Wilson") and a dependably hissable villain (Vladek Shaybel, a familiar Bond baddie, most notably the Czech chess grandmaster, "SPECTRE Number 5," in the 1963 "From Russia with Love") the acting is solidly second-rate and the undistinguished dialogue just a means of nudging the story forward. The hero, a US agent, is stolidly if unexpectedly portrayed by a Swedish actor, Sven-Bertil Taube (who was much better decades later in the Swedish film, "The Girl With The Dragon Tattoo," as Henrick Vanger). Don't look for Bond girls here – just an assemblage of wan actresses, all looking curiously like Addams Family cousins in their dark-haired pallor, mouthing dull repartee.Good points include the aforesaid speedboat chase, beautiful cinematography in good color, Piero Piccioni's appealing score, some funny headgear, and a sometimes original look at the seamy underbelly of The Netherlands, including prostitutes, graffiti and some wildly complicated drug smuggling operations. All this doesn't stop director Geoffrey Reeve and cinematographer Jack Hildyard from having some fun, notably in photographing a) a naughty and messy floor show, and later, b) a prudish and precise folk dance – the vigilant moviegoer might enjoy comparing the two."Puppet on a Chain," for all its obvious influence on Bond movies, has somehow always hidden under the radar, and never been given its just due as a progenitor of the international thriller genre, although moviegoers have time and again been pleasantly surprised at the unpredictable morsels hidden within its bland Dutch cheese offering.

The speedboat chase in the Amsterdam canals in this film is actually being copied by Dutch director Dick Maas in his 1988 film 'Amsterdamned'. I always thought how original it was to have such an out of the ordinary, yet in Amsterdam obvious chase, but apparently it is less original as I thought. In the 18 year older 'Puppet on a Chain' the chase is as vivid and dynamic as in Maas' film, although one detail in Amsterdamned should catch the viewer's attention. Just like in Puppet on a Chain, the villain almost crashes his boat into an oncoming barge, a thrilling moment. In 'Amsterdamned' this barge has a fanfare band, conducted by 'actor', and Holland's famous Oscar-winning documentary director Bert Haanstra. It makes the already exhilarating scene more colourful, and provides it with a light touch. This detail encapsulates an often noticeable and important difference between English and Dutch film-making if you ask me; It seems that in Dutch films a doses of ridiculing of a serious action or scene is indispensable. Fact of the matter is that the 'original' film, Puppet on a Chain, is more believable because of its absence of this ridiculing. I also find it very interesting to see sceneries of my home country (Holland) in such a serious crime intrigue, where BTW everybody speaks British English!

I think the comments made by the gentleman above me are a bit harsh. I received this film in DVD format for my birthday because I am a keen Vladek Sheybal fan.Please be aware I am going to give away spoilers so maybe read this after you have viewed the film, thanks!Ok, this film was made in 1970. Some of the special effects are a bit naff (eg, the back projection) and those dancers in the bar leave me in hysterics but I think the story-line holds up very well. I was rivetted and I certainly enjoyed the twist in the tale. I am still captivated by the enigmatic nuns in their fish-net tights and make-up and as for Mr Sheybal's character, Meergeren, I would love to know just what other dastardly things he go up to. I still wonder how he got mixed up in using a church and parading around as a priest. My mind still boggles. I also enjoyed the boat chase scene through the canals in Amsterdam. That was very well done and is probably more exciting than the swamp chase in Live and Let Die.I do take the former comments to heart about the book being much darker in tone. I look forward to reading it and, hopefully, I will get more of an insight to the Meergeren character. But if you like movies from the early '70's then time you will certainly enjoy it.

'Puppet On A Chain,' is a sadistic adventure thriller, a toughened version of James Bond... In it, the Swedish actor Sven-Bertil Taube plays an American Interpol agent hunting down drug smugglers in Amsterdam... Comes the inevitable chase sequence... Only this time it takes place with speedboats through the maze of the Amsterdam canals, in which two boats race along the canals, make unbelievably sharp turns and even jump out of the water... For boating enthusiasts: The yellow boat driven by Taube was a Shakespeare Sportsman ski boat, thirteen and a half feet long, built in fiber glass and driven by a fifty horsepower Mercury motor... The blue boat handled by villain Vladek Sheybal was a Euro-craft, also with Mercury engine...