I have no gripe about this movie. The plot is an adaptation of what The Great Gatsby, which I love.Anyone who says that the beginning gives away the end, probably has attention deficiency disorder and didn't pay attention to the actual story. There were many instances in which you suspect the movie would end with the opening scene, but it just didn't.And I don't agree with anyone saying that the characters are "stereotyped." There are many types of blacks portrayed in this movie, from the "straight from the ghetto and 'real' about it" to the reserved, cool "gangsters" to the type that wants to conform to "higher" society. The rowdiness and uncouthness of the people in Summer G's party are necessary in keeping the feeling of the book The Great Gatsby, where the newly-rich in Gatsby's party are unaware of the etiquette of blue-blood society.And to those who said "there is no hip hop," I believe that I did hear some rap/hiphop played several times throughout the movie. You don't expect to have an entire music video film, do you? Overall, I thought this movie was great. There was some arguably unnecessary material sprinkled throughout the film, but it should definitely get higher than a 4.4.

Cherot's earlier film, "Hav Plenty", was one of my favorite movies. The chemistry between Cherot and Maxwell's characters in "Hav Plenty" was magical, albeit also disturbing in some ways. Hav (Maxwell's character) was a self-admitted freak and you find yourself asking why can't D. Money look past her breath-taking physical beauty and see the darkness within? But, this review is about Cherot's later movie, "G". It was a big disappointment. I rented it from Blockbuster immediately after noticing Chenoa Maxwell starred in it. I didn't even notice that it was another Cherot movie until after I watched it ... twice. The significance of that fact is that I was thinking "G" suffered from not having Cherot as the director, then I found out this was a Cherot film. Uh-oh.This movie has two problems. One is the weak script. The entire premise is 100% unbelievable. Rappers in the Hamptons? Come on. Maybe, this could have been pulled off as a comedy, but as drama the premise is ill-conceived.This movie has so much potential. Blair Underwood nails his character, as always. And, Richard T. Jones manages to tone down his obvious comedic skills and delivers a leading man whose charisma is all the more impressive when you realize he convinces us that Sky (Maxwell's character) should be with him instead of the brother every sister in the world would love to wake up next to, Blair Underwood. Pay attention to the second scene in which we see Summer G. (Jones' character). You sense everything you need to know about Summer G. before he evens says a word. Jones' acting is that deep in this movie. It is, by far, his best work I have seen to date.Problem number two is Chenoa Maxwell. Chenoa Maxwell is one of the finest sisters on the planet. That, in itself, is enough to convince most men, and more women than you might think, to see this movie. But, she, apparently, is an actress who needs quite a bit of help from her director. She was so fascinating in "Hav Plenty". But, in "G" she appears, well, amateurish. And, I say that as a fan who sincerely wants to see her do well. I couldn't help being drawn to her character in the episodes she played in "Girlfriends". She played opposite Golden Brooks, another sister with drop dead gorgeous looks. Yet, when the two had a scene together, I found myself drawn to Maxwell's character. But, "G" is the worst work I have seen yet from Maxwell.I always saw Chenoa Maxwell playing a role. I never saw Sky, the character Chenoa was supposed to be portraying. Chenoa doesn't look comfortable with this role. In her love scene with Jones, he is buck naked, oblivious to the rest of the world, only into Sky. But, Sky isn't there. Instead, there is Chenoa, more concerned about what body parts not to show than of losing herself in G.s embrace. I can respect a sister deciding not to show her body on camera. But, a sister with those sort of values should not have accepted this role.I think , when it comes to love scenes, the actors have to put all personal inhibitions aside and immerse themselves in their characters. It it then up to the director to tastefully edit out shots which are not flattering. If you don't trust your director to do that, you can not give your character your whole heart and soul. Halle Berry had to do this in "Monster's Ball". In her infamous love scene with Billy Bob Thornton's character, Halle is nowhere to be found. At that moment, the only woman in the room is Leticia Musgrove. Yes, it annoys me that White Folks picked that particular story to come up, finally, with another best actress award for a sister. But, Chenoa could learn a lot from Halle's work in "Monster's Ball". Think back to the last scene of "Monster's Ball", when Halle's character told us so much without ever saying one word. Now, that was the level of talent we needed to see from my girl Chenoa.Chenoa, please, sister woman, at some point, if you intend to take this acting thing to the next level, you have to be willing to move further from Chenoa and closer to the character you are playing. Embrace her, take chances, even chances that you personally might be a little uncomfortable with. I, for one, know you have it in you.But, if your personal value system is not compatible with the whole Hollywood acting scene, to the point where you decide being Chenoa is more important than being an actress, I ain't mad at cha. I have no doubt you could be a success at anything else you put your head to. But, whatever you choose to do, do it with all your mind, heart, soul, and body.Istlota

I had high hopes for this movie. Basic premise is, Girl dates struggling artist/entrepreneur in college. Girl dumps artist/entrepreneur for new rich guy who sweeps her off her feet with time and gifts. Girl runs of and marries rich guy. Years later, Artist/Entrepreneur becomes rich and famous. Girl artist/entrepreneur meet again. Old feelings still there, what will happened next?? Nothing to original about it, but still could make for an interesting story. Despite my high hopes, and, as one user commented, it's not a good sign when it takes 3 years to get a movie out there. My first complaint is that first 2 minutes basically give away the ending of the movie! It wasn't that difficult for me to figure out what would happen once I saw the opening sequence. I was hoping not to be right, and looking for a surprise ending, or a twist. Sadly, I got neither. It was just as predictable as I feared. Yeah, the actual shooter could be seen as a twist, but I saw that coming as the movie went on too.I was not impressed with Chenoa Maxwell's role or acting ability at all. She basically comes off as a money hungry ditz, who is only interested in men that will spend money on her, or bow to her every demandMy advice, Save your money. It's interesting to see typical good guy Underwood play a semi-abusive womanizing jerk, but you hate his wife so much you can't be mad at him. And Richard T Jones was decent, but I would have liked to see a little more depth to him than some lovesick puppet willing to do everything for this woman who betrayed his trust in the past.

G, The Hip-hop Great Gatsby opened the Kansas Film Festival and I got a ticket. I'm not at all a fan of Hip-hop (although Hustle and Flow was terrific!). Regardless "G" is great! Keep in mind the question the Journalist (narriator) asks everyone, "Does Hip-hop have heart?". He finally gets an answer with the last line of the movie. Richard T. Jones was mesmerizing as a "Puffy" Rap Mougel slumming in the Hamptons. If your definition of evil is selfishness carried to its logical conclusion then Blair Underwood played a true monster. Great acting job since he is such a sweet person. The movie is a bit uneven in some of the pacing and the reason why the female lead, Sky does what she does is puzzling but an extremely good-looking cast and a great soundtrack make this a movie to watch for. Writer-director Christopher Scott Cherot was at the film and gave a 30 minute Q&A on what he went through to raise the money and get the film made is so good that I hope he will repeat it on the DVD. You can tell when a studio has over-processed a film more than Spam and this is Cherot's film from star to finish. Even if you don't like Hip-Hop see it.