It was not long before when I first came to know about circumcision, but it was only for males. The information came along with the news that it has some sort of positive effect. To put my view, I would say it's not so. It was after that came a day when I came across movie Desert Flower. I got to know about the terrible practice of female genital mutilation. Both the sexes miss onto something nature has given them in such practice. What's more evil is there are the cases where subject bleeds to death. It is terrible.Desert flower is a movie of a woman, in Somalia who becomes victim to the practice of FGM. She however changes her fate and becomes a supermodel and even UN special ambassadorAt the end however, we receive data how those practices are made illegal and human beings living in those area are getting together towards a better future.

This films is one of the worst examples of people forgetting that when you point one finger at something, three fingers points back at you...Sure I find circumcision disgusting too, and it is good that the story is told.BUT telling the story using a women sick with underweight like a KZ prisoner, claiming her looks as pretty, sort of destroys the whole project...OTHER cultures attacks of the female body to suit its ideals we shall see as disgusting, but OUR cultures ideals suppressing females by malnutrition are tooted as positive....Embarrassing that this obvious dilemma is completely ignored, how blind of our own faults can anyone get? Double standards at its worst?

The true story of Waris Dirie, a Somalia girl from a desert region and promised to a miserable local life, who fled to England and eventually became a top model. But the real story, the one that begins the day that changed her life, is another one. Hard and repulsive story, heir of a Somali tradition of 3000 years. A strong and true message, which calls for our humanity. Superb interpretation. Simple direction, valuing the natural interpretation, and decorated with a lot of beautiful film views. Another important point of the message is this distinction between the Somalia tradition and the Coran recommendations. See and support absolutely.

A young Somali girl is at the center of this film, based on a real story. Waris, a young shepherdess, lives with her nomad family tending to the herd, camping everywhere in an inhospitable landscape. The family is dominated by a matriarch, as we seldom see the father. Waris, who is a teenager as this tale begins, is horrified when she is sold to an older man with three wives. The only solution is to run away from that situation. The best thing is to find her grandmother in Mogadishu, a trek that will take her days across the arid countryside.In flashbacks we get to know Waris best kept secret. She had the indignity of having been circumcised at the tender age of three by an older woman, who performs the ritual that mutilates women's vaginae, rendering her unable to feel, or have any pleasure during intercourse. In fact, the barbaric act kills a lot young girls who bleed to death by the way they are cut. Through ignorance this practice is done in a lot of countries. Waris is not the only one, but she had the courage to speak publicly about it and create an outrage as she presented her case in the United Nations.Waris Dirie ended up in London as a teenager brought to work at the Somali embassy as a maid. When war broke in her native country, she had to fend for herself. Through a kind soul, who took pity on her, Waris was able to make something out of herself. A lucky break came in the way of a photographer that realized her potential and she rose to the ranks of super model because of her beauty and talent, which in a way, plays as a Cinderella story in comparison to the hard life she endured as a child.Directed by Sherry Horman, the film has two narratives. Waris' life in Africa, and her meteoric ascent into becoming a fashion model. The best part of the film is the first one because it is more realistic, with a clear message about a fact that has been played in the press from time to time, but whose practice continue to maim young females throughout the world by men hating women and subjecting them to a barbaric procedure that kills a large number of young females, as was the case of two of Waris' sisters. The London part of the story is more artificial, when compared with the more real African narrative.Soraya Omar-Scego, the young actress that plays Waris is quite compelling in her determination to leave behind family to look for a better life. Liya Kebede is the adult Waris. A ravishing beauty, no doubt, a successful model herself, she seems credible. Wonderful Sally Hawkins is seen as Marilyn, the English woman who befriended Waris and took her under her wing. Timothy Spall, Juliet Stevenson, Craig Parkinson, Meera Syal, are seen in supporting roles.