OK this movie is so perfect It has the silly stuff from the comic book And the characters are more interesting than usual I love the Michael Jackson cameo The villain is so unexplained creepy and random type like the comic Don't listen to the haters they did not enjoy because they didn't read the comic book

The general idea is a prodigy of simplicity: to turn a whole set of successful science-fiction dramas or romances or adventures into a full-blown comedy and make all these frightening things that make you dream of a world that will never exist like in Star Wars or in Star Trek hilariously funny so that the audience just never stops laughing. Steven Spielberg adds to that a direct allusion to Back to the future but within the science fiction space adventure genre and it becomes phony more than funny, with me grown up meeting me four years old.The first two films are really funny because they remain within one layer of time. The third one becomes something different, nostalgic, sentimental even, and that breaks the fun to turn it into fear: the fear the negated past or the traumatized past may turn the future which is our present into a nightmare, a PTSS case of time travel trauma, something like PTTTSS, Post Time Travel Traumatic Stress Syndrome. Welcome to the asylum for deeply disturbed minds and brains.The most attractive and fascinating aspect is the phenomenal palette and variety of extra-terrestrials you are navigating among. Obviously all of them are just the figment of the imaginations of a band of deranged probably young people generally called artists though there might be a few older ones who are more perverse than deranged, or perversely corrugated. You cannot find them serious. They are all of them just impossible mixtures of all kinds of living gadgets, except in the last one where one of them is well hidden in a human body and is deadly frightening, not funny at all. The next element that is striking is the role of the Black man in black, just recruited in the first film, trained and excellently performing and competent in the second film and growing melancholy and sentimental in the last film when he sees himself when he was four, when his father was killed under his adult eyes and when with a magic flash the little boy will only remember his father was a hero. And of course it is his partner who erases the truth from the little boy's memory, the partner he meets again in the present some seconds later at the end of the film. That episode brings the saga to an end because the fun has been drunk right down to the tea leaves at the bottom of the cup.We all, absolutely all of us, have rebuilt the image of the father we had, in pink or in black, in celestial blue or in fiery red, but what we remember of our father is nothing but a mental reconstruction, a Lego reconstruction. All the pieces are true, real and absolutely precise, but the pieces have been reassembled in any creative or traumatic way and that's the image we have of the man we call our father. That's normal. That's natural. That's the truth if there is one under the sun. Our memory is selective. In fact, we remember everything without fault but our conscious memory is the Lego construction I have just spoken of. You may have in some drawer, or in your pocket, something that is attached to your father in a way or another and that reached you when you were three or four. This thing is attached to you and you are attached to it in an unbreakable union and yet you don't really know why you're attached to it and it is attached to you. It might be a sentence that comes back regularly and that makes you sick with fear or happy with instant bliss, and yet you do not know where it comes from, except that it comes from a long, long time ago and you still have it in your mind because it was a positive or negative trauma, and, mind you, there are positive happy traumas that have the same power as negative ones, except that this power makes you excel and not run away and hide under your bed.If you want to have some fun in an environment of extraterrestrial monsters, with some dangerous situations and beings and many happy just in time right in time epiphanies and salvations, you have to let yourself slide into these hairy and over-twisted stories and forget about your bills and the fact that the heating does not work. You'll survive since these crazy characters did survive.Dr. Jacques COULARDEAU

Five years on from the events in 'Men in Black' Agent Jay is an experienced agent who is no longer shocked by the assorted aliens that have made the world their home and Agent Kay is working in a post office totally oblivious to his past life. That is about to change though; Serleena, a shapeshifting alien who has taken the appearance of an underwear model, has arrived on Earth looking for Light of Zartha… of course if she were to get it would be disastrous for Earth. The only agent who knows anything about the Light of Zartha is Kay so Jay must bring him back to MiB so he can be deneuralised, unfortunately Serleena and her associate head there too and manage to take over the facility; Kay will have to go somewhere else to get his memory back. That done he and Kay set about finding the Light and thwarting Serleena's plans.This sequel isn't as good as the original but it still has plenty of laughs as well as some exciting moments. The plot is essentially the same; an alien arrives on Earth to find an object and Jay and Kay must prevent it from finding it and this causing the destruction of Earth. Having the alien disguise itself as an underwear model was funny and Lara Flynn Boyle was suitably sexy in the role; she did however lack the creepiness of 'The Bug' that featured in the original film. Tommy Lee Jones and Will Smith are as good as before as Kay and Jay and it was rather fun to see their roles somewhat reversed. Rosario Dawson was good but somewhat underused as Jay's love interest, and witness to an alien event. Some of the best laughs weren't provided by human characters but by 'Frank the Pug' and the wormlike aliens. For the most part the special effects are pretty good however at times they definitely show their age. Overall this is fun enough; it might not be as good as the first but I'm sure most people who enjoyed that film will also like this… and if you don't it is less than ninety minutes long so you won't waste much time watching it.

In this movie, we return to the world of MIB to follow a crisis where, business as usual, the Earth can be destroyed by aliens who are very angry with us. In the first line of defense is Agent Jay (Will Smith), that we saw in the first movie. Now he is a senior officer with much experience in his work, however, he will need the help of his former partner, Kay (Tommy Lee Jones) who is retired and whom the memory has been erased. Its a sequel to the first film, made a few years later and keeping the same actors and director. The script, this time, its signed by Robert Gordon.Like many sequels, this one failed to keep the original movie level. If the first film was a comedy that worked well, this one barely works as comedy, focusing too much on a kind of "re-reading" and "rewriting" of situational and contextual jokes that we saw in the first film. So, who saw the first may not find funny the second one. It's like eating every day the same dinner: sickens and loses joke. Not much to talk about the interpretations of two protagonists: both kept well their characters and, if the film didn't please someone, probably the fault was not theirs but the one who wrote the dialogs and jokes. What saves the film from being a total and complete failure are the massive special effects (they always sell) and the romantic sub-plot associated with Kay's past, who gives some dramatic depth to the story.When we watch the release of a sequel there are always two possible justifications. First: critics loved the first film and this has resulted in awards and notoriety; second: the audience loved the first film and this has resulted in a commercial success, a blockbuster. Personally, I think this sequel was launched with only one objective: to profit at the expenses of those who liked the first film. Its the cinema industry making money as best she knows. It's pity.