Mr. Seagal is getting a little old for the job. He's put on a little weight too I think. So what does Into the Sun offer us that hasn't been done before. Well we get to see Seagal wield a Katina and go apes**t on a bunch of Japanese criminals, and we get to see him act in a different language, but his fluency in Japanesse has little effect on the overall quality of his performance. It's just different is all. No folks, Seagal is pretty much the same guy he was ten fifteen years earlier, only he'd getting tiresome. With that in mind, If I am gonna recommend one film from the latter Seagal, this might be it. despite It feels a bit more epic than anything he has done in that decade, It has some nice shots, and even features a couple of Seagal's songs. He ain't too bad.The script could do with a few less clichéd lines, and a few more one liners. Steven Seagal looks pretty bored on screen, and the signs of age are certainly taking their toll, but he ain't dead yet.

You can think what you want about Steven Seagal, but you definitely can't ignore him. He's not just a movie actor, he's an entire genre all by himself. Within that genre, "Into The Sun" isn't the worst. Not the best either, but worth watching all the way through. Seagal's a bit too out of shape to really match up to what he did in the early 90s, but at least it seems like he's actually trying this time around. He's probably still using stunt doubles, but he sure as hell does it more cleverly this time around. Generally the action scenes just look right, the visual style to this is excellent. I especially enjoyed the grand finale, which focuses on some really well-choreographed sword fights. There are some downsides too, but they are the same downsides pretty much every Seagal flick has. Why do people keep putting Seagal in love subplots? It's embarrassing to watch every time. Also there's the usual spiritual stuff that was only amusing once. This really isn't that bad, but yet again it brings absolutely nothing new.

Steven Seagal plays yet another ex-CIA agent and this time he's got Tennessee Titans running back Eddie George with him......for about 5 minutes.In this one, the Japanese Yakuza plans to unite with the Chinese Triad and its up to Seagal to stop them. Sounds simple but it turns out to be very convoluted. First off they credit Eddie George as one of the stars of the movie and they kill him off before the opening credits...wtf? Its always nice to see William Atherton play the jackass because he does it so well. The movie rolls along and as usual Seagal mows everyone over with little resistance along with a female counterpart to save the day.......yawn.Every Seagal movie is the same these days, an ex-CIA agent that goes after an entire mob of ppl and methodically takes them out with little resistance and ends up saving the day. This time though, its the cultural difference thats confusing. At one point during the flick a bunch of punks gather round to attack Seagal, he points out that half are Chinese and the other are Japanese and 10 years ago that would have never happened. Now to us Americans, if you told us someone was Chinese but was really Japanese how the hell would we know the difference? So we're supposed to watch this and be able to point out who's Triad and who's Yakuza? I know the director/writer is supposed to establish an alliance but when the orginizations hate each other how are we supposed to know? Its a cookie cutter movie where Seagal beats up everyone with little trouble but the cultural impact is the river card to the other movies. in Out For A Kill he was against a Triad, simple enough. This time he's got two cultures to deal with and the storyline gets confusing, but by no means is it that bad of a movie. Another thing is Shawn gets killed and Seagal doesn't comment on it until the very end of the movie If you're a fan of the cultures then its worth the 5 bucks to see it, but if not then go see something else. The highlight of the movie is where Sensei asks which Kendo school Shawn went to and he answers UCLA.4 out of 10

If you've been disappointed with some of Seagal's film of late, don't let that stop you from seeing this one. Some people just think Seagal's a joke and hate everything the guy does. But this movie is never boring, it's very violent (like his films back "in the day" were), and the direction by "mink" (huh?) keeps the film moving at a brisk pace. The authentic Asian locations help a lot too.While far from perfect, this movie rocks: it pours on the blood, the fights, the moments of zen "calm" -- all the things one expects from a Seagal film. And this one delivers!Seagal wrote and performs some of the music for the film too. It's great stuff: he's a decent singer and a fine guitarist.Keep crankin' 'em out, Steve!