This is not an Oscar winning film by far, but I like talking films. I watched it on DVD though and could not get the subtitles to work, so I missed a lot of the jokes. But I did not miss Neve naked. It reminded me of Delicatessen for some reason, like the emotion of it. That is was sort of abstract. My boyfriend hated it, so it might be for people who like character driven movies. A lot of the editing seems random too, which I grew to like.Thought the DVD displayed Neve, the main character I though was the cook and how she was the only one really doing anything and that is why she hated her job. The title of this movie could have been better. It is sort of a cop-out.

This is a film which many can relate to on many different levels. The first, obviously (and on the surface), is of a handful of people trying to make a higher class restaurant work with an over-taxed staff. Many in the service industry can relate to that--especially (in this case), those working in a restaurant. You have the over-worked cook, the manager who attempts to befriend everyone whilst attempting to keep things running those smoothly, and the others who are trying to make a buck whilst focusing on their primary goals. On another level (that many others, other than restaurant folk, can relate to), it's a story of pursuing your main goals whist trying to make ends meet. Each of these women have a goal (other than working in this nameless restaurant) which they're trying to pursue. Throughout the entire film, they attempt to maintain a delicate balance between staying true to themselves and their goals and achievement, and--keeping the customers happy. On another (similar, yet most important) level, it's a story of doing what you have to do. It's a bittersweet theme. You work hard to get where you want, by means of working a meaningless (and thankless) job to make ends meet whilst pursuing your dreams and goals; and for all anyone knows, you may not even get where you want. Many hopes will be dashed in the meantime, but in the long run, though, you keep on trucking and hope you get what you want.

The problem with art-house films is that it is a lot like abstract painting. No one has any idea of what is art and what is simply a self defined art. I can come up with a film that reflects my feelings and thoughts and call it an excellent film because i can relate to it and it is reality for me. But, to others this film maybe far from reality and can carry no weight for them. This is so true of this film, i came into it thinking that it would approach the ills of working 9-5. Boy, what a shocker!!!It talks about the ills of being lost women in a world full of lost people,not focusing on anything interesting or real.And with each unnecessary scene comes even more outrageous and unnecessary dialogue which makes for an even more outrageous unnecessary movie. This movie doesn't move, inspire, or even tickle a an arthritic bone. And even so it makes matters worse by parading a naked neve cambell(barf!), and turns into a brief musical to boot. Sorry, but this one takes the cake...no more art-house independents for me, i think i rather got to work for 12 hours than watch this drivel!

Five restaurant employees take on a night of wild fun and dramatic life crises in a London fine-dining establishment. While not perfect, I Really Hate My Job is hysterical and loquacious. The ensemble cast is vibrant and interesting; you can't help but love them all and find something to relate to. I tried to choose which character was my favorite (or better yet which actress was best) and I just couldn't decide. The whole cast is truly fantastic. Everyone really brought something to the table. The Dishwaher caused my eyes to water with her inane, hysterical dancing and speeches. The Chef (Shirly Henderson) was perfect as a secluded, self-contained, intellectual writer on the verge of cracking. The Waitress (Neve Campbell) was just downright daring in manner, actions, and speech. The Other Waitress (resptively Alexandra Maria Lara) was sweet, perky, and optimistic; I enjoyed her quirky sense of the world and positive suggestions on how to better everyone else's life. The Boss (Anna Maxwell Martin) was great at trying to maintain control while her love life was possibly ending and the business was declining. Another commenter mentioned the potential of this being a great play... I full heartedly agree. The script, story, and actresses are what make this enjoyable.The only drawback, I guess, would be that the ending was inconclusive. All these character problems were introduced and none were solved. Particularly when Abi (Neve) asks her boss about her real name; it's never revealed why the boss changed her name but it is brought up enough times that you are disappointed when they never tell you. Things like that lessened it for me.