Dour production. Having recently read the book I was really disappointed in this. Drains the life out of the book. Only managed half an hour before realising it couldn't improve. Have been a fan of Wasikovska since Tracks but maybe she wasn't suited for this role. But more likely it's the direction. I hope this adaptation doesn't stop people from reading one of the greatest books ever written!

I like the film. Finally there exists a version done by a woman showing with sensibility the few choices of life for women in the 19th century. I thought the actors and actresses were perfect in their role. In the end, Madame Bovary finds herself without friends and solutions. She understands how naive she has been with men and has no woman friend. Her whole world has collapsed. She can only choose nature as her ultimate friend.I feel that in this version, Flaubert's book main message is being respected. It is mostly about a woman wanting to experience all the pleasures of life and not being able to do it. Because of herself as well as because of her environment.

Madame BovaryThe hardest part of cheating in the Victorian Era was removing all of your petticoats before you could screw.Fortunately, the unfaithful wife in this drama has plenty of time thanks to her husband's schedule.Married off to a small-town doctor Charles Bovary (Henry Lloyd-Hughes), adolescent Emma (Mia Wasikowska) is unsatisfied with her rural surroundings and her husband's absence.These doldrums quickly culminate in excessive spending and extramarital affairs with two separate lovers (Logan Marshall-Green, Ezra Miller).But when her affairs and increasing debt are exposed to her husband, Emma has no one but her past conquests to turn to for help.An acceptable adaptation of the controversial classic, this abridged version doesn't sacrifice the novel's numerous themes, or dumbs them down. Instead it cuts through the unnecessary exposition to create a concise account of this complicated character.Incidentally, Madame Bovary paved they way for future adulterers like Ashley Madison. Yellow Lightvidiotreviews.blogspot.ca

"She wanted to die, but she also wanted to live in Paris." ― Gustave FlaubertWalking into the cinema... A classic novel by Gustave Flaubert that might be familiar to many by name only, but still sets the standard for realism. Emma Bovary has been portrayed by a multitude of actresses, but how will the perennial period actress, Mia Wasikowska (Alice in Wonderland) handle the disenchanted wife of Charles Bovary? Art-house rating: 2.5 stars* Cinematic rating: 2.5 stars Big question opportunities: 3 stars Review It is the name that might sound familiar, but this may be the first time this generation has engaged the story of Madame Bovary. Set in provincial 19th century northern France, Emma Bovary is a misunderstood soul who desires more than the small country town life style. She is beautiful and loved, but an enigma to most of the people who come into her life. Her father, the boarding school nuns and her husband, Dr. Charles Bovary (Henry Lloyd-Hughes) have an adoration for her, but do not know what to do with her wandering spirit. Her arranged marriage to the community physician, Charles, affords her a certain position within this small community's societal life. Soon she finds that this life as a doctor's wife, is not as glamorous as she thought and seeks satisfaction from her boredom. Emma finds solace in decorating her home, wearing the latest fashion and living out the romance she desires in the arms of other men. Eventually, overspending and the extra- marital relationships are all brought to light and Emma must come to terms with the repercussions of these revelations. Before dismissing this structure as a run of the mill romance novel, stop to consider that this classic tale provides something unexpected in literature. Gustave Flaubert's tragic tale explores the multiple layers of the feminine heart and what happens to someone when they painstakingly seek after the life that was not meant to be. A story chapter rich and laden with emotion. The key to a good film is a rich story. Madame Bovary provides just such a tale, but the implementation does not match the richness of the Flaubert novel. Sophie Barthes delivers a realistic view of 19th century France by depicting the look and feel of Emma Bovary's life as a societal lady in a small town. The landscapes and French countryside provide a canvas for Barthes to paint an emotional backdrop for her acting talent. Her direction delivers a masters class in effective visual delivery, but stumbles in with her casting choices. Leaving the comments about the multiplicity of accents to a minimum and focusing on the actors themselves. (Couldn't they have at least attempted a French lilt to their delivery?) The casting missteps came in the lead characters of Mia Wasikowska and Ezra Miller (The Perks of Being a Wallflower). Wasikowska has proved her skills in portraying women of this era in Jane Eyre, but she does not have the commanding presence to play the emotional layers and sensuality of Emma Bovary. She continues to prove herself as an actress, but does not rise to the challenge of this iconic literary figure. Similarly, Ezra Miller is a striking young man, but was woefully miscast. He does not have a commanding presence on the screen and comes off like a love-sick school boy throughout the film. These central characters let Barthes' direction down and ultimately fail to provide a satisfactory experience. Paul Giamatti and Henry Lloyd-Hughes should get a nod as under- utilised talent, but the support characters cannot make up for the leads. If Barthes does redeem herself in choosing talent it was with the casting of Rhys Ifans (Sherlock) as the devious Monsieur Lheureux. He has the ability to sweep into each scene and convince Madame Bovary and the audience that he is an ally, but proves to be the unassuming villain. Barthes provides a beautiful backdrop for her portrait of Madame Bovary, but neglected to find the right individuals to complement the cinematic canvas.Flaubert was known to be artistic with his words and even in this less than effect interpretation of his novel, the tragedy that is Madame Bovary draws the audience into this captivating, fictitious world. How this man was able to deliver a story that seems to capture the heart of the dissatisfied woman is amazing to consider. His story shows us how easy it is to miss out on what is important in this life. Flaubert provides a multitude of entry points into the considerations for envy, satisfaction and contentedness. Showing that when striving to find satisfaction in mere things or people, they will ultimately fail to provide the answers that exist beyond this life. It is unfortunate that the cinematic experience could not match the richness of the original story, but even in this weak delivery, the story of Madame Bovary does allow for engagement and contemplation of the bigger ideas of life.Leaving the cinema... How do you take on a classic like Madame Bovary? Sophie Barthes has the skills as a director, but does not seem up to the challenge of taking on Flaubert's novel. It was a credible attempt, but ultimately forgettable. Reel Dialogue: What are the bigger questions to consider from this film? 1. Why is love essential to life? (Matthew 22:26-40, 1 Corinthians 13) 2. Can we find redemption for our lives? (Ephesians 1:7, Colossians 1:14) 3. What should we do with the boring parts of life? (Ecclesiastes 2:24-26, Proverbs 19:15)Written by Russell Matthews based on a five star rating system @ Russelling Reviews #russellingreviews #madamebovary