Nearest to Heaven
Nearest to Heaven
| 20 November 2002 (USA)
Nearest to Heaven Trailers

People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by

Reviews
kirsikka

I have read devastating reviews of the film, but as a Catherine Deneuve fan, of course I had to see it. Though I have to admit I can understand most of the critics' reservations concerning the script, I think the overall bashing of the movie was somewhat exaggerated.As for the writing, it's true, in the first half of the film the scenes piled one on top of the other are way too loosely connected, so while the writers might have meant them to show Fannette's background, the faces popping up here and there form quite an amorphous mess and apart from us seeing them, they don't add much to the actual story. (As for her brother's appearance, it took me almost the whole scene to figure out the man was the brother, and even then I wasn't completely sure.) In addition, the daydreaming, hallucinating scenes about Philippe are sometimes long and tiresome. Though Deneuve is gorgeous and her acting is flawless, in this first part I felt a bit confused about what the creators were trying to get at.BUT: when Fannette arrives in New York, it's as if we, too entered a completely different universe. Their duo with William Hurt works brilliantly on the screen, their conversations are witty and funny and even wittier and funnier the way they act them; the two of them together suddenly become interesting and within a moment you get involved in the story, forgetting about Philippe and the strenuous blurry images of the first half (as is, most probably, the case with Fannette, too:)). The pace gets more lively, and watching the film more enjoyable. Here the conversations are excellent, they are the real heart of the story and beautifully mirror the development of the relationship between the two people. Both actors are very convincing and do excellently in their roles, making the most of the opportunities the dialogues offer them - Deneuve is beautiful as the nonsensical woman who seemingly doesn't care, and Hurt is a heartthrob as the confident admirer of Fannette.I simply loved the end, even though I'd have enjoyed just a bit more conventional ending this time. All in all, it's an enjoyable film with a bit confused first half and a funny, sensitive, romantic second one. On top of that, there are some scenes which are little gems in themselves (the cinema or the kimono scene), and I think the writers managed to create (and Deneuve and Hurt to act wonderfully) one of the most creative and sensual erotic scenes in movie history (the bar scene). To that I'd give 20 out of 10 :). The movie is 7/10.

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writers_reign

As an admirer of Tonie Marshall I was disappointed with this effort and of the four Marshall films I've seen (and own), Venus Beaute, France Boutique, Les enfants du salauds I have to relegate this to fourth place. Yet again Leo McCary's 'An Affair To Remember' crops up in someone else's movie. Maybe Noel Coward should have said in Private Lives 'strange how potent cheap MOVIES can be' and not 'cheap music'. Catherine Deneuve adores An Affair To Remember and sits through it time after time even going so far as to arrange a rendezvous of her own atop the Empire State Building. This doesn't gibe with her overall coldness not least to her own daughter but go to New York she does and there she meets William Hurt with not a shred of chemistry between them. It ends ambiguously but it's difficult to respond to on any level.

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dirkvds

My wife rented this hoping to see some romance. Idle hope. Not much romance between Hurt and Deneuve. Nice to see that Deneuve can still play an attractive lady though. Hurt is on auto-pilot. There are some fragments from 'An affair to remember' making you wish you were seeing that old movie again instead of this French 'remake'. Definitively not worth the time.

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chrissy_dean07

I liked the concept of this movie, especially when it includes clips from one of my all time favourite movies "An Affair to Remember." Catherine Deneuve plays a hopeless romantic, who is trying to reunite with the love of her life that she had when she was young. The story takes place in France and in the US. The only problem with this movie is the language inconsistency. I would have liked it to either be all in English or all in French. Having to switch back and forth takes away from the movie. It might not be one of her best films, but it is entertaining. The chemistry between the actors is very real and adds to the story. All in all it is an okay movie.

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