Kung Fu Killer stars David Carradine as another 'Caine' type character from his beloved Kung Fu series.The television movie is actually co-written by David Seidler who would go on to win an Oscar for Best Screenplay for his next film, The King's Speech.Carradine plays a Caucasian monk called Crane in Shanghai who infiltrates the criminal underworld to find the killers of his spiritual female Grandmaster and thus gain his vengeance.Carradine was rather long in the tooth for some of the martial arts scenes but he acquits himself well. He joins up in this film with his Kill Bill accomplice, Daryl Hannah who plays a nightclub singer and romantic interest. Hannah is rather wasted in the glamour role especially given how vicious and striking she was in Kill Bill.Carradine has enough charisma to keep us the audience interested, after all we end up reminiscing about his Kung Fu series from our boyhood. The television film has a few good set pieces, the plot is rather hokey and the film is rather pedestrian even dull in places.

Kung Fu Killer did seem interesting concept-wise and for the two most well-known stars of the mini-series David Carradine and Daryl Hannah. Execution-wise, Kung Fu Killer is very lacking and could have been much better but it isn't a complete waste of time. The best things about it are the scenery, the production design and Carradine. The scenery is absolutely gorgeous and makes you wish you were there, the production design and costumes are equally handsome and give a real sense of time and place and Carradine plays his role with authority and dignity. Anya is very charismatic as well, and while not as memorable Osric Chau is above average as well. The same cannot be said for Hannah though, whose role is almost completely needless and she looks disconnected throughout, she has also looked much better than she does here. The choreography and violence is well-choreographed and exciting on the most part, but more finesse in the editing and less of a hard-to-take approach would have been welcome, parts did feel very unsubtle and too much. While the scenery and production look great, the photography is murky and the editing isn't always completely smooth. The music is not sluggish or forgettable as such, in fact there are some memorable parts and there is a sense of tempo, but it has an oft tendency of drowning out the dialogue and could have been toned down more. The dialogue isn't really all that much to write home about, a lot of it is corny and simplistic with need of more flow. Outside the concept and some of the action sequences the story isn't really all that engaging, it could have done with more tension and heart and it does have a dull and meandering feel to it. There are worse characters around, however more time could have been spent with getting to know them and relate to their situation, Carradine's is an exception, and then there are others who are pretty much irrelevant especially Daryl Hannah's(essentially a love interest and nothing more). All in all, there's definitely worse but a rather mediocre mini-series. 4/10 Bethany Cox

Excellent. Only someone who is a fan of the genre would understand what the filmmakers wanted to achieve. C'mon, it's supposed to be dark and violent.Shanghai, 1935, get it? It's smart blend of action and film noir with fantastic tips of the hat to classic films like Five Fingers of Death. The opening is perhaps one of the most staggering (and yes, violent) in recent memory, and, like the the ending, trulyepic. This director pulled out all the stops and he shows an effortless mastery of action and emotion. Carradine's performance is dark, nuanced, his fighting is ruthless. Now that's not to say it isn't flawed in some ways as most films are when they take these kinds of chances, but kudos to some really bold film-making. My advice to the naysayers is to grow a pair, bone up on this genre and appreciate good film-making.

"Kung Fu Killer"'s main drawing card is that it reunites two big names from "Kill Bill" - David Carradine and Daryl Hannah - but let's face it, this is not the shining moment in either of their careers: Carradine is getting too old and static to participate in continuous action scenes, and Hannah has a rather thankless "object of desire" role. The real reason for which I would recommend seeing this film is the presence of Anya as a henchwoman. Apparently she had a near-fatal car accident in 2003, but she returned to her career, and despite a couple of remaining scars, she still looks stunningly beautiful. She also seems to have worked on both her martial arts skills (impressive) and her acting (arguably the best in the film - though her character suffers at points from poor writing, and it seems as if the writers wanted to suggest that she is lesbian but not go "all the way"). The story is kind of slow and plain, but the production values are passable, and there is some good fighting at certain points; I liked how the choreographers incorporated choking / grappling techniques in the fights - particularly when Lin Tong Hsu (the Head Siren) used them! (**)