NEEDLE is a film that I'd never heard of before seeing the cover. It intrigued me, looking like a HELLRAISER rip off with a mysterious kind of puzzle box being used to commit evil acts, so I thought I'd try it out. What I uncovered was a surprisingly enjoyable little movie that comes across as very familiar but made for a good evening's viewing all the same.The storyline is indeed HELLRAISER themed, albeit with a few voodoo-themed twists. A bunch of high school students are tormented by a mystery villain who has the power to kill from afar. The horror content is strong stuff indeed, as the film is packed with some very gruesome death scenes which are effectively staged. It's a shame the director hasn't made more films in the horror genre given the strength of his work here.Even better, one of the leads is played by VIKINGS star Travis Fimmel, who's always a delight to see on screen. Fimmel is well supported by the likes of Ben Mendelsohn playing the investigating cop, and in particularly a small but excellent turn from John Jarratt playing the local coroner. The scenes between Fimmel and Jarratt were a dream come true for this viewer, and I can only wish that Jarrett had more screen time. Still, it's enough...

"You're running out of friends." An "ancient curiosity", built as a "tool of vengeance", by a French artist, Rubenstein, who named it "Le Vaudou Mort", finds its way into the possession of a college student named Ben (Michael Dorman) after his father dies. His estranged brother, kind of a black sheep, named Marcus (Travis Fimmel), has become a crime photographer. Marcus and Ben reconnect after two years apart since their pop's accident, and because the former has been photographing the crime scenes of the latter's friends, it does allow the two to figure out why this is all happening.Kind of a nifty concept (an antique "kill box" that, when a photograph is provided in this little slot, builds a wax figure which, when damaged, tortures and kills the person on said picture), with a detective story (who is behind the murders of Ben's friends and why?) that utilizes it in the way of the slasher. The violence can be quite potent and shocking (particularly the death of Luke Carroll, portraying college news reporter, as his body shows internal burning cuts and ongoing breaks), while the story regarding a box that kills for a particular person using it based on revenge is not the standard slasher mainstay the genre is accustomed to. As the friends die, and the numbers dwindle, only a few suspects could possibly exist: think Clue, with a supernatural box as the weapon instead of the candlestick or wrench, and suspects/killers are college kids. Even the college professor of archaeological studies doesn't last long due to her knowledge of the machine: a big no-no.The "sins of the father" aspect that happens from time to time in murder mysteries, giallo thrillers, and slashers returns, as Ben's friends die not necessarily because of anything he's done as much as what his pops might have. Marcus is an unusual kind of hero as he has this swagger and cock in his walk while Ben is uneasy and shaky during their investigations into the murders and the box. The "brothers bonding as they go after the murder" aspect is a nice addition to what could have been the standard issue "final girl must discover the killer" routine.Cast includes Trilby Glover and Jessica Marais as lesbian lovers, Nathaniel Buzolic as the jock, Tahyna Tozzi as Ben's love interest, and Khan Chittenden as the pal pining for Marais. John Jarrett as a coroner is a hoot, with a coffee/espresso addiction. Being behind the murders of those you were supposed to care about is a rather morbid touch. Tozzi is the kind of babe most guys aren't too unaware of regarding her interest in them; this does resort in many of us rolling in our eyes, but these things happen in slasher movies. Attractive movie, and it has good special effects, even if the reasoning behind the murders is a bit old-hat and shopworn.

Part of what makes us indulge in horror movies is to see death presented to us in a different manner, through a story that compels us. NEEDLE had a wonderful premise with a wonderful little mystery that screenwriters Anthony Egan and John V. Soto (who also directed) could not bring to light.And that really bothers the heck out of me.If the pair had really invested in a riveting narrative, this could have comprised the mystery element of the United States based version of THE RING with Clive Barkers HELLRAISER for one potent and unforgettable horror. Instead, after coming up with a wild idea, Egan and Soto clearly didn't know what to do with it. Instead, it became hack-and-slice cinema that offered little stimulation to the senses. By movie's end, the tale had become so old and lame, the climax was abysmal and unsatisfactory. In fact, it cheats the audience and sets up a sequel, though I doubt they'll ever have the chance – unless an intelligent producer with deep pockets comes along and shows them how to do it the right way.At first, when the lame commercial-hard rock commenced as Ben (Michael Dorman) ran across a college campus, I thought this was going to be typical teen fair. Then the premise was revealed and intrigue set in – only to collapse into typical teen fair. Worst still, Travis Fimmel, who played Ben's older brother, came off as being creepy in one scene, and a determined guy out to solve the mystery in another. Now, this did not leave the audience with an enigmatic character (such as Stellan Skarsgård in INSOMNIA or Ji-tae Yu in NATURAL CITY) but a confusing one. However, seeing how the story imploded into mediocrity, I have little doubt the director had told me to act in this manner. Think of George Lucas directing kids (unless they're stuffed into ewok costumes) and you'll get the idea.Revenge horrors have become a "give me a break" kind of subgenre, that is a simple and clichéd plot device for writers and directors to use as an excuse to slaughter. NEEDLE reminds us filmmakers need to deliver so much more. And this movie is only worth watching to see how a couple of writers came up with a great idea and didn't know how to make it work.

It's films like Needle that have driven me to become a genre based filmmaker. While I'm only in my final year of film school I've watched quite literally 100's of films in this genre! I had the opportunity to view Needle at a private screening earlier this year, at first I thought it was another run of the mill teens die movie which it still is, however it was first class in the way that they die, it actually made me go back to my script that I'm writing and look at my own killer and if there are ways I could be more original and creative.Overall the script was nicely presented on screen however some of the acting in stages seemed underdone (above comment when Travis' character doesn't seemed phased about the gruesome death of someone he knows) and when the killer is revealed seems slightly overacted by the actor (still haven't been able to work out if this is the result of the script, actor or director).However highly entertaining and refreshing, it showed me there is still plenty of life left in the genre that I love and can't wait to direct!